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Mariel Roberts
Roberts has appeared as a soloist and chamber musician across four continents, most notably as a member of the Mivos Quartet, Wet Ink Ensemble, International Contemporary Ensemble, and Ensemble Signal. She performs regularly on major stages for new music such as the Lincoln Center Festival (NYC), Wien Modern (Austria), Lucerne Festival(Switzerland), Cervantino Festival (Mexico), Klang Festival (Denmark), Shanghai New Music Week (China), Darmstadt Internationalen Ferienkurse für Neue Musik (Germany), and Aldeburgh Music Festival (UK). Roberts has been featured as a chamber musician on recordings for Innova, Albany Records, New World Records, New Amsterdam, Carrier Records, New Focus, and Urtext Records.
Mariel has released two solo albums, "nonextraneous sounds" and "Cartography", to critical acclaim. About "nonextraneous sounds", New York's WQXR radio wrote: “By playing a program this well-curated, with this much confidence, precision and good old-fashioned muscle, Roberts is not so much "making a statement," artistically speaking, as she is sounding an alarm. Listeners should come running.”
“There was some hand-wringing in recent years over the future of new music, going something like this: With no dominant musical paradigm to rebel against, will today's young composers lack a certain edge? Won't they lose focus, now that eclecticism is the order of the day? Cellist Mariel Roberts's solo debut, "Nonextraneous Sounds," demonstrates that any such anxieties were, to put it mildly, misplaced. The music on this disc, by a range of rising young composers, is nothing short of gripping from the first note to the last, and it's thanks largely to the intense focus of these highly individual musicians.” WQXR
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Ingrid Laubrock: Purposing the Air

by Vincenzo Roggero
Avventuroso e ambizioso Purposing the Air, nuovo progetto di Ingrid Laubrock, notevole sassofonista di origini tedesche qui nelle vesti di compositrice. Dal poema Mood Librarian -a poem in koan" di Erica Hunt, ha estratto sessanta frammenti, trenta nel primo CD e trenta nel secondo, affidandoli a quattro duo dove l'elemento fisso è la voce mentre la strumentazione si distribuisce tra violoncello, pianoforte, chitarra elettrica e violino. I sessanta frammenti-miniature-koan, alcuni di due sole parole, riportati nel dettagliato libretto interno, risuonano ...
Continue ReadingIngrid Laubrock: Purposing The Air

by Thierry De Clemensat
Purposing The Air is a recording of extreme quality, though it is undoubtedly aimed at an informed audience, one more inclined toward contemporary classical music. While some pieces carry faint echoes of jazz, listening to this album is akin to stepping into a museum to attend a recital. Each artist is striving for excellence on every level: musicality, interpretation and even theatricality. It is, without a doubt, a powerful creation. To fully grasp the artistic approach behind this ...
Continue ReadingModney: Ascending Primes

by Vincenzo Roggero
"Ascender" ti investe con la forza di un uragano. Poco più di sette minuti dove il solitario violino di Joshua Modney, collegato ad un pedale distorsore, scatena un'onda d'urto di emozioni che stordisce. Ingannati da un inizio che ha le cadenze di una ballata folk improvvisamente il suono si stratifica, ruggisce, deborda in rumore, rende lo spazio denso e grumoso salvo poi scivolare in una dolcezza apparente, strattonata com'è da dissonanze e armonici. È l'apertura di Ascending Primes, ...
Continue ReadingAnna Webber: Shimmer Wince

by John Sharpe
There is often an underlying rigor to the work of Canadian saxophonist and flautist Anna Webber, be that inspiration from the digital world on Binary (Skirl, 2016), her investigation of multiphonic intervals on Idiom (Pi, 2021) or contemporary classical percussion repertoire on Clockwise (Pi, 2020). On Shimmer Wince, she derives her compositions from her study of Just Intonation, a system which many believe offers a more pure" way of tuning and allows greater timbral and sonic possibilities ...
Continue ReadingLudovica Burtone: Sparks

by Angelo Leonardi
È un debutto discografico davvero significativo, questo di Ludovica Burtone, violinista friulana di formazione classica con un diploma in composizione del Berklee College of Music e un ottimo curriculum di collaborazioni con jazzzisti statunitensi e internazionali. Inciso a New York con un ensemble comprendente un quartetto d'archi e ritmica, più alcuni ospiti di rilievo (Melissa Aldana, Sami Stevens), il percorso musicale colpisce e affascina per la padronanza con cui Ludovica unisce le varie fonti d'ispirazione.
Continue ReadingAnna Webber: Shimmer Wince

by Mark Corroto
Some mechanical wristwatches have clear faces which allow the owner to observe the inner workings of the marvelous object. It is a wonder just how the timepiece utilizes its mainspring and gear train to drive the harmonic oscillator which keeps near perfect time. The same can be said of composer, saxophonist and flautist Anna Webber's investigation into unique tunings using the overtone series known as Just Intonation (JI). It is an ancient system based on the natural vibration of physical ...
Continue ReadingHenry Threadgill: The Other One

by Giuseppe Segala
Giunto sulla soglia delle ottanta primavere, Henry Threadgill non lascia sbiadire la propria splendida vitalità creativa. Lo ha fatto quest'anno sia con la pubblicazione dell'imperdibile autobiografiaEasily Slip into Another World, che con una nuova realizzazione discografica, The Other One. Pure questa imperdibile, si colloca tra i lavori che lo hanno visto impegnato esclusivamente come compositore e direttore dell'ensemble, non in qualità di strumentista e solista, sulla traccia dei precedenti Old Locks and Irregular Verbs, del 2016, e Double ...
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Music
Koan 28
From: Purposing the AirBy Mariel Roberts
Ascender
From: Ascending PrimesBy Mariel Roberts
Secours Meurtriers
From: SéancesBy Mariel Roberts