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440

Article: Album Review

Steve Kuhn Trio: Live at Birdland

Read "Live at Birdland" reviewed by J Hunter

by J Hunter

You have to crank the volume hard to hear Bill Evans' whisper-soft intro to Miles' “So What" on Kind of Blue (Columbia, 1959). When you hear it, though, you know something special this way comes. Steve Kuhn comes from the same school of subtlety as Evans, and Kuhn's one-finger opening to his trio's Blue Note debut, ...

442

Article: Album Review

Dinah Washington: Music for Lovers

Read "Music for Lovers" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Dinah Washington's biting, blues-smoked phrasing is often cited as the primordial ground from which singers such as Esther Phillips and Nancy Wilson blossomed, and through them, more contemporary vocalists like Chaka Khan and Patti Labelle subsequently bloomed. This new collection of ballads draws from Washington's 1962-63 recording prime, a fertile period when she released several albums ...

255

Article: Album Review

Lee Morgan: City Lights

Read "City Lights" reviewed by Samuel Chell

by Samuel Chell

This album may not enjoy the same status as Charlie Chaplin's revered movie of the same title, but it's a session that evokes similar feelings. Like the beloved Tramp, Lee Morgan wins our respect with a performance of exceptional warmth and dignity, grace and beauty, sprinkled with moments of gentle humor. His playing on this session ...

431

Article: Album Review

Horace Silver Quintet: Silver's Serenade

Read "Silver's Serenade" reviewed by Samuel Chell

by Samuel Chell

What's with the producers at Blue Note/EMI? Or is it engineer Rudy Van Gelder who decides what gets reissued? Silver's Serenade is vintage, nicely representative music by the pianist-composer's best known ensemble, but it was never out of print. By contrast, one of the few Silver sessions for which the term “inspired" might apply--Further Explorations by ...

380

Article: Album Review

Lee Morgan: The Cooker

Read "The Cooker" reviewed by Samuel Chell

by Samuel Chell

Although Lee Morgan had already made a handful of albums at the age of 19, The Cooker (1957) represents his throwing down the gauntlet as successor to Clifford Brown's vacated throne. It's close to being a pure bebop session, suggestive of a date like For Musicians Only (Verve, 1956), on which Gillespie, Stitt and Getz set ...

1

Article: Album Review

Lee Morgan: City Lights

Read "City Lights" reviewed by AAJ Italy Staff

by AAJ Italy Staff

È benvenuta la ristampa di uno tra i dischi meno conosciuti di Lee Morgan, per l’occasione spalleggiato da una fantastica front-line: George Coleman al sax tenore e Curtis Fuller al trombone. Con una ritmica tanto vigorosa quanto fluida, che vede impegnati Ray Bryant al pianoforte, Paul Chambers al contrabbasso ed Art Taylor alla batteria. Due sono ...

257

Article: Album Review

Jackie McLean: Demon's Dance

Read "Demon's Dance" reviewed by Hrayr Attarian

by Hrayr Attarian

Sometimes a work of art is best known because it ends a period in its creator's career. If, in addition to its historic importance, it has immense artistic value, then it becomes a masterpiece. Such is the case of Demon's Dance, the last recording from Jackie McLean's Blue Note period, during which he discovered his unique ...

1

Article: Album Review

Jackie McLean: Demon's Dance

Read "Demon's Dance" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Jackie McLean è stato, oltre che magnifico sassofonista e compositore, un testimone chiave della storia del jazz moderno. Fin dall’adolescenza ha frequentato infatti protagonisti come Charlie Parker, Sonny Rollins, Miles Davis, Charles Mingus, figurando spesso in incisioni significative di questi autori. In veste di leader, ha vissuto molti cambiamenti stilistici e, pur fedele al linguaggio della ...

181

Article: Album Review

Charles Tolliver: With Love

Read "With Love" reviewed by Jim Santella

by Jim Santella

Featuring the soulful trumpet soloing of Charles Tolliver and fiery band arrangements that he's created through a lifetime of paying dues, both in New York and Los Angeles, With Love drives with a powerful spirit and deep feeling. Tolliver's writing shows an influence from Gerald Wilson, with whom he worked in the late 1960s. ...

206

Article: Album Review

Don Byron: Do The Boomerang: The Music Of Junior Walker

Read "Do The Boomerang: The Music Of Junior Walker" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Through previous recordings in honor of Sly Stone, Igor Stravinsky, Henry Mancini and other influences on his highly individualized muse, Don Byron has demonstrated a great feeling for tributes. His sixth Blue Note release honors Autry DeWalt, who blew as “Junior Walker a string of saxophone/organ hurricanes that contributed mightily to the rock-soul wing of Motown ...


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