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About Evan Parker

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Musician

Evan Parker

Born:

Evan Parker was born in Bristol in 1944 and began to play the saxophone at the age of 14. Initially he played alto and was an admirer of Paul Desmond; by 1960 he had switched to tenor and soprano, following the example of John Coltrane, a major influence who, he would later say, determined "my choice of everything". In 1962 he went to Birmingham University to study botany but a trip to New York, where he heard the Cecil Taylor trio (with Jimmy Lyons and Sunny Murray), prompted a change of mind. What he heard was "music of a strength and intensity to mark me for life ... l came back with my academic ambitions in tatters and a desperate dream of a life playing that kind of music - 'free jazz' they called it then." Parker stayed in Birmingham for a time, often playing with pianist Howard Riley

Article: Album Review

Joëlle Léandre, Evan Parker: Long Bright Summer

Read "Long Bright Summer" reviewed by Neri Pollastri

by Neri Pollastri

Joelle Leandre e Evan Parker, due tra i massimi rappresentanti della tradizione improvvisativa europea, hanno registrato nel 1982, il primo disco assieme, 28 rue Donois, membri di un quartetto che includeva anche due straordinari musicisti come Derek Bailey e George Lewis. Negli oltre quarant'anni successivi sono state numerosissime le documentazioni delle occasioni in cui si sono ...

Article: Radio & Podcasts

New Music From Ralph Alessi, Columbia Icefield, Flavio Zanuttini And More

Read "New Music From Ralph Alessi, Columbia Icefield, Flavio Zanuttini And More" reviewed by Bob Osborne

by Bob Osborne

This playlist brings together a blend of contemporary jazz, avant-garde improvisations, and expansive orchestral textures from across the globe. Seamlessly shifting between intimate duos, driving quintets, and the rich, layered dynamics of modern big bands, the collection celebrates both the precision of meticulous composition and the raw freedom of sonic exploration. From hushed, atmospheric soundscapes and ...

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Article: Live Review

Maerz Musik 2026

Read "Maerz Musik 2026" reviewed by Martin Longley

by Martin Longley

Silent Green/Saint Elisabeth-Church/Haus der Berliner Festspiele Berlin, Germany March 22-24, 2026 Every March, this extended Berlin festival opens up around a multitude of venues, presenting moderne works (often premieres) that involve bulging orchestras, chamber ensembles, small groups or solo performers. Maerz Musik frequently inches towards electronics or free improvisation, with few limits ...

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Article: Album Review

Gjerstad Schlippenbach Narvesen: Seven Tracks

Read "Seven Tracks" reviewed by John Sharpe

by John Sharpe

No messages. No allusions. Just pure music. Seven Tracks arrives stripped of extraneous signposts, its cuts identified only by duration and its content left to speak entirely for itself. Happily the utilitarian approach does not extend to the volatile freeform exchanges between veterans Norwegian reedman Frode Gjerstad and German pianist Alexander von Schlippenbach, and Gjerstad's younger ...

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Article: Album Review

Alexander Hawkins & Taylor Ho Bynum: A Near Permanent State Of Wonder

Read "A Near Permanent State Of Wonder" reviewed by John Sharpe

by John Sharpe

Nearly two decades after first crossing paths in the transatlantic Convergence Quartet, cornetist Taylor Ho Bynum and pianist Alexander Hawkins reunite on A Near Permanent State Of Wonder, a recording that finds their rapport undimmed and their curiosity intact. In the intervening period Hawkins has become one of the most in demand pianists in Europe, as ...

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Article: Radio & Podcasts

Jah Wobble & Evan Parker, Maria Schneider, Nils Petter Molvaer And More

Read "Jah Wobble & Evan Parker, Maria Schneider, Nils Petter Molvaer And More" reviewed by Lawrence Peryer

by Lawrence Peryer

This week's Rotations opens with JOEYKEYSADE, whose Afro-jazz fuses Beninese-Nigerian tradition with modern composition, then moves through Jah Wobble & Evan Parker's dub-meets-free-jazz collision, Cochemea's Yaqui and Apache-rooted explorations, and Maria Schneider's American Crow. Toronto drummer Nick Fraser anchors the third set alongside Nils Petter Molvaer, and Kamasi Washington. New releases and deep cuts, connected across ...

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Article: Album Review

Sylvie Courvoisier: Eclats - Live in Europe

Read "Eclats - Live in Europe" reviewed by Glenn Astarita

by Glenn Astarita

Sylvie Courvoisier has never been easy to pin down, which is exactly the point. The Lausanne-born pianist moved to New York City in 1998 and spent the next two-plus decades making herself indispensable to the downtown avant-garde, working alongside John Zorn, Evan Parker, Wadada Leo Smith, and Mark Feldman, among others. She received the Swiss Grand ...

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Article: Record Label Profile

Ogun Recordings: Small Is Beautiful

Read "Ogun Recordings: Small Is Beautiful" reviewed by Duncan Heining

by Duncan Heining

In 2023, Ogun Recordings celebrated its fiftieth anniversary, making it the longest living independent British jazz label. It was a huge achievement for an undertaking that was begun somewhat reluctantly by its co-creators ex-pat South African bassist Harry Miller, his partner Hazel and recording engineer Keith Beal and was run out of the Miller's home in ...

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Article: Album Review

Seth Andrew Davis & EMAS: Cybersyn: Live From the Stray Cat Film Center

Read "Cybersyn: Live From the Stray Cat Film Center" reviewed by Max Kutner

by Max Kutner

Undeniably one of the most active and adventurous figures of the greater Midwest music and arts scene, composer/guitarist/improvisor Seth Andrew Davis has emerged as a force of creative exploration and inquiry. Currently based in Kansas City, MO, Davis has released well over a dozen albums through his imprint, Mother Brain Records (co-founded with fellow Missouri-native, Michael ...


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