Results for "McCoy Tyner"
McCoy Tyner
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It is not an overstatement to say that modern jazz has been shaped by the music of McCoy Tyner. His blues-based piano style, replete with sophisticated chords and an explosively percussive left hand has transcended conventional styles to become one of the most identifiable sounds in improvised music. His harmonic contributions and dramatic rhythmic devices form the vocabulary of a majority of jazz pianists. Born in 1938 in Philadelphia, he became a part of the fertile jazz and R&B scene of the early ‘50s. His parents imbued him with a love for music from an early age. His mother encouraged him to explore his musical interests through formal training. At 17 he began a career-changing relationship with Miles Davis’ sideman saxophonist John Coltrane
Christopher Kunz & Florian Fischer: Die Unwucht
by Chris May
Saxophone and drums duos--usually that means tenor saxophone and drums--got serious in the mid 1960s, when pianist McCoy Tyner and bassist Jimmy Garrison would lay out during performances by John Coltrane's classic quartet to allow Coltrane and drummer Elvin Jones to pursue their mutual shamanistic muse together. One such occasion is preserved on One ...
Greg Abate: Magic Dance: The Music of Kenny Barron
by Rob Rosenblum
Magic Dance is an offering by multi instrumentalist Greg Abate, who is a proud keeper of the bebop flame. In the 75 plus years that bebop has been around, there have probably been hundreds of thousands of quartet records with sax, piano, bass and drums, a few of which have been contributed by Abate. But this ...
Tim Mayer: Keeper of the Flame
by Jack Bowers
On Keeper of the Flame, Tim Mayer, a Bostonian who now calls Mexico home, leads a sharp, swinging group of like-minded amigos on a (mostly) octet studio date enriched by Diego Rivera's colorful arrangements. Mayer plays tenor sax on half a dozen tracks, soprano sax on “Bye Bye Blackbird" and “Get Organized," alto flute on “Elusive." ...
The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records
When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...
Lost Within Jobim, the BOOM, and You
by Chris M. Slawecki
Albare Plays Jobim Vol. 2 Alfi Records 2021 “I was 14 when I first heard the music of Tom Jobim," recalls Albare, nom de guerre of guitarist Albert Dadon. “I already had six years of guitar learning under my belt. When I first heard those bossa ...
Gordan Spasovski Trio: Light Pillar
by Nenad Georgievski
Pianist Gordan Spasovski's debut album Light Pillar moves fluidly from meditative notes to bursts of rapid-fire jabs, meticulously sculpted by the accompanying band. A ubiquitous presence in Skopje's jazz community for several years Spasoski shows up his abilities as a bandleader, and his wealth of talent, vision, and discipline on this record. He leads an excellent ...
2 Debuts = 2 Quartets
by Friedrich Kunzmann
Bebop idioms prove far from extinct on these debut albums from two hungry cats, leading vigorous quartets with the mission to carry the bop torch of a young jazz generation. Nathan Francis Nathan Francis Quartet Ajabu! Records 2021 American bassist Nathan Francis has been based out of Helsinki, ...
John Coltrane: Top Ten Live Albums
by Chris May
This article is a companion piece to John Coltrane: An Alternative Top Ten Albums, which listed ten albums widely regarded as essential items in John Coltrane's discography and discussed another ten of comparable importance. John Coltrane: Top Ten Live Albums narrows the focus to club and concert recordings. Coltrane's live performances had a ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
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