Home » Jazz Articles » Album Review » Evan Parker / Urs Leimgruber: Twine
Evan Parker / Urs Leimgruber: Twine
Most people familiar with the legendary Parker know his unique sound and reign as the sovereign of freely improvised tenor and soprano saxophone. He has worked in just about every combination from thrilling solo performance to his large Electro-Acoustic Ensembles.
Swiss-born Leimgruber is less well-known; a player with all Parker's tools and eight years his junior, the saxophonist has recorded with the likes of Christy Doran, Fredy Studer, Marilyn Crispell, Joëlle Léandre, and as a solo artist, and can be heard on Chicago Solo (Leo, 2010), Albeit (Jazzwerkstatt, 2010) and with OM on Willisau (Intakt, 2010). The pair might not have been separated at birth, but they are certainly brothers of the same mothers.
Parker is now famous for his duo performances with Joe McPhee, Anthony Braxton, Steve Lacy, and Lol Coxhill. With Leimgruber, he finds a near perfect DNA match. The pair trades what may be considered Parker-patented flutters, overtones, high-pitched banter, and low swats. Distinguishing one player from the other is difficult as both speak the same language.
The three longish pieces deliver endless fascination. "Twirl" begins with a high register exploration that could easily be a call-and-response from exotic birds. Played until exhaustion, the piece resolves itself with an ornithological silence. Both "Twist" and "Twine" involve interplay and conversation instead of competition. Neither saxophonist chooses to shout to make his point. An astounding recording.
Track Listing
Twine; Twirl; Twist.
Personnel
Evan Parker
saxophone, sopranoEvan Parker: soprano saxophone, tenor saxophone; Urs Leimgruber: soprano saxophone, tenor saxophone.
Album information
Title: Twine | Year Released: 2010 | Record Label: Clean Feed Records
About Evan Parker
Tags
PREVIOUS / NEXT
Evan Parker Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







