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Luke Stewart Silt Trio, Nublu Orchestra & Brodie West Quintet
by Maurice Hogue
Bassist Luke Stewart is a prominent name in improvised sessions these days. His own Silt Trio has a very interesting new release, The Bottom, and it's the highlight album on this edition of One Man's Jazz. Also very interesting is Toronto alto player Brodie West's new Meadow Of Dreams; it's coming out the new Toronto label, ...
David Sanford Big Band feat. Hugh Ragin: A Prayer for Lester Bowie
by Angelo Leonardi
La variopinta composizione di Hugh Ragin dedicata a Lester Bowie dà il titolo al nuovo album di David Sanford ma non ne esaurisce gli intenti. Il premiato compositore, bandleader e didatta di Pittsburgh aggiunge infatti sette suoi nuovi brani, confermando fantasiosa padronanza del disegno orchestrale in equilibrio tra linguaggio contemporaneo e tradizione. I ...
Alberto Braida: Cats In The Kitchen
by Mark Corroto
Cats In The Kitchen by the trio of Alberto Braida, Silvia Bolognesi, and Cristiano Calcagnile is the embodiment of la sprezzatura, an Italian expression that has no equivalent in English but roughly translates as doing something extremely well without showing that it took any effort. The nine compositions penned by Braida, an accomplished pianist whose recent ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Hans Koch & Paul Lovens: Nephlokokkygia 1992
by Mark Corroto
This live recording from a tour through Bulgaria in 1992 begs the questions: why Bulgaria? and, most importantly, why are there not more recordings from Hans Koch and Paul Lovens? Nephlokokkygia or “CloudCuckooLand" is seeing the light of day for the first time as, during the pandemic year of 2020, Koch edited tape recordings of the ...
Corrado Beldì il poliedrico: su NovaraJazz e non solo
by Libero Farnè
Dopo aver partecipato a NovaraJazz per un paio di giorni nel 2008 e nel 2011, ho incontrato di nuovo il suo direttore artistico Corrado Beldì al Talos Festival di Ruvo di Puglia nel 2014, quando di scena era l'Instant Composers Pool. Mi trovai di fronte un quarantenne giovanile, estroverso, sempre pronto a una risata contagiosa e ...
James Brandon Lewis & Red Lily Quintet: Jesup Wagon
by Vic Albani
Erano anni che il jazz attendeva un lavoro come questo. Splendido nella totale sua interezza, capace di riportare “il jazz nel jazz" dopo tanti anni e tante nuove incisioni che i critici hanno valutato con attenzione e spesso incensate come lo sforzo creativo del guardare avanti, pur “rimanendo nobilmente avvinghiati alla tradizione" e via di conserva. ...
Shelley Hirsch: Back with a Vengeance
by John Pietaro
It took Brooklyn's Roulette performance space to break COVID-19's hold on Shelley Hirsch. Now, it seems there'll be no stopping her. The vocal acrobat, poet and performance artist was a new music original long before “downtown" moved across the East River. An original member of the avant rock band The Public Servants, Hirsch also ...
Seeing More Jazz
by Luciano Rossetti
My interview (Seeing Jazz: The Photography of Luciano Rossetti) with Karl Ackermann was published earlier this week. Here are some additional photos of mine that I wanted to share. Over the course of my career I have had the pleasure of photographing some of the greatest jazz musicians in the world including Anthony Braxton, ...
Seeing Jazz: The Photography of Luciano Rossetti
by Karl Ackermann
As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...
