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Mark Shim

Born in Kingston, Jamaica, saxophonist Mark Shim moved to Canada then later settled in Richmond, Virginia. He started on saxophone in seventh grade, graduating from high school in 1991 and attending Virginia Commonwealth University and William Paterson College. In 1994 he moved to Brooklyn, where he played and recorded with Hamiett Bluiett in Harlem. He then played with Mose Allison, Betty Carter, Greg Osby, and the Mingus Big Band.

Shim's debut recording Mind Over Matter (Blue Note, 1998) was followed by New Directions , a young group project, that included Osby, Jason Moran, and Stefon Harris and then his second recording as a leader, the outstanding Turbulent Flow, both released on Blue Note in 2000.

With a unique deep timbre and chops that range from swinging bop, uncut funk, to avant-garde, Shim continues to perform, record, and tour with artists such as Delfeayo Marsalis, Carmen Lundy, The Headhunters, Michele Rosewoman, Liberty Ellman, and Steve Lehman.

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17

Album Review

Tyshawn Sorey: Members... Don't!

Read "Members... Don't!" reviewed by Troy Dostert


One of the most welcome developments in twenty-first century jazz has been drummer Tyshawn Sorey's enthusiastic turn toward the jazz canon. While he had already established himself convincingly as one of the premier figures in creative music on immersive, challenging works such as The Inner Spectrum of Variables (Pi Recordings, 2016) and Verisimilitude (Pi Recordings, 2017), when Sorey decided to begin his idiosyncratic interrogations of classic jazz repertoire it opened up new facets of his musical identity, especially as an ...

Album Review

Jon Irabagon: Focus Out

Read "Focus Out" reviewed by Vincenzo Roggero


Focus Out è la seconda uscita discografica di Rising Sun, ennesima formazione partorita dalla mente vulcanica del sassofonista Jon Irabagon, da diversi anni figura centrale nella scena più vivace, creativa e imprevedibile del jazz statunitense. Un quartetto acustico/elettrico con i fiocchi che si avvale dell'apporto di musicisti altrettanto creativi e già coinvolti in passati progetti del sassofonista di origini filippine. Come la maggior parte delle incisioni di Irabagon, Focus Out sorprende per la sua organicità a dispetto della varietà di ...

16

Album Review

Tyshawn Sorey: Members... Don't!

Read "Members... Don't!" reviewed by Mike Jurkovic


Pulitzer Prize-winning, MacArthur Fellow Dr. Tyshawn Sorey may not remember 1968 directly, since he was born in 1980, but he most certainly and unapologetically understands how angry that year was. And he has captured that fiery time with an epic reimagining? rethinking?  rebooting? double take of Max Roach's epic telling of that year after the Summer of Love, Members, Don't Git Weary  (Atlantic, 1968) Recorded live at the tail end of a four-day stay at the Jazz Gallery ...

66

Album Review

Jon Irabagon: Focus Out

Read "Focus Out" reviewed by Glenn Astarita


Jon Irabagon remains among the most uncompromising voices in contemporary jazz. A first-generation Filipino American from Chicago, he draws deeply from the AACM legacy--Anthony Braxton, Henry Threadgill, Muhal Richard Abrams--and his home city's tradition of bold, searching saxophone work. Since his 2008 Thelonious Monk International Saxophone Competition win, Irabagon has used his Irabbagast Records imprint to sustain a commitment to fierce originality and collective dialogue. Focus Out serves as a formidable statement from his working quartet, featuring Irabagon ...

20

Album Review

Patricia Brennan: Breaking Stretch

Read "Breaking Stretch" reviewed by Dan McClenaghan


On her first two albums, vibraphonist Patricia Brennan worked with a quartet comprised of three percussion instruments, herself on vibes and marimba, joined by percussionist Mauricio Herrera and drummer Marcus Gilmore, with a bassist Kim Cass. Momentum in large part, is the name of the game. For Breaking Stretch she expands her musical universe, adding trumpeter Adam O'Farrill and saxophonists Mark Shim and Jon Irabagon. This proved a good move; her musical universe in this septet setting has an energy ...

14

Album Review

Patricia Brennan: Breaking Stretch

Read "Breaking Stretch" reviewed by Mike Jurkovic


Wild-willed vibraphonist Patricia Brennan gets straight down to business without any fanciful mission declaration with the Afro-Cuban, effusively powered, clear-the-dancefloor and blow-the-ceiling-off this joint “Los Otros Yo (The Other Selves)," the opening cut of her third album Breaking Stretch. She does so in a captivatingly, wickedly good way. Brennan--who has added much vitality to music by such other big thinkers as Vijay Iyer, Mary Halvorson, Anna Webber, Michael Formanek--began her musical education at 4 years old listening to ...

99

Album Review

Travis Reuter: Quintet Music

Read "Quintet Music" reviewed by Glenn Astarita


Released as the long-anticipated encore to his avant-garde debut, Rotational Templates (New Focus, 2011), Travis Reuter's Quintet Music is a masterpiece of musical sorcery, brimming with bold invention and innovative creativity. Reuter, a maverick guitarist who is unafraid to color outside the lines, leads his band of equally audacious virtuosos through a sonic wonderland that most musicians only dare to visit in dreams. The quintet, with Peter Schlamb swapping the traditional piano for the vibraphone, tosses the jazz ...

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Music

Recordings: As Leader | As Sideperson

Focus Out

Irabbagast
2026

buy

Members... Don't!

Pi Recordings
2026

buy

Quintet Music

Self Produced
2024

buy

Breaking Stretch

Pyroclastic Records
2024

buy

Brain Dance

Cuneiform Records
2011

buy

Paper Planes

From: Focus Out
By Mark Shim

Breaking Stretch

From: Breaking Stretch
By Mark Shim

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