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Henry Threadgill: The Other One
by John Ephland
Listening to Henry Threadgill's music, the bobbing and weaving doesn't maintain a continuity but can jump from one strand to another, one scene to another, as in a dream. It is tonal and not, just as dreams are, perhaps, rhapsodic or unkempt, the story or plot being as tangible, fungible as a summer breeze. Much is made of Threadgill's chamber-music esthetic. And rightly so. It is “so chamber music precise it must all be premeditated, right?" asked the ...
Continue ReadingHenry Threadgill Ensemble: The Other One
by Troy Dostert
Now that Henry Threadgill has begun receiving the accolades he has long deserved--the Pulitzer Prize he won in 2016 for In for a Penny, In for a Pound (Pi Recordings, 2015) being just the most prominent example--it is impressive to find him still relentlessly stretching himself as a performer and composer. Since his first forays into the jazz avant-garde in the 1970s, the maverick multi-instrumentalist has always made music that challenges listeners in exciting ways, but it is his uncanny ...
Continue ReadingTrevor Dunn's Trio-Convulsant avec folie à quatre: Séances
by Vic Albani
Nel peculiare universo del “jazz obliquo" contemporaneo il bassista Trevor Dunn, ben conosciuto a chi approda spesso sulle spiagge del signor John Zorn, esiste da sempre un ben conosciuto e mai ben definito mondo di ricerca complessa e collegata ai mille meandri della mente umana. Racconta dunque Dunn che nella Francia del XVIII secolo esisteva una setta di cristiani, considerata eretica dai compagni servi di Dio, chiamata i Convulsionari di Saint-Médard. Dopo la morte di un amato diacono, ...
Continue ReadingTrevor Dunn: Séances
by Mike Jurkovic
Holy bank shot Batman! Is Seances, (bassist Trevor Dunn's dissertation on the how humans tend to forget and repeat, ever a radical and electrifying take on things. Anything and everything goes the distance for Dunn and the combined mad genius of his Trio-Covulsant cronies, wickedly cool guitarist Mary Halvorson and the chaotic meter of drummer Ches Smith. It has been eighteen turbulent years since this threesome last convened for the opaquely conversant Sister Phantom Owl Fish (Ipecac, 2004) ...
Continue ReadingTrevor Dunn's Trio-Convulsant avec Folie À Quatre: Séances
by Mark Corroto
If you thought the Hang Mike Pence and Three Percenters crowd are just a phenomenon of the 21st century, let me introduce you to the Convulsionnaires of Saint-Médard, an 18th century Christian sect with the hysterical practices of coprophagia (yes, eating feces), spontaneous milk-vomiting and levitation. After the established religious authorities cracked down on the Convulsionnaires, many were sent to mental asylums, but others continued with less public séances or 'sessions.' Composer and bassist Trevor Dunn unearths this ...
Continue ReadingAnna Webber: Idiom
by Stefano Merighi
Già da oltre un decennio, la complessità della canadese Anna Webber (sax tenore, flauto, composizione) ci interroga sulla possibilità di compenetrare nel jazz di oggi mente e corpo, attitudine concettuale e abbandono rituale. Non è la prima, ovviamente, a lambire questi territori impervi. Si situa, forse, in una geografia sonora che parte da Cecil Taylor e attraversa le gigantesche ombre di Anthony Braxton e Henry Threadgill. Ma, velocemente, sta atterrando in un pianeta sonoro totalmente proprio, come dimostra questo doppio ...
Continue ReadingGabriel Zucker: Leftover Beats from the Edges of Time
by Vic Albani
Gabriel Zucker è un pianista, compositore e polistrumentista di New York il cui lavoro combina composizioni massimaliste con l'improvvisazione progressiva della scena musicale creativa contemporanea di New York. La sua musica ha ricevuto due importanti premi per la composizione e viene sempre più spesso citata con il massimo delle stelle su DownBeat. Il progetto principale di Zucker, l'orchestra indie jazz “The Delegation," è nato al Banff Jazz and Creative Music Workshop. Il suo ultimo lavoro, Leftover Beats from ...
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