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Matteo Bortone: No Land's
by Giuseppe Segala
Nel periodo di formazione a Parigi, coronato tra l'altro dal Master in Jazz e Musiche improvvisate nel 2011, Matteo Bortone ha allacciato salde relazioni con alcuni giovani musicisti francesi, ancora oggi importanti per i suoi principali lavori. Il sestetto protagonista di questo No Land's è l'ampliamento del notevole quartetto Travelers, con il quale il contrabbassista aveva ...
Shoko Nagai, Maryanne de Prophetis, Ron Horton, Stomu Takeishi: FIDOqrtet
by Alberto Bazzurro
Album di improvvisazione senza rete, questo del FIDOqrtet, che in realtà agisce come tale solo in quattro degli undici brani complessivi, scindendosi negli altri sette in diversi abbinamenti: senza la voce in altri quattro ("Rayo de luna," Tsuru," Terramoto" e Morning"), senza al tromba in La Coyote," in duo rispettivamente piano/batteria e tromba/batteria in Waking" e ...
Dan Rosenboom: Points of an Infinite Line
by Friedrich Kunzmann
Released in the environment of his own label's absolute creative control, trumpeter Dan Rosenboom's newest outing sees a chordless quartet venturing beyond the borders of swing, exploring heavy grooves and free-wheeling improvisation to the point where jazz, hip hop and the rough edges of many other genres meld together to a single style that simultaneously defies ...
Jazz WORMS: Squirmin'
by Jack Bowers
The Denver-based quintet Jazz WORMS recorded its first album, Crawling Out, in 1987. Based on the time it took to record a second, Squirmin', they may as well be called the Jazz SNAILS. To be fair, there are reasons why the next go-round took so long to materialize, the most conspicuous being success. In '87 the ...
Sylvaine Hélary: Glowing Life
by Henning Bolte
Is flute an odd one out in the present jazz field? Not really and not at all in France. France not only has Michel Edelin in the older generation, it has still more flautists in the younger generation that are also bandleaders in their own right, for example Magic Malik, Eve Risser, Naïssam Jalal and, of ...
Jeff Ellwood: The Sounds Around The House
by Pierre Giroux
As a professional musician hoping to have a meaningful career, hiding one's light under a bushel, may not be the best way to recognizable success. Such might be the case for tenor saxophonist Jeff Ellwood. He may have fallen into the trap evinced by the Dave Frishberg ditty I Want To Be ...
Pat Metheny: Road to the Sun
by Mario Calvitti
In quasi mezzo secolo di carriera professionistica Pat Metheny ha attraversato svariati territori musicali, in una miriade di formazioni diverse, diventando fin da giovanissimo un punto di riferimento importante per la chitarra contemporanea, con il suo stile immediatamente riconoscibile che lo ha fatto diventare un beniamino del pubblico e della critica. Ancora oggi continua a mettersi ...
Gretchen Parlato: Flor
by Angelo Leonardi
Dopo un'assenza di sei anni dedicati alla maternità, Gretchen Parlato torna con un album magistrale per l'equilibrio che esprime tra ricercatezza, lirismo e intatta spinta a riformulare creativamente i brani. A capo di un nuovo organico--arricchito da Gerald Clayton al piano e tastiere, Mark Guiliana alla batteria e Airto Moreira alle percussioni e voce, in veste ...
Nik Bartsch: Entendre
by Chris May
Back in 2006, Swiss composer and keyboard player Nik Bärtsch's ECM debut, Stoa, recorded with his group Ronin, sounded like the album James Brown might have made if he'd appointed Steve Reich musical director of his backing band, The J.B.'s. Simultaneously cerebral and on the good foot, it was minimalism, Jim, but not as we knew ...
Cecil Taylor & Tony Oxley: ...Being Astral And All Registers - Power Of Two...
by Karl Ackermann
The late free jazz icon Cecil Taylor was thought to have only recorded two duo albums in his career. One was Embraced (Pablo, 1977) with Mary Lou Williams, the other, Historic Concerts (Soul Note, 1984) with Max Roach. Both were underwhelming mismatches, with Taylor overpowering his partners. In 2020, drummer Tony Oxley found two live Taylor-Oxley ...

