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Jazz Articles about David Izenzon
Ornette Coleman: At The Golden Circle Stockholm Revisited
by Stefano Merighi
Ritornare a certe “opere aperte" di Ornette, come questo notissimo concerto di Stoccolma della fine del 1965, significa ribadire l'alterità irriducibile del maestro texano, che sarà stato sì come si legge sempre nella manualistica mainstream l'inventore del free jazz eccetera, il killer della tradizione, il primitivo con il sax di plastica, ma soprattutto un mago dell'istinto, un poeta della musica come flusso chimico naturale, i cui esiti hanno sempre parlato all'ascoltatore con intenti inclusivi, puntando alla libertà del linguaggio come ...
Continue ReadingBill Dixon: With Archie Shepp, 7-Tette & Orchestra Revisited
by Giuseppe Segala
È benvenuta questa pubblicazione nel catalogo ezz-thetics Revisited, collana che prosegue con risolutezza nella riproposta di lavori importanti, spesso fondamentali del jazz contemporaneo, concentrando in particolare la propria attenzione sugli anni Sessanta e abbinando in unico CD registrazioni storiche, opportunamente restaurate e corredate di inedite, meticolose note di copertina. Protagonista di questa uscita è Bill Dixon, figura singolare, di notevolissimo valore, la cui presenza discografica è stata purtroppo rara e saltuaria, spesso affidata alla diligente attenzione di ...
Continue ReadingBarry Altschul, David Izenson, Perry Robinson: Stop Time: Live At Prince Street, 1978
by John Sharpe
If at all familiar to modern day listeners, David Izenzon's name is most likely to ring a bell for his bass wizardry on Ornette Coleman's two-volume At The Golden Circle Stockholm (Blue Note, 1965). But the archive recording Stop Time is a reminder of just what listeners are missing. Izenson remained active well after his sojourn with Ornette, playing in New York City, with the likes of Jaki Byard and Paul Motian, until his untimely death in 1979, aged 47. ...
Continue ReadingOrnette Coleman Trio: At The Golden Circle Stockholm Revisited
by John Eyles
As the ezz-thetics label has already released two of Ornette Coleman's Blue Note albums together on New York Is Now & Love Call Revisited, both recorded in April and May 1968, it was always in the cards that both volumes of At the Golden Circle Stockholm, recorded in December 1965, would not be far behind. Sure enough, here they are, both together on one disc with a running time of eighty minutes. That means this single disc includes all of ...
Continue ReadingBill Dixon: With Archie Shepp, 7-Tette & Orchestra Revisited
by Chris May
If Bill Dixon is today, in 2023, less widely remembered than other New Thing warriors such as Archie Shepp, Cecil Taylor and Albert Ayler, it is partly because he had little desire for celebrity, devoting much of his energy to organizing on behalf of his fellow musicians and composers, and teaching. In 1964, midway through making the 1962-1967 recordings collected on this album, Dixon organized the historic October Revolution in Jazz at the Cellar Café in Manhattan, which ...
Continue ReadingArchie Shepp: Fire Music To Mama Too Tight Revisited
by Chris May
In 2022, it is widely accepted that, when free jazz (aka the New Thing) was in its ascent in New York in the 1960s, there was, despite superficial appearances, no fundamental incompatibility between it and the historical jazz tradition. More contentiously, revisionist historians are now suggesting that there was no real conflict between New Thing and changes-based or modal-based musicians either. They should try telling that to Archie Shepp. In autumn 1966, during the Miles Davis quintet's ...
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