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Anastasios Savvopoulos Azure: Ebbs And Flows
by Neri Pollastri
Quartetto atipico per strumentazione—sax, pianoforte, chitarra e batteria, ma senza contrabbasso—e per nazionalità—due tedeschi e due greci—questo Azure è diretto dal chitarrista Anastasios Savvopoulos, che ne firma anche le nove composizioni, tutte venate di una narratività melodica, ma al tempo stesso anche molto aperte, destrutturate, virtuosamente sbilenche. Ad aprire è la suite bipartita che ...
Stefano Leonardi, Marco Colonna, Antonio Bertoni, Fridolin Blumer, Heinz Geisser: Aura
by Giuseppe Segala
Aura è un buon titolo per questo lavoro, che vede impegnato il quintetto del flautista trentino Stefano Leonardi, già protagonista con lo stesso organico del CD l'Eterno, pubblicato nel 2018 sempre dall'etichetta Leo Records. Rispetto alla frenetica turbolenza che impregnava l'opera precedente, qui ci troviamo alla ricerca di una tavolozza che amplia gli episodi eterei e ...
Frank Carlberg/Gabriel Bolaños: Charity and Love
by Dan Bilawsky
While Frank Carlberg certainly rises to great heights in large-group settings, some of the pianist's most absorbing and thought-provoking work has been built around the intimacy of the duo. Whether we're talking about intrigue-laced meetings with fellow Finn (and drumming great) Klaus Suonsaari, a ballad set featuring tenor saxophonist Noah Preminger, some two-piano play with Ran ...
Monty Alexander: Love You Madly: Live at Bubba's
by Jim Worsley
Risk and reward is honored in the selection of this premium sound night club gig from nearly forty years ago. Just how such a recording is going to play in a current climate is tricky business. Is it vintage or is it outdated? Is it a fond remembrance or better left forgotten? The answers are of ...
Peter DiCarlo: Onward
by Jack Bowers
New York City-based alto saxophonist Peter DiCarlo makes a lot of winning moves on his debut album, Onward, and a couple that seem more puzzling than perceptive. More about them later. First, it should be noted that DiCarlo is a virtuosic player with a burnished sound and enough improvisational ammunition in his arsenal to guide him ...
Conference Call: Prism
by Mark Corroto
Conference Call is a quartet, but could also be described as a trio+ because the core members—saxophonist and bass clarinetist Gebhard Ullmann, pianist Michael Jefry Stevens, and bassist Joe Fonda—have been touring and recording together for more than two decades. The plus moniker derives from the quartet's interchange of drummers. Early on, the seat was occupied ...
Hubert Dupont, Antoine Berjeaut, Steve Arguelles: Trio Kosmos
by Emmanuel Di Tommaso
Tre improvvisatori indomabili tra ritmi siderali e dolcezza dell'acustico spezzata da espansioni elettroniche che sondano l'infinito. Hubert Dupont, Antoine Berjeaut e Steve Arguelles fondano il Trio Kosmos e danno vita a un long playing d'esordio basato sull'improvvisazione illuminata e sulla convergenza fra sonorità acustiche ed elettroniche. Dodici tracce che avvolgono, fanno sognare, ipnotizzano, si dispiegano senza ...
Ken Stubbs - Big Hush: I Us
by Claudio Bonomi
Ken Stubbs (classe 1961) diventa musicista dopo aver visto la morte in faccia all'età di 14 anni quando salta da un treno in corsa pieno di tifosi, suoi compari, dei Glasgow Rangers. Tanta paura, diverse costole rotte e la decisione di chiudere con il calcio e di cambiare passione. Si innamora del sassofono alto e, dopo ...
David Bixler: Inside the Grief
by Mike Jurkovic
Following his 2019 nonet offering, Blended Lineage (Red Piano), alto-saxophonist David Bixler, no stranger to the stress and strains of our collectively jagged, irregular days, sets out heroically to make sense of it all on Inside the Grief. And make sense of it all he does with six probing, conversational originals that manage to restore some ...
François Lana Trio: Cathédrale
by Troy Dostert
The title of Swiss-based pianist François Lana's latest release, Cathédrale, carries a two-fold significance. Its most obvious reference is to transcendence, something Lana affirms in the liner notes: “Music is a form of spirituality," but it can also be a reference to the sophisticated architectural approach Lana brings to his art. Not only the music, but ...
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