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About Ron Carter

8

Live Review

Ron Carter Foursight Quartet at the 47th Annual Tri-C JazzFest Cleveland

Read "Ron Carter Foursight Quartet at the 47th Annual Tri-C JazzFest Cleveland" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Ron Carter Foursight Quartet Hanna Theater 47th Annual Tri-C JazzFest Cleveland Cleveland, OH June 27, 2026 At 89, bassist Ron Carter remains one of jazz's towering figures, and his appearance at the reimagined Tri-C JazzFest stood out as one of the festival's few presentations by a universally recognized mainstream jazz artist. Making his first local appearance in years, Carter brought his Foursight Quartet--formed in 2019--to the intimate Hanna Theatre for an early afternoon performance ...

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7

Album Review

Ron Carter & Yotam Silberstein: Duets

Read "Duets" reviewed by Dan Bilawsky

by Dan Bilawsky

The concept of virtuosity is often misunderstood as an outsized display of technique.  In truth though, by definition and in reality, it's about mastery.  Such expertise is just as likely to be shown in measured command as it is to appear as fireworks, and this absorbing duo date is a firm reminder of that fact.  Legendary bassist Ron Carter and eminent guitarist Yotam Silberstein each possess extraordinary skills and have the wisdom and experience to know when ...

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25

Interview

Ron Carter: Sweet Notes: The Gospel According To An Upright Man

Read "Ron Carter: Sweet Notes: The Gospel According To An Upright Man" reviewed by Ian Patterson

by Ian Patterson

There is just no slowing down for bassist Ron Carter. At least, not that you would know. Writing, arranging, recording, gigging, teaching, media commitments--it is all in a day's work for the indefatigable 89-year-old NEA Jazz Master. Since 1959, when he arrived in New York from his native Detroit, Ron Carter has enjoyed an unparalleled career. Over 2.500 recordings with a who's who of jazz greats, singer-songwriters, opera and pop artists, rockers and rappers has earned him the distinction of ...

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7

Album Review

Emmet Cohen: Universal Truth

Read "Universal Truth" reviewed by Mike Jurkovic

by Mike Jurkovic

There is an old-world saying that some folks are just born with an old soul. Pianist and social media conqueror Emmet Cohen--his pandemic- founded livestream, Live From Emmet's Place, has been viewed by millions across the globe--proves, positively, that the old wisdom still stands and forever will. For within the heart and soul of every jazzman and jazzwoman, the warm essence of the music's ever-painful, resilient, triumphal past resides. A compatriot who does not mind growing up alongside ...

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3

Album Review

Charles Tolliver: Right Now... And Then

Read "Right Now... And Then" reviewed by Andrew Schinder

by Andrew Schinder

While jazz fusion dominated the commercial jazz scene during the 1970s, beneath the surface many musicians eschewed current market trends, and continued to develop and push forward the hard bop, modal, and spiritual sounds established during the previous decade. Many of those artists recorded for Strata-East Records, the now-seminal label co-founded by trumpeter Charles Tolliver and pianist Stanley Cowell in 1970. Before co-founding Strata-East, Tolliver had established himself in the New York scene as a strong and intense horn player, ...

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20

Reassessing

Spectrum

Read "Spectrum" reviewed by Dean Nardi

by Dean Nardi

Was it jazz or rock? This was (is) the eternal question about fusion. Back in the 1970s when the Mahavishnu Orchestra pioneered the genre, the electric and chaotic unpredictability of the John McLaughlin-led outfit cut across what was thought to be basic jazz concepts by displaying loud electric guitar riffing over what could stand for prog rock organ, bass and drum. And shockingly, none of the original players blew into their instruments. But Mahavishnu McLaughlin was as cruel ...

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11

Album Review

Charlie Rouse: Cinnamon Flower: The Expanded Version

Read "Cinnamon Flower: The Expanded Version" reviewed by Angelo Leonardi

by Angelo Leonardi

Il decennale sodalizio con Thelonious Monk ha dato ampia notorietà a Charlie Rouse ma ne ha anche oscurato l'immagine e le potenzialità che aveva espresso negli anni cinquanta (quando suonò nelle orchestre di Duke Ellington e Count Basie, si unì al quintetto di Bennie Green e fondò con Julius Watkins i Jazz Modes). Dopo aver lasciato Monk nel 1970, Rouse lavorò per un decennio come freelance realizzando cose diverse per rientrare nel decennio successivo nell'orbita monkiana (senza più Monk, deceduto) nel gruppo ...

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