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The Brooklyn Express: No Time Left!
by Alberto Bazzurro
Registrato a Brooklyn nel giugno 2015, questo nuovo lavoro della Premiata Ditta Cavallanti/Tononi non tradisce neanche stavolta le attese, anzi rinverdisce atmosfere e -diciamolo pure -opulenze che la crisi globale in cui ci stiamo dibattendo ha finito spesso per mettere in un angolo (proprio per un fatto di dispiegamento di mezzi e forze). ...
Ethnic Heritage Ensemble at The Center for New Music
by Harry S. Pariser
Ethnic Heritage Ensemble Center for New Music San Francisco, CA February 15, 2016 San Francisco's Tenderloin District is a down-and-out area which wags have christened “Twitterloin," (owing to the proximity of Twitter and other tax companies given tax subsidies to erect their palatial edifices in this culturally diverse neighborhood). And the ...
William Parker Raining on the Moon: Great Spirit
by Angelo Leonardi
Finalmente sono pubblicati gli inediti della session di Corn Meal Dance (Aum Fidelity, 2007), registrata dai Raining on the Moon di William Parker il 3 gennaio 2007. Come spiega Steven Joerg nelle note del disco, in quel giorno vennero registrati 14 brani ma fu scartata l'ipotesi del doppio CD e cinque di essi restarono fuori.
Darius Jones Quartet, Emilie Lesbros: Le bébé de Brigitte (Lost in Translation)
by Alberto Bazzurro
La Brigitte del titolo è Brigitte Fontaine, artista “totale" (cantante, poetessa e altro ancora) francese, oggi settantaseienne, che fra le tante esternazioni del suo talento nel 1970 registrò un album, Comme à la radio, con l'Art Ensemble of Chicago. A lei il trentasettenne altoista Darius Jones, nativo della Virginia, dedica questo suo nuovo lavoro, per il ...
AACM - The Association of the Advancement of Creative Music
by Hrayr Attarian
The Association of the Advancement of Creative Music (AACM) was created 50 years ago in Chicago to give voice to adventurous African American musicians and to express the political turmoil of the era. As this is the anniversary year of this revolutionary collective here are ten essential classic AACM recordings that belong in any collection, regardless ...
Hashtag Jazz
by Margret Grebowicz
In his 1994 study Thinking in Jazz: The Infinite Art of Improvisation, Paul Berliner describes American jazz as a community cutting across “boundaries defined by age, class, vocation, and ethnicity" and concludes that “it is their abiding love for the music that binds this diverse population together." (Berliner, 1994, p. 36) Twenty years later, jazz community ...
Matthew Halsall & the Gondwana Orchestra: Into Forever
by Phil Barnes
Some artists epitomise the times they live in, while others go their own way, standing apart from the herd, ploughing their own furrow. As the self-aggrandising, dishonest and downright greedy seem to gain ever greater prominence in our world, those whose work can provide a few moments of respite, refuge and reflection become more and more ...
Rob Reddy: Bechet: Our Contemporary
by Troy Collins
With so much history to explore, tribute albums to jazz greats have become an established custom, regularly issued by artists of varying experience, from neophytes to masters. The most efficacious of these homages provide a fresh perspective on longstanding traditions, tracing the lineage of current concepts to past advances. A salient example of this phenomenon is ...
Gent Jazz Festival 2015: Part 1
by Martin Longley
Gent Jazz Festival Bijloke Gent, Belgium July 10-12, 2015 Part 1 | Part 2 A bold beginning was made with the festival's opening night, perhaps concentrating on some of director Bertrand Flamang's personal favourites. This evening was never destined to be a sell-out session, but ...
Yells at Eels: In Quiet Waters
by Karl Ackermann
It would seem that trumpeter Dennis González could easily find a place among the better-known artists in jazz were it not for a deep commitment to making generally undefinable music and priorities that include putting his academic and literary responsibilities out front. From the time of his first release as a leader, Air Light (Sleep Sailor) ...
