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Musician

Evan Parker

Born:

Evan Parker was born in Bristol in 1944 and began to play the saxophone at the age of 14. Initially he played alto and was an admirer of Paul Desmond; by 1960 he had switched to tenor and soprano, following the example of John Coltrane, a major influence who, he would later say, determined "my choice of everything". In 1962 he went to Birmingham University to study botany but a trip to New York, where he heard the Cecil Taylor trio (with Jimmy Lyons and Sunny Murray), prompted a change of mind. What he heard was "music of a strength and intensity to mark me for life ... l came back with my academic ambitions in tatters and a desperate dream of a life playing that kind of music - 'free jazz' they called it then." Parker stayed in Birmingham for a time, often playing with pianist Howard Riley

Album

Togetherness Music (For Sixteen Musicians)

Label: Intakt Records
Released: 2021
Track listing: Indistinguishable from Magic; Sea No Shore; Ensemble Equals Together; Leaving the Classroom of a Beloved Teacher; Ecstatic Baobabs; Optimism of the Will.

Album

Leonine Aspects

Label: Rogue Art
Released: 2021
Track listing: Leonine Aspects #1; Leonine Aspects #2.

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Article: Album Review

Marta Warelis / Frank Rosaly / Aaron Lumley / John Dikeman: Sunday At De Ruimte

Read "Sunday At De Ruimte" reviewed by Mark Corroto


Is it a pilgrimage or just magnetism that draws improvising artists to Amsterdam? If you've read Kevin Whitehead's book New Dutch Swing (Billboard Books, 1998), you'll understand the open atmosphere and creative jazz scene which began there in the 1960s. It was a scene sown by America's New Thing in free jazz, but also one that ...

3

Article: Live Review

Festival International de Musique Actuelle de Victoriaville

Read "Festival International de Musique Actuelle de Victoriaville" reviewed by Mike Chamberlain


Various venues Festival International de Musique Actuelle de Victoriaville Victoriaville, Quebec May 21-23, 2021 It seems appropriate that a festival of forward-looking music should be the first organization to present live indoor concerts in Quebec in more than a year. After having to cancel the 2020 edition of the Festival International ...

3

Article: Festivals Talking

Corrado Beldì il poliedrico: su NovaraJazz e non solo

Read "Corrado Beldì il poliedrico: su NovaraJazz e non solo" reviewed by Libero Farnè


Dopo aver partecipato a NovaraJazz per un paio di giorni nel 2008 e nel 2011, ho incontrato di nuovo il suo direttore artistico Corrado Beldì al Talos Festival di Ruvo di Puglia nel 2014, quando di scena era l'Instant Composers Pool. Mi trovai di fronte un quarantenne giovanile, estroverso, sempre pronto a una risata contagiosa e ...

4

Article: Multiple Reviews

The Pandemic Sessions: Solos, Part 2

Read "The Pandemic Sessions: Solos, Part 2" reviewed by Mark Corroto


Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis, and of course, that included musicians. Unable to tour and record with their various ensembles, many artists prepared solo projects (some recorded before the virus struck). Most of the music is very personal, as if the artists are asking ...

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Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...

1

Article: Radio

New Sounds from Canada and More

Read "New Sounds from Canada and More" reviewed by Bob Osborne


On this show we feature seven new albums that demonstrate the musical diversity of jazz. Three of them feature Canadian artists reflecting the current strength of the scene in that country. There's a new album from Posi-Tone and the remaining three releases are from European artists.Playlist Hector “Building 8" from Uncharted (Self Released) 00:00 ...

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Article: Interview

Arthur Hnatek: On putting the EDM into Jazz & making acoustic music with electronic appeal

Read "Arthur Hnatek: On putting the EDM into Jazz & making acoustic music with electronic appeal" reviewed by Friedrich Kunzmann


Miles Davis and like-minded free-spirited vanguards of his day opened jazz up to countless influences during one of the genre's heydays in the late '60s and early '70s. Ever since, the boundaries of jazz have been broken down more radically, disseminated and increasingly blended with everything from current trends in popular music to classical music and ...


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