Home » Jazz Articles » Album Review » John Coltrane: Kulu Se Mama

331

John Coltrane: Kulu Se Mama

By

View read count
John Coltrane: Kulu Se Mama
A vibrant and accessible album from saxophonist John Coltrane's late-middle period, Kulu Se Mama has been only fitfully on catalogue since its original release in early 1967, and has tended to be overlooked in favor of near contemporaneous works like A Love Supreme (Impulse!, 1965) and Ascension (Impulse!, 1966), elements from both of which it reprises. Kulu Se Mama was included in Verve's Originals series' five-disc box set, John Coltrane: The Impulse! Albums Volume 3 earlier in 2009, and is now released in the same series as a single disc.



The three-track album, recorded in June ("Vigil," "Welcome") and October ("Kulu Se Mama") 1965 and released in January 1967, sees Coltrane return, for the near 19-minute title track, to the medium sized line-up used on Ascension, recorded in June 1965 and released in February 1966 . This time the band is an eight-piece rather than a ten-piece; Pharoah Sanders once again plays second tenor saxophone, but on "Kulu Se Mama" the line-up is drums and percussion rather than horn heavy as on Ascension. Coltrane's regular (and posthumously "classic") quartet—with pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones—is augmented by Sanders, bassist/bass clarinetist Donald Garrett, drummer Frank Butler and percussionist/vocalist Juno Lewis. Lewis, who wrote the poem, reproduced in full on the inner sleeve, which inspired the tune, plays some half dozen different drums and percussion instruments. "Welcome" is performed by the unaccompanied classic quartet, "Vigil" by Coltrane and Jones alone.



If it had been created in the 2000s, "Kulu Se Mama" might be labeled groove or even jam band music. After an atmospheric, out-of-time introduction, it settles into a lyrical, vamp-driven, African-informed piece. There are funky, split-tone solos from Coltrane and Sanders, a magnificently moody solo from Tyner, and a concluding section pairing Lewis' chant-like vocal and Garrett's bass clarinet. The basses, drums and percussion maintain a neo-African groove throughout. Anyone who enjoys the astral jazz of albums like Sanders' Tauhid (Impulse!, 1967), or pianist/harpist Alice Coltrane's Ptah, The El Daoud (Impulse!, 1970), will love "Kulu Se Mama."



"Vigil" is a moderately challenging, motor-rhythm free, saxophone and drums feature. The quartet's "Welcome" is a more serene and amiable affair in which at one point Coltrane references the tune to "Happy Birthday To You." Both are excellent, but it is the transporting "Kulu Se Mama" which is the main event. It's good to see it emerge from the sidelines again.

Track Listing

Kulu Se Mama (Juno Se Mama); Vigil; Welcome.

Personnel

John Coltrane
saxophone

John Coltrane: tenor saxophone; McCoy Tyner: piano (1, 3); Jimmy Garrison: bass (1, 3); Elvin Jones: drums; Pharoah Sanders: tenor saxophone (1); Donald Garrett: bass, bass clarinet (1); Frank Butler drums (1); Juno Lewis: vocals, percussion (1).

Album information

Title: Kulu Se Mama | Year Released: 2009 | Record Label: Verve Music Group

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.