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Jim Witzel Quartet: Very Early (Remembering Bill Evans)
by Troy Dostert
While tributes to pianist Bill Evans have certainly not been in short supply over the years, he has unsurprisingly been given far more attention by pianists than from other instrumentalists. Efforts from guitarists have been particularly rare. There are some noteworthy exceptions: John McLaughlin took a stab at it in 1993 with Time Remembered (Verve) alongside ...
Ned Rothenberg: Looms & Legends
by Troy Dostert
Solo recordings, at least when they feature instruments other than piano or guitar, can be a challenge even for the most committed jazz listeners. The excitement generated by the dialogue of multiple instrumentalists is, of course, missing, and even the most talented artists can have trouble sustaining one's interest for an entire album. Such releases can ...
Juanjo López: Above, Beyond, Within
by Troy Dostert
In our troubling national moment of intensified nativism and ethnic fearmongering, it can be edifying to encounter the stories of people whose lives are directly affected by the current climate. One of them is Juanjo López, a guitarist now well-established in the Chicago scene but who came years ago to the United States with his family ...
Rodrigo Amado / Chris Corsano: The Healing
by Troy Dostert
Among recent partnerships in free improvisation, the saxophone/drum tandem of Rodrigo Amado and Chris Corsano has been one of the most dynamic and incendiary. They have joined forces in one form or another since the early 2010s; the recording which first put them on the map was their effort with Joe McPhee and Kent Kessler, the ...
Jake Baldwin: Vanishing Point
by Troy Dostert
Trumpeter Jake Baldwin has been an important presence in the Minneapolis jazz scene since the early 2010s, known especially for a stylistic breadth that can cover the gamut from conventional post-bop fare to rock-inflected fusion. On Vanishing Point, his fourth release for Shifting Paradigm Records, he digs deeper into the latter mode, making good use of ...
Amina Claudine Myers: Solace of the Mind
by Troy Dostert
One of the under-heralded legends of the jazz avant-garde, keyboardist Amina Claudine Myers is finally getting her due. An early member of the Association for the Advancement of Creative Musicians (AACM) in the mid-1960s, her efforts were sometimes overshadowed by outsized colleagues such as Muhal Richard Abrams, Lester Bowie, or Henry Threadgill. But recent years have ...
José Gobbo Trio: Confluence
by Troy Dostert
Guitarist José Gobbo brought his background in Brazilian music and jazz to Iowa City in 2011, when he began a master's program at the University of Iowa. Since then, he has honed a compelling voice on his instrument, fusing the danceable rhythms of Brazilian folk forms with a more contemporary guitar sound. One of his central ...
Germana Stella La Sorsa and Tom Ollendorff: After Hours
by Troy Dostert
For an EP that clocks in at a mere 25 or so minutes, there is a lot to enjoy on After Hours, vocalist Germana Stella La Sorsa's duo album with guitarist Tom Ollendorff. La Sorsa has been making a name for herself since her earliest days as a singer in Italy, while her visibility in the ...
Kevin Miller and Jukka-Pekka Kervinen: Primordial
by Troy Dostert
For jazz musicians and listeners alike, the Covid years were challenging, significantly limiting possibilities for both studio recordings and live performances. One of the often-used solutions to this dilemma was virtual encounters--either in real-time or, on occasion, asynchronously, as musicians sent files to each other and layered their own contributions accordingly. Although no longer operating under ...
Dan Weiss Quartet: Unclassified Affections
by Troy Dostert
When he is not keeping company as a sideman with some of the most innovative musicians of 21st century creative jazz--a list which includes folks like pianist Matt Mitchell, saxophonist Jon Irabagon, guitarist Miles Okazaki and bassist Trevor Dunn--drummer Dan Weiss has steadily been building his own impressive set of recordings as a leader. Recently, he ...
