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Oscar Peterson
Born:
One of the most admired pianists in jazz, Oscar Peterson has rightfully claimed the same sort of status as earlier greats such as James P. Johnson, Art Tatum, Teddy Wilson, Fats Waller, Thelonious Monk, Bud Powell, and Bill Evans. Possibly the most successful artist produced by Canada, he appeared on well over 200 albums spanning six decades and won numerous awards, including eight Grammys. During his career he performed and recorded with, among others, Louis Armstrong, Count Basie, Ella Fitzgerald, Dizzy Gillespie, Duke Ellington, and Charlie Parker. He was beyond doubt an authentic jazz piano virtuoso, with a remarkable and prolific legacy of recordings and performances.
Can You Judge an Album By Its Label?
by Dave Hughes
This article was first published at All About Jazz in March 1999. For almost as long as there have been record labels, many labels have sought to build a reputation or a brand identity for themselves in terms of the genre of music presented on their labels or the technical quality of their product. ...
Joel Weiskopf: New Beginning
by C. Andrew Hovan
For better or worse, it seems that any artistic endeavor that involves the true expression of raw human experience and emotion is destined to have appeal to only a small and select audience. This dilemma becomes even more daunting for the artist in today's technology-laden society where electronic communication has taken the place of face-to-face conversation. ...
Introducing Pianist Tyler Bullock
by Sanford Josephson
This article previously appeared in Jersey Jazz Magazine. Tyler Bullock began taking classical piano lessons in his hometown of jny: Nashville when he was four years old. Eight years later, he discovered jazz through an organization called the Nashville Jazz Workshop. It's kind of similar to Jazz House Kids," he said. They have classes ...
Barry Elmes Quintet: Night Flight
by Pierre Giroux
Barry Elmes is a drummer and composer who, over the years, has made notable contributions to the Canadian jazz scene. On the release Night Flight, he pays tribute to several iconic composers such as Charles Mingus, Cedar Walton, Keith Jarrett, Bill Evans and Hank Mobley each of whom had made a deep musical impression on Elmes. ...
Give Your Regards to Broadway—and Hollywood
by Con Chapman
Those who recognized the complexity and beauty of jazz early on--such as twentieth century French critic Hugues Panassié--rightly characterized it as American's unacknowledged classical music. Their sentiment came to fruition in the wrong way by the end of the century when the genre had fallen from its peak to its current lowly status, tied for last ...
Yuri Honing: North Sea Jazz Legendary Concerts
by Ian Patterson
It's fitting that saxophonist, composer and quiet visionary Yuri Honing should be acknowledged as one of the pivotal voices in the history of the Netherland's world-renowned North Sea Jazz festival, described in 1990 by Jazz Times as the best jazz festival in the world." Honing's first appearance at the NSJF's was in 1995, where he performed ...
Is There Really Only One Guitar And Drums Duo Album in Jazz History?
by Ian Patterson
A veritable mountain of duo albums color jazz history. Vocal and piano duos abound. Think Ella Fitzgerald and Ellis Larkins, Tony Bennet and Bill Evans, or Carmen McRae and George Shearing for starters. Guitar and piano duos? Plenty of those too. Jim Hall and Bill Evans, Oscar Peterson and Joe Pass spring to mind. ...
Lilian Terry: Forever Sisters Of The Soul - Renaissance Jazzwomen
by Kerilie McDowall
I was warmly accepted by a giant such as Duke Ellington during his last seven years. He chose to be my friend, demanding my annual presence during his concert tours in Europe as his good luck charm," and as his sounding board for all the phrases he would dictate to me, to be used later in ...
Oscar Peterson: Con Alma
by Chris May
To borrow Duke Ellington's description of Louis Armstrong, Oscar Peterson was born poor, died rich and never hurt anyone along the way. He also brought joy to untold numbers of people. But, truth to tell, his style was the twentieth-century equivalent of modern day AI-produced generative music. Sit Peterson down at a piano, progamme him (as ...