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Stefano Galvani: Jazz - Una Storia In Bianco e Nero
by Giuseppe Segala
Jazz -Una storia in bianco e nero Stefano Galvani 372 Pagine ISBN: 9788885750203 Bonomi Editore 2024 Fotografare il jazz: una coniugazione che ha percorso la vicenda di queste due forme espressive, allacciando una forte rete di corrispondenze ed empatie. Soprattutto nel periodo in cui il vinile dominava incontrastato la scena della fruizione domestica, la fotografia ha ricevuto un'investitura di responsabile prezioso della descrizione, narrazione, evocazione, al punto di rendere ragionevole l'affermazione “La fotografia ...
Continue ReadingJimmy Katz & Luciano Rossetti: Il Doppio Ritmo Della Fotografia Jazz
by AAJ Italy Staff
Jimmy Katz e Luciano Rossetti sono due dei massimi fotografi di jazz di oggi. I loro non sono scatti di cronaca, ma quel tipo di istantanee e ritratti che portano alla mente il famoso detto “Un'immagine vale più di mille parole." Amici di lunga data, Katz e Rossetti hanno spesso collaborato a livello didattico ed espositivo. Ultima in ordine di tempo, la loro mostra Dual Rhythms. Jazz, from Faces to Stages che si è tenuta a Brescia presso il Centro ...
Continue ReadingJohn Coltrane: Sun Ship
by Mark Corroto
Why is a 180-gram vinyl reissue of John Coltrane's Sun Ship, remastered from the original tapes, important? If you are old enough, you'll remember the advent of the compact disc. After the CD was introduced in the 1980s, listeners abandoned their vinyl collections in favor of the promise of this new technology which was free from the nasty clicks and pops their LPs delivered. What they gave up in the name of cleanliness did come at a cost, and we're ...
Continue ReadingJohn Coltrane: Evenings At The Village Gate
by Mike Jurkovic
All music is, as are all our greater gestures and pursuits--poetry, painting, literature, sculpture, dance--spiritual by nature. An outreach by the artist and thus, by extension, us, beyond the daily argot of the ordinary. But sometimes those instances are so far and in-between, so masked by the lawlessness of the present moment, that our higher selves are forgotten, or worse, denied. And sometimes the music is downright holy. Welcome to the church known as the Village Gate. Welcome ...
Continue ReadingOrnette Coleman: New York Is Now & Love Call Revisited
by Stefano Merighi
Verso la fine degli anni Sessanta, il jazz deve combattere una battaglia impari contro il mondo del nuovo rock, sviluppatosi dopo l'anno del flower power e dell'influsso dei nuovi gruppi inglesi negli USA. Il pubblico è attratto dalle insorgenti fusioni stilistiche--che Miles Davis intercetta con genialità--ed evita con indifferenza il mainstream e ancor più la durezza dell'avanguardia legata al free jazz. Anche la figura cristallina di Ornette Coleman non se la passa troppo bene, tra difficoltà discografiche e ...
Continue ReadingA Supreme Love
by Duncan Heining
Alan Skidmore is one of the finest saxophonists to come out of the United Kingdom, Europe or indeed anywhere. In fact, it was hearing Skidmore's tenor solo on “Have You Heard?" from John Mayall's Bluesbreakers with Eric Clapton (Decca, 1966) that encouraged a young Michael Brecker to take up the instrument. Skidmore had also served his apprenticeship with blues singer Alexis Kornerin the sixties and by the end of the decade was equally well-versed in the blues and in the ...
Continue ReadingJohn Coltrane: Evenings At The Village Gate
by Chris May
It is important to emphasize, at the outset of this review, that Evenings At The Village Gate is a John Coltrane album of headline significance. Recorded during a four-week run at the New York City club in August and September 1961, the disc is a snapshot of Coltrane partway through the most momentous year of his development. He is in incandescent form from start to finish, leading an astounding sextet completed by multi-reedist Eric Dolphy, pianist McCoy Tyner, twin bassists ...
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