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Juergen Friedrich: Pollock
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Jackson Pollock (1912-1956), the Abstract Expressionist American painter best known for his "drip paintings" produced from 1947 to 1950, loved and was inspired by jazz. The innovative music of that time in the genre was Bird (Charlie Parker), Dizzy Gillespie and the burgeoning bebop sounds that Pollack would listen to while he created. Jazz has loved and drawn inspiration from Pollack, tooin part, perhaps, due to the improvisational aspect of the painter's best known art. The original album cover of Ornette Coleman's Free Jazz (Atlantic Records, 1961) features the Pollock painting "White Light." Soprano saxophonist Jane Ira Bloom devoted an entire CD, Chasing Paint (Arabesque Recordings, 2003), to musical interpretations of Pollock paintings. And now German pianist Jurgen Friedrich tips a hat to the American painter with Pollack.
Friedrich teams with two Americansbassist John Hebert and drummer Tony Morenoon this reflective and interactive piano trio outing. The disc's opener, the Friedrich-penned "Drift," drips to life of a series of delicate piano notes of seemingly random placement before it swells into an energetic rhythm of three-way interplay. Thelonious Monk's classic "Round Midnight" is up next. The trio engages in a spare reading of the familiar tune, not unlike the Bobo Stenson Trio's take of Stephen Sondheim's "Send in the Clowns" on Goodbye (ECM Records, 2005), with no notes wasted in its beautiful exploration of the melody.
Hebert wrote two of the set's 11 tunes, with another penned by the leader in collaboration with Moreno. Five are Friedrich's compositions, and two more are trio improvisations, including the title tune. Throughout there is a sense of subtle complexity, immediacy and discovery, with an often searching quality, to go with a sparseness and refined use of space. Friedrich's "Over" has a feeling of poignancy, while Hebert's "Billy No Mates" goes darkly inward in the beginning, before Freidrich applies some bright colors.
Leaning toward the pensive and cerebral, Pollack is a gorgeously spare and spontaneous work.
Friedrich teams with two Americansbassist John Hebert and drummer Tony Morenoon this reflective and interactive piano trio outing. The disc's opener, the Friedrich-penned "Drift," drips to life of a series of delicate piano notes of seemingly random placement before it swells into an energetic rhythm of three-way interplay. Thelonious Monk's classic "Round Midnight" is up next. The trio engages in a spare reading of the familiar tune, not unlike the Bobo Stenson Trio's take of Stephen Sondheim's "Send in the Clowns" on Goodbye (ECM Records, 2005), with no notes wasted in its beautiful exploration of the melody.
Hebert wrote two of the set's 11 tunes, with another penned by the leader in collaboration with Moreno. Five are Friedrich's compositions, and two more are trio improvisations, including the title tune. Throughout there is a sense of subtle complexity, immediacy and discovery, with an often searching quality, to go with a sparseness and refined use of space. Friedrich's "Over" has a feeling of poignancy, while Hebert's "Billy No Mates" goes darkly inward in the beginning, before Freidrich applies some bright colors.
Leaning toward the pensive and cerebral, Pollack is a gorgeously spare and spontaneous work.
Track Listing
Drift; Round Midnight; Ripple; Wayward; I Am Missing Her; Samarkand; Enclosed; Billy No Mates; Pollock; Over; Flauschangriff.
Personnel
Jurgen Friedrich
pianoJurgen Friedrich: piano; John Hebert: bass; Tony Moreno: drums.
Album information
Title: Pollock | Year Released: 2009 | Record Label: Pirouet Records
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Juergen Friedrich
CD/LP/Track Review
Jurgen Friedrich
Dan McClenaghan
Two for the Show Media
Pirouet Records
Charlie Parker
Dizzy Gillespie
Ornette Coleman
Jane Ira Bloom
Thelonious Monk
Bobo Stenson
Pollock