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Hua Hin Jazz Festival 2006
With lightning flashing out at sea, Bill Bruford's Earthworks kicked up a storm all of their own on day one.
the eye
of a solid
sender
blues deeper than
the sound
of water
that spiritual sound
-the high
holy way.
An eye
(always an eye)
tender
but fierce
piercing
all seeing.
Hooded//lidded//shrew-shrew.
It was Arkansas, 20 acres
or more. In the holiness flame
of summer. Cutting junk up
with the gospel plough.
Five days sick
to kick it solid,
with a growl, couldn't tap
the horn.
Could not puncture the rim of it.
Five days thick
with spit to split the grip of it.
To punch through fever
to emerge reborn
like newborn wood.
Those Saturdays,
night roll of darker fields,
where those hymns
swayed across the land
from little churches
hid in bush.
Where the members sung
la da la da la da la
da da
la da la da la da
da da
whirling in the firmament of the spirit
It is the eye,
which listens.
Oh Dewey, the ocular.
Say-say, play what you may.
he said, "Just play.
Call it anything."
Call it the bliss of it.
The times it was when black
was our name
and we were double-conscious,
ferociously black and real.
Black being
nothing but skin but
I was not
my skin.
1678 Broadway,
New York City,
1959
the new blues
came tumbling down.
The lip split, the blood
of Davis the third.
Press-wise
to the first, second and third valves.
Hey Dewey, the three
after the sun, the spirit lash,
the holy rollthe ocular.
I saw an angel and the devil
sat between two
cold priests, loas
of hidden frequencies,
I saw sour mountains of rotting
rice and red beans, saw secret colours.
But we had no power at all.
So we spread out our trinkets
our hot shirts, our very souls,
hip shake and moan, slid sideways,
moved
aloof like bop/in which the synapse
fluctuates with its concurrent
principle
while blowing a high C.
In Bird thereof, the high priest
of our tribe.
To follow the line he leads
is to get lost, to blush.
We were brutalised, our teeth
cut in half. Beat bloodied
even as our names
burned in lights above * Birdland *
MILES MILES
wringing hot heat.
It were the eyes
that stayed black and bright,
stayed hard and tactical
and unafraid.
Them was those
knots and levers
of our rage.
Of maggots,
of brain coral of foam.
Vampiric//light can't touch
his eyes.
The kink of him.
That eyeball beneath the rim
beckoning.
And inside was dim lit, a mess
of sheep skin jackets
and knee high boots, waistcoats
in leather, suits never worn in daylight.
We had entered the house of the demon, the snake,
The prince and poet of darkness under islands,
standing there smiling
with cock in hand.
New York City. 1979.
Miles
thereafter
emerging
as flame
as arcturus the star
as any vision//parallax rubric
slick
as a brokedick dog.
Sharp as
the grinning
edge of
a beloved
blade.
About Bill Bruford
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