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John Hébert

John Hébert, bassist, was born in New Orleans, Louisiana where he first began to study double bass with Bill Huntington. John attended Loyola University of New Orleans where he received a full scholarship. After two years of performing with many of New Orleans greatest musicians and performing at various clubs including the New Orleans Jazz and Heritage Festival he moved to the New York tri-state area to attend William Paterson University where he continued his studies under bassist, Rufus Reid and received a Bachelor of Music in Jazz Performance.

Since graduating in 1995, John has lived in the New York City area and established himself as a highly sought after bassist. He has worked along side world famous artists such as Andrew Hill, Lee Konitz, Paul Bley, John Abercrombie, Kenny Wheeler, Paul Motian, Joe Maneri, Mary Havorson, Tomasz Stanko, David Liebman, Uri Caine, Greg Osby, Bill Stewart, Marc Copland, Fred Hersch, Toots Thielemans, Maria Schneider, and many others.

In recent years, he has taken on the role of bandleader of various projects. His group Byzantine Monkey, released their first CD in June 2009 on the Firehouse 12 label. It was reviewed in Downbeat and received 4 stars. “On his first album as a leader he displays a sonic vision that’s all his own,” says Peter Margarsak. In 2010, John Hébert Trio released Spiritual Lover on the Clean Feed label to very positive reviews. According to Stuart Broomer, “it’s a trio of genuinely equal parts and plays music of great melodic strength.” In 2011, John formed his Rambling Confessions quartet which has performed at well known clubs such as The Stone and Jazz Gallery.

He is also named in Downbeat’s 2006, 2007, 2008, 2009 and 2010 Critics Poll as a “Rising Star Acoustic Bassist.” Most recently in 2011, John won the poll as “Rising Star Acoustic Bassist.” From 2001 until Andrew Hill’s passing in 2007, John worked with Mr. Hill in various ensembles. John is also featured on Andrew Hill’s last Blue Note release, “Time Lines” which was awarded “Record of the Year” by Downbeat’s Jazz Critics Poll in 2006. John has also performed around the world at festivals such as the North Sea Jazz Festival, Tampere Jazz Festival, Montreal Jazz Festival, Moers Jazz Festival, Ear Shot Jazz Festival and San Francisco Jazz Festival. He can also be heard in some of New York City’s most renowned venues such as The Village Vanguard, Blue Note, The Jazz Standard, Birdland and Iridium.

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Byzantine Monkey is a strong debut of a new band of old colleagues.
—David Ryshpan, Exclaim!

...music that engages the ear and teases the intellect...a depth of engagement that simply seems to elude a lot of contemporary jazz.
—Nic Jones, AllAboutJazz.com

First and foremost, Hebert has his own sound, not an easy accomplishment for a bassist. Big, rich, tones and a penchant for melodic lines (even in the most frenetic pieces) makes his playing stand out. Byzantine Monkey takes the listener out of the everyday world into a landscape of mature melodies, splendid musicianship and highly creative interplay. It's an aural landscape one can return to time and again, uncovering new paths to follow.
—Richard Kamins, Hartford, Courant

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Album Discography

Recordings: As Leader | As Sideperson

Dave Liebman: Live at...

Cellar Music Grouo
2023

buy

Sounds Of Love

Sunnyside Records
2022

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Hohenheim Suites

Independent
2022

buy

Trust And Honesty

Newvelle Records
2022

buy

Reflections 1952

577 Music
2022

buy

Kimbrough

Newvelle Records
2021

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When There Were Trains

From: Balancing Act
By John Hébert

Tuesday Overture

From: At This Time
By John Hébert

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