All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Oscar Peterson was a jazz giant whose career spanned from the late '40s until not long before his death in late 2007. When Resonance owner George Klabin conceived this big band tribute, he made an unusual choice: Marian Petrescu, a Rumanian native, who had appeared as a sideman on guitarist Andreas Oberg's earlier CD for the label. Klabin heard the Peterson influence in Petrescu's playing and thought it would fit in with the collection of West Coast all-stars, along with Oberg, that he hired for the sessions.
Two possible mistakes were avoided. For the most part, standards readily identified with Peterson's regular repertoire were bypassed in favor of less frequently explored pieces. Also, Petrescu's technique is similar to Peterson's but he doesn't attempt to recreate the master's touch, though he enjoys his solo romp through the pianist's "A Little Jazz Exercise."
A spry chart of Ray Brown's "Waltzing is Hip" (erroneously credited to Peterson) alternates the focus between Petrescu and the band, with a few breaks for drummer Joe LaBarbera (of Bill Evans' final trio). Peterson's ballad "L'Impossible" is an overlooked gem from the mid '60s, featuring Petrescu's bluesy, intricate solo with the horns intermittently in the background. The medley of Peterson's gospel-flavored "Hymn to Freedom" and a swinging take of "John Brown's Body" (inspired by "The Battle Hymn of the Republic") find the band afire, with Oberg scatting in unison with his guitar on the latter. The musicians sizzle in the peppy interpretation of Oscar Pettiford's classic bop vehicle "Tricotism."
Arrangements are by Bill Cunliffe, Claus Ogermann and Kuno Schmid, who each conducted their respective charts, and a brief DVD documentary is included, providing some insight into the creative process. A follow-up recording is easily merited.
Track Listing: Waltzing is Hip; L'Impossible; Little Girl Blue; Down Here on the Ground; Medley: Hymn to
Freedom/John Brown's Body; Sally's Tomato; Tricotism; Greensleeves; Bossa Beguine; West
Side Story Medley; A Little Jazz Exercise.
Personnel: Marian Petrescu: piano; Andreas Oberg: electric guitar; David Stone: bass; Joe La Barbera:
drums; Bob Sheppard: reeds/flutes; Steve Wilkerson: reeds/flutes; Brian Scanlon:
reeds/flutes; Keith Fiddmont: reeds/flutes; Tom Peterson: reeds/flutes; Willie Murillo:
trumpet/flugelhorn; Larry Lunetta: trumpet/flugelhorn; Bob Summers:
Larry Hall: trumpet/flugelhorn; Andy Martin: trombone; Bob McChesney: trombone;
Wendell Kelly; Bill Reichenbach: trombone, tuba; Pierre Paul: Cabasa; Bill Cunliffe: arranger,
conductor; Kuno Schmid: arranger, conductor; Claus Ogerman: arranger, conductor;
Peter Kent: strings; Giovanna Clayton: strings; Belinda Broughton: strings; Jessica Van
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.