Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

4

Billy Jones: 3's a Crowd

Troy Dostert By

Sign in to view read count
Duo records involving drummers aren't that common in the world of straight-ahead jazz. While it's never been an infrequent option for avant-gardists (and there are some truly legendary examples, not the least of which are John Coltrane and Rashied Ali's Interstellar Space, Max Roach and Cecil Taylor's Historic Concerts, and Peter Brötzmann and Hamid Drake's Dried Rat Dog), commercial limitations or simply a lack of adventurousness have made this kind of pairing rare outside the realm of musicians most well-known for their chance-taking and experimental propensities. All of which is to say that Billy Jones's effort here, involving a series of duo performances with a range of players, and in a mainstream, accessible vein, is a welcome endeavor indeed.

Aside from a few sideman appearances, Jones is not a widely-known presence, and that's true of most of his compatriots here. Although there are a couple notable names (pianist Mick Rossi and tenor saxman Gary Meek), most of these guys are, like Jones himself, relatively under-represented. But the music they've produced for this record is well-played, enjoyable jazz, adept in documenting Jones's sympathetic presence in partnership with a wide diversity of instrumentation, including not just saxophones and piano but vibes (Tony Miceli), flute (Kenny Stahl), bass clarinet (Stu Reynolds), and voice (Scotty Wright).

Jones explains the guiding concept of the record as one that "places the drums in constant dialogue with one other instrumentalist," the goal of which is to "raise the drums from its traditional role of accompaniment, to that of partner to that other voice." He's gone some distance in that direction, especially on the opener, "3's a Crowd," where he and altoist George Young engage in some terrific give-and-take on a calypso-flavored theme, or "Just Above the Clouds," in which Jones helps stir Stahl's flute in cooking up a funky stew. On many of the other tracks, however, there's less of an overt dialogue than one might like (even on tracks like "John Cage Scared My Dog," with Rossi and "For John and Elvin," with Meek, despite the fact that those tracks are purely improvised). Rather than taking the lead or prodding his colleagues directly, Jones is usually content to provide disciplined, tasteful support for his partners. Not that he isn't a gifted drummer in this regard—indeed, he's remarkably fluid and always makes appropriate choices, especially on brushes, which he uses skillfully on a number of the tracks. But it isn't quite as much a realization of the idea of dialogue as he was perhaps hoping for when putting the record together.

Even so, it should be emphasized that there's some fine jazz on display here, definitely worthwhile in its own right. In addition to the aforementioned tracks with Young and Stahl, highlights include "Chant of the Soul," with yearning, wordless vocals from Wright, and "Ellie's Dream," a lovely piece with pianist George Genna, which closes the record in style. Throughout the record, Jones makes a convincing case that in the right hands, the drums offer abundant musical possibilities for this format—even for those in traditional jazz circles.

Track Listing: 3’s a Crowd; Song for Meg; The Call; John Cage Scared My Dog; For John and Elvin; Just Above the Clouds; Gone Now; A Monotony of Hazards; Chant of the Soul; Ellie’s Dream.

Personnel: Billy Jones: drums; George Young: alto saxophone; John Vanore: trumpet; Mick Rossi: piano; Tony Micelli: vibraphone; George Genna: piano; Tyrone Brown: bass; Scotty Wright: vocal; Kenny Stahl: flute; Stu Reynolds: bass clarinet; Gary Meek: tenor saxophone.

Title: 3's a Crowd | Year Released: 2017 | Record Label: acoustical concepts

Tags

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Rats Live on No Evil Star CD/LP/Track Review
Rats Live on No Evil Star
by Jack Bowers
Published: December 9, 2018
Read We Two CD/LP/Track Review
We Two
by David A. Orthmann
Published: December 9, 2018
Read Angel Band: Free Country Vol. 3 CD/LP/Track Review
Angel Band: Free Country Vol. 3
by Peter Hoetjes
Published: December 9, 2018
Read The Complete Lansdowne Recordings 1965-1969 (Vinyl box set) CD/LP/Track Review
The Complete Lansdowne Recordings 1965-1969 (Vinyl box set)
by Roger Farbey
Published: December 9, 2018
Read The End of the Universe CD/LP/Track Review
The End of the Universe
by Glenn Astarita
Published: December 9, 2018
Read Little Big CD/LP/Track Review
Little Big
by Glenn Astarita
Published: December 8, 2018
Read "Helix" CD/LP/Track Review Helix
by Glenn Astarita
Published: June 7, 2018
Read "Haydn: Symphony No. 39, Symphony No. 87, Mozart – Sinfonia Concertante" CD/LP/Track Review Haydn: Symphony No. 39, Symphony No. 87, Mozart –...
by C. Michael Bailey
Published: November 17, 2018
Read "Tramontana" CD/LP/Track Review Tramontana
by Dr. Judith Schlesinger
Published: July 4, 2018
Read "Streaming" CD/LP/Track Review Streaming
by Gareth Thompson
Published: September 29, 2018
Read "The Sound Of The Earth" CD/LP/Track Review The Sound Of The Earth
by Glenn Astarita
Published: November 18, 2018
Read "D'Agala" CD/LP/Track Review D'Agala
by Hrayr Attarian
Published: March 13, 2018