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Musician

Evan Parker

Born:

Evan Parker was born in Bristol in 1944 and began to play the saxophone at the age of 14. Initially he played alto and was an admirer of Paul Desmond; by 1960 he had switched to tenor and soprano, following the example of John Coltrane, a major influence who, he would later say, determined "my choice of everything". In 1962 he went to Birmingham University to study botany but a trip to New York, where he heard the Cecil Taylor trio (with Jimmy Lyons and Sunny Murray), prompted a change of mind. What he heard was "music of a strength and intensity to mark me for life ... l came back with my academic ambitions in tatters and a desperate dream of a life playing that kind of music - 'free jazz' they called it then." Parker stayed in Birmingham for a time, often playing with pianist Howard Riley

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Article: Radio & Podcasts

New Music from Seabrook, Lockheart, Eckemoff, Fernando & More

Read "New Music from Seabrook, Lockheart, Eckemoff, Fernando & More" reviewed by Bob Osborne


Tradition meets experimentation in this fascinating collection of new releases. Beginning with the eclectic endeavours of Brandon Seabrook, via a mix of latin jazz, European exploration , free improvisation from the UK, a musical statement about the climate crisis, and closing with Thelonious Monk in concert in 1965.Playlist Brandon Seabrook “Name Dropping is the ...

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Article: Album Review

Larry Stabbins: Aurora

Read "Aurora" reviewed by John Sharpe


After a long hiatus, reedman Larry Stabbins' renewed presence on the British scene offers cause for celebration. All the more so as Sarost, one of his prime contemporary outlets, matches him with partners of equal standing. Flanking him in a co-operative trio--whose name, derived from the first two letters of their constituent surnames, affirms the group's ...

Album

Some Days Are Better: The Lost Scores

Label: Greenleaf Music
Released: 2025
Track listing: Smatta; Some Days Are Better Suite; Dallab; Sweet Yakity Waltz; D.G.S.; Song for Someone; C.P.E.P.; Who’s Standing in My Corner; Introduction to No Particular Song; Some Doors Are Better Open; Everybody Knows It.

Album

Horizons Held Close

Label: Relative Pitch Records
Released: 2025
Track listing: Ulaanbadrakh; Bayankhongor.

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Article: Album Review

Paul Dunmall: Here Today Gone Tomorrow

Read "Here Today Gone Tomorrow" reviewed by John Sharpe


  Much improvised music may be ephemeral, but Here Today Gone Tomorrow, captures British saxophonist Paul Dunmall's long-standing quartet at a peak of collective lucidity. Featuring pianist Liam Noble, bassist John Edwards and drummer Mark Sanders, the ensemble works through three slabs of unapologetic free jazz that display the rare assurance ...

Article: Album Review

John Scofield, Dave Holland: Memories Of Home

Read "Memories Of Home" reviewed by Giuseppe Segala


Saldato da una serie di tour che hanno toccato l'Italia in momenti diversi, l'ultimo dei quali si si è svolto poche settimane prima di questa registrazione, Memories of Home rievoca una sequela di suggestioni, e nuove ne aggiunge, a chi era presente alle esibizioni dal vivo. Bologna, Teatro Duse nel novembre 2021 e Merano Jazz Festival, ...

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Article: Interview

Sergio Armaroli: The Musical Omnivore

Read "Sergio Armaroli: The Musical Omnivore" reviewed by Mark Corroto


Sergio Armaroli is an Italian composer, percussionist, vibraphonist, teacher and visual artist whose music can be found on multiple labels including ezz-thetics, Leo Records, Dodicilune, Ictus Records and Da Vinci Classics. His 2025 releases include Deconstructing Ayler In The Universe (Dodicilune), And I Entered Into Sleep (Die Schachtel), and the ezz-thetics discs Introducing A Very Heavy ...

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Article: Book Review

Brotzman: In My Focus

Read "Brotzman: In My Focus" reviewed by Nenad Georgievski


Brotzmann, In My Focus Žiga Koritnik 152 Pages Self-Published 2025Some books go beyond the simple act of documentation. They do not just tell a story; they immerse you in a world. Žiga Koritnik's book on Peter Brötzmann is one of those books--a deeply personal, evocative, and visually striking tribute to ...

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Article: Album Review

Pat Thomas: HIKMAH

Read "HIKMAH" reviewed by Mark Corroto


Imitation may be the sincerest form of flattery--except, perhaps, when pianist Pat Thomas takes on the music of jazz legends. In those cases, what emerges is not imitation at all, but transformation. On albums such as Plays the Music of Derek Bailey & Thelonious Monk (FMR, 2008) and Pat Thomas Plays The Duke (New Jazz and ...


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