Results for "Troy Dostert"
Jeong Hwan Park: Sound of Bronze
A debut recording which belies the youth of its leader, Sound of Bronze is the handiwork of Jeong Hwan Park, a bassist on the rise who has assembled some fine talent and terrific compositions on this promising quartet album. Bouyed by the presence of veteran tenor saxophonist Rich Perry, Park and his colleagues specialize in music ...
read moreTim Berne and Nasheet Waits: The Coandă Effect
Even by the customarily prolific standard he's set over the course of his career, 2020 is shaping up to be an especially accomplished year for saxophonist Tim Berne. His Fantastic Mrs. 10 (Intakt) offered another scintillating formulation of his well-established Snakeoil outfit, and his first solo album, Sacred Vowels (Screwgun), was also released. Sandwiched in between, ...
read moreSam Gill's Scattered: Perspectival
Sydney-based saxophonist Sam Gill maintains a prodigious range of projects, ranging from the heady post-bop intricacies of his Coursed Waters quartet to Mind on Fire, an exploratory duo with his brother, vibraphonist Brad Gill. What animates Gill's music is a search for ways of bringing freedom to compositional forms, and finding surprising detours that defy expectations. ...
read moreNorvald Dahl with Colin Stranahan: The Vision
Norwegian newcomer Norvald Dahl has cultivated his expansive approach to jazz piano since his 2018 debut, Organic Chamber (AMP Music), a trio outing which included saxophonist Jon Irabagon and bassist Mats Eilertsen. That free-spirited release revealed a deeply iconoclastic spirit in Dahl, someone who is as comfortable teasing the contours of a pop-inflected tune as he ...
read moreAlexander Hawkins and Tomeka Reid: Shards and Constellations
Although they have not recorded together previously, pianist Alexander Hawkins and cellist Tomeka Reid are both improvisers with omnivorous musical tastes and soaring ambition. Hawkins has fronted his own ensembles over the years—perhaps the most notable example being Step Wide, Step Deep (Babel, 2014)—but he's been active in freely-improvised contexts as well, working with everyone from ...
read moreMyra Melford, Zeena Parkins and Miya Masaoka: MZM
Three world-class musicians whose long paths had yet to intersect, pianist Myra Melford, electronics wizard Zeena Parkins and kotoist Miya Masaoka finally team up for MZM. It's a potent, concentrated set of fully-improvised pieces that highlight the trio's ability to craft something wholly new while retaining each of their unique musical personalities. The album ...
read moreJames Brandon Lewis and Chad Taylor: Live In Willisau
Somewhat forgotten amidst the excitement surrounding James Brandon Lewis' UnRuly Manifesto (Relative Pitch, 2019) was the excellent release that preceded it. Radiant Imprints (Off, 2018), a duo release with drummer Chad Taylor, put the focus squarely on Lewis' extraordinary tenor saxophone prowess and his strong accord with one of the most in-demand drummers in creative jazz. ...
read moreRoss McHenry: Nothing Remains Unchanged
Electric bassist Ross McHenry has been a highly-regarded presence in the Australian jazz scene since the release of his 2013 debut record, Distant Oceans (First Word Records). His recognition outside of his home country has been limited, although that may change with his 2020 release, Nothing Remains Unchanged. Eschewing some of his larger-ensemble tendencies for a ...
read moreDave Sewelson: More Music for a Free World
While baritone saxophonist Dave Sewelson may not be as widely-recognized as those whose company he regularly keeps, this long-standing veteran of William Parker's Little Huey Orchestra and the Microscopic Sextet has long been a force in wielding his weighty axe, lending lower-end punch with vigor and dexterity for several decades. Here he's reunited with Parker, drummer ...
read moreBrian Shankar Adler: Fourth Dimension
A percussionist with fierce rhythmic dynamism and a multiplicity of ideas, Brian Shankar Adler has steadily assembled a formidable body of work over the last several years, despite being relatively under-recognized. Much of this music has been released incrementally, through digitally downloaded EPs, perhaps attenuating its impact. But Adler should receive much more visibility with Fourth ...
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