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Enzo Pietropaoli, Julian Mazzariello, Alessandro Paternesi: The Princess
by Neri Pollastri
Piano trio tradizionale, impegnato su “standard del pop" riletti con meditata attenzione, sempre su tempi lenti e con partecipazione emotiva: si può riassumere così questo The Princess, del contrabbassista Enzo Pietropaoli, che vede al pianoforte Julian Mazzariello e alla batteria Alessandro Paternesi. Il programma si apre con un brano di John Lennon e prosegue ...
Doyle Bramhall II: Shades
by Doug Collette
The title of Doyle Bramhall II's Shades intimates a fitting level of nuance comparable to that of his previous album, Rich Man (Concord, 2016), where he married the most profound spiritual themes of his original material to lush production and arrangement. Here, in contrast, he emphasizes his blues and R&B roots so that, as a direct ...
Stefon Harris & Joe Locke: Vibes Away!
by Doug Collette
Within the realm of modern jazz, the vibraphone has long enticed unusually imaginative musicians to explore the possibilities of the instrument. Milt Jackson, Bobby Hutcherson and Gary Burton have essentially reinvented the vibes for successive generations, while Warren Wolf and Yuhan Su, among others, continue to reconfigure its appeal to entice contemporary audiences. Respective studio works ...
Hugh Coltman: Who's Happy?
by Angelo Leonardi
Trasferitosi a Parigi nel 1999 dopo la separazione dal gruppo rock blues The Hoax, il cantante inglese Hugh Coltman ha realizzato una carriera solista con varie collaborazioni (tra cui quella col pianista Eric Legnini e le cantanti Krystle Warren, Vanessa Paradis e Mayra Andrade) più un temporaneo ritorno con la vecchia band. In terra ...
Greatest Other People's Hits
by Doug Collette
In keeping with his adopted moniker, John Wesley Harding, nee Wes Stace, has too often been a bit too clever in penning original material from his position in the circle of late Seventies-early Eighties songwriters including Elvis Costello and Graham Parker. As a result, his regular choice of cover material has simultaneously functioned as a respite ...
Heavy Music - The Complete Cameo Recordings 1966-1967
by Doug Collette
Bob Seger has been stubbornly reticent about the distiribution of his catalog in the wake of the CD and the rise of streaming services, so the issue of his early output on Heavy Music: The Complete Cameo Recordings 1966-1967 is a sign of astute archiving. Ten tracks on a single disc isn't usually a treasure trove, ...
Memories of Woodstock: Joan Baez at Jazz in Marciac 2018
by Luke Seabright
If you're a jazz fan, you'll almost certainly have heard of Marciac. But if it's the first time you're going there, and you don't know much about the place, you may well experience some confusion. If you've flown in, you're most likely driving over from Toulouse, the nearest airport. You've prepared your GPS and entered in ...
Headliners and Rising Stars at the 2018 Montreal International Jazz Festival
by Dave Kaufman
Part 1 | Part 2 | Part 3 | Part 4This year marked one of the best and most well-balanced indoor (paid indoor events) and (free) outdoor lineups at the Festival International de Jazz de Montreal (FIJM). The strength of the lineup stretched across genres and also maintained a consistency over the course of ...
Kurt Elling: The Questions
by Angelo Leonardi
Dall'inizio del nuovo millennio Kurt Elling ha sempre più escluso dal suo repertorio brani swinganti e dinamici a favore di ballad o pop song. Gli esuberanti interventi in scat e le fantasiose escursioni vocali dei primi dischi (mutuate dal suo iniziale modello, Mark Murphy) hanno lasciato il posto a interpretazioni da crooner confidenziale, privilegiando interpretazioni eleganti, ...
BANG! The Bert Berns Story
by Doug Collette
BANG! The Bert Berns Story Abramorama 2018 BANG! The Bert Berns Story compares favorably to The Terry Kath Experience (FilmRise, 2017), not just in the elevated quality of its conception and execution, but in its authorship by an offspring of the subject. Just as the Chicago guitarist's daughter, Michelle Sinclair, helmed the ...
