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Jazz Articles about Sinikka Langeland

7
Album Review

Sinikka Langeland: Wind And Sun

Read "Wind And Sun" reviewed by Scott Gudell


Pause. Trust your inner self to guide you. Prepare to avoid the constant bombardment of a multitude of society's mind and body piercing assults. If you're not sure where to start, Sinikka Langeland is willing to help guide you. A master of the kantele (a Nordic instrument with similarities to plucked string instruments such as a zither or dulcimer,) Langeland has released a dozen albums since the mid-1990s with Wind and Sun being the 2023 addition to her canon.

18
Album Review

Sinikka Langeland: The Magical Forest

Read "The Magical Forest" reviewed by Mark Sullivan


Norwegian singer and kantele player Sinikka Langeland leads her Norwegian-Finnish-Swedish Starflowers quintet through a series of songs built upon myths and legends from Finnskogen, the forested area in eastern Norway bordering Sweden where Langeland has been based since 1992. The name means “forest of the Finns," reflecting the history of Finnish migration to the place during the 17th century. The quintet is augmented by the singers of the Trio Mediaeval, giving the folkloric element in Langeland's fusion of traditional and ...

11
Album Review

Sinikka Langeland: The Magical Forest

Read "The Magical Forest" reviewed by John Kelman


Some pairings seem, in retrospect, to be made in heaven; so inevitable that it's only when they actually take place that it becomes clear how predestined they were all along. Sinikka Langeland--a forward-thinking traditional singer and kantele (Finnish zither/dulcimer variant) champion garnering significant attention in her home country of Norway over the past two decades--has, since coming to ECM with 2007's Starflowers, achieved even broader recognition for her somehow other-worldly, effortlessly beautiful music that is at once antiquated and timeless. ...

Album Review

Sinikka Langeland: The Half-Finished Heaven

Read "The Half-Finished Heaven" reviewed by Vic Albani


Esistono, lo sanno bene gli elfi piuttosto che gli umani, paradisi finiti a metà. Uno di questi lo racconta -grazie anche alle liriche di Tomas Tranströmer -nella sua quarta esperienza nei solchi di ECM la norvegese {Sinikka Langeland, regina del delicatissimo kantele, un'interessante variante del nordico dulcimer in stile cetra/arpa. L'altro è quello ormai certificato e creato dal signor Manfred Eicher che, più o meno dal centro dell'Europa, pontifica ormai da decenni una sorta di paradiso sonoro che, almeno nella ...

16
Extended Analysis

The half-finished heaven

Read "The half-finished heaven" reviewed by John Kelman


She may have debuted on ECM (and, consequently, far beyond the borders of her native Norway) with 2007's Starflowers, but Sinikka Langeland has, in fact, been around for more than two decades, with her first album, Langt Innpå Skoga, released on Norway's Grappa label in 1994. Composer, singer and master of the kantele—an antiquated Scandinavian dulcimer/zither variant that Langeland has turned into a living, breathing instrument—it was on Starflowers and her 2011 ECM follow-up with the same ensemble, The Land ...

Album Review

Sinikka Langeland: The Land That Is Not

Read "The Land That Is Not" reviewed by AAJ Italy Staff


Canterà pure in svedese e norvegese. Avrà pure il physiche du role della cantante folk anni '60 e la tempra ancien regime, ma Sinikka “Norvegian Wood" Langeland di sicuro suggestiona con le sue storie sospese nel tempo. Porta con sé tutto il fascino di suoni arcaici e immacolati che stregano già al primo ascolto. La sua voce, tra l'opera e il folk, spinge l'ascolto verso le lande desolate e ghiacciate della sua Norvegia ("What Is Tomorrow"). Poi i comprimari scelti, ...

189
Album Review

Sinikka Langeland: The Land That Is Not

Read "The Land That Is Not" reviewed by John Kelman


Four years after her relentlessly beautiful ECM debut, Sinikka Langeland returns with the equally breathtaking The Land That Is Not. Following Starflowers (2007), the Norwegian singer/kantele player took a detour with Maria's Song (ECM, 2009), an intimate recording of folk songs and compositions by J.S. Bach that expanded upon territory visited on Påsketona (Nordic Sound, 2004). Few projects emerge entirely from a vacuum, and if Langeland's empathic Scandinavian quintet appeared to coalesce out of the ether for Starflower, the truth ...


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