Oscar Peterson was a jazz giant whose career spanned from the late '40s until not long before his death in late 2007. When Resonance owner George Klabin conceived this big band tribute, he made an unusual choice: Marian Petrescu, a Rumanian native, who had appeared as a sideman on guitarist Andreas Oberg's earlier CD for the label. Klabin heard the Peterson influence in Petrescu's playing and thought it would fit in with the collection of West Coast all-stars, along with Oberg, that he hired for the sessions.
Two possible mistakes were avoided. For the most part, standards readily identified with Peterson's regular repertoire were bypassed in favor of less frequently explored pieces. Also, Petrescu's technique is similar to Peterson's but he doesn't attempt to recreate the master's touch, though he enjoys his solo romp through the pianist's "A Little Jazz Exercise."
A spry chart of Ray Brown's "Waltzing is Hip" (erroneously credited to Peterson) alternates the focus between Petrescu and the band, with a few breaks for drummer Joe La Barbera (of Bill Evans' final trio). Peterson's ballad "L'Impossible" is an overlooked gem from the mid '60s, featuring Petrescu's bluesy, intricate solo with the horns intermittently in the background. The medley of Peterson's gospel-flavored "Hymn to Freedom" and a swinging take of "John Brown's Body" (inspired by "The Battle Hymn of the Republic") find the band afire, with Oberg scatting in unison with his guitar on the latter. The musicians sizzle in the peppy interpretation of Oscar Pettiford's classic bop vehicle "Tricotism."
Arrangements are by Bill Cunliffe, Claus Ogerman and Kuno Schmid, who each conducted their respective charts, and a brief DVD documentary is included, providing some insight into the creative process. A follow-up recording is easily merited.
Track Listing: Waltzing is Hip; L'Impossible; Little Girl Blue; Down Here on the Ground; Medley: Hymn to
Freedom/John Brown's Body; Sally's Tomato; Tricotism; Greensleeves; Bossa Beguine; West
Side Story Medley; A Little Jazz Exercise.
Personnel: Marian Petrescu: piano; Andreas Oberg: electric guitar; David Stone: bass; Joe La Barbera:
drums; Bob Sheppard: reeds/flutes; Steve Wilkerson: reeds/flutes; Brian Scanlon:
reeds/flutes; Keith Fiddmont: reeds/flutes; Tom Peterson: reeds/flutes; Willie Murillo:
trumpet/flugelhorn; Larry Lunetta: trumpet/flugelhorn; Bob Summers:
Larry Hall: trumpet/flugelhorn; Andy Martin: trombone; Bob McChesney: trombone;
Wendell Kelly; Bill Reichenbach: trombone, tuba; Pierre Paul: Cabasa; Bill Cunliffe: arranger,
conductor; Kuno Schmid: arranger, conductor; Claus Ogerman: arranger, conductor;
Peter Kent: strings; Giovanna Clayton: strings; Belinda Broughton: strings; Jessica Van
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith. We hung out at my Aunt Kate's Soul Food restaurant in Harlem after the matinees at the Apollo where I listened to their stories. I knew I wanted to be a jazz musician from then on. My mother wanted me to play piano, but my Aunt bought me a guitar. I've been playing ever since.
At my mother's early prompting, I first sang Blue Velvet at my Catholic elementary school...and all the nuns came running in and asked me to sing again, so I knew I must have sounded pretty good. I've been singing ever since.
I met Tony Bennett in Miami and he inspired me to return to New York. He was a great mentor.
The best show I ever attended is mpossible to say, I've seen so many great shows. From Tony Bennett to Pat Martino, Return to Forever to Weather Report...I've seen some great performances.
My advice to new listeners is don't let jazz intimidate you, the music has something for every listener and it is our American gift to the world.