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Album

Acceptance

Label: Marpel Music
Released: 2016
Track listing: Special K; The Bargaining; Last Autumn Sun; Rock House; Prelude To Stay; Stay; Acceptance; Silent Song.

6

News: Recording

Hadar Noiberg - January Performances & New Release "From The Ground Up" On Dot Time Records

Hadar Noiberg  - January Performances & New Release "From The Ground Up"   On Dot Time Records

Dot Time Records recently signed the exciting flutist Hadar Noiberg to their growing roster of world-class artists. Most recently, Noiberg was asked to perform at the prestigious 2016 JazzAhead Festival in Bremen, Germany this coming April as part of her European tour. You can make your reservation now for her upcoming regional January 2016 performance dates: ...

32

News: Festival

Day 2 Of 8th Annual Red Hook Jazz Festival Re-scheduled To September 20, 1-6pm

Day 2 Of 8th Annual Red Hook Jazz Festival Re-scheduled To September 20, 1-6pm

“The Red Hook Jazz Festival exists contentedly on the margins, like its namesake neighborhood and much of the music on its bill... The mood in the audience was neighborly, with a higher ratio of small children to youngish adults than I’ve seen at any musical event not expressly pitched as a kids’ show.” —Nate Chinen, New ...

2

Article: Album Review

Reggie Quinerly: Invictus

Read "Invictus" reviewed by Hrayr Attarian


Drummer Reggie Quinelry's second release as a leader Invictus is a collection of short, tightly woven and compelling pieces that Quinerly and his quintet interpret with understated fervor and sublime elegance. Quinerly showcases his compositional and leadership skills while shunning the spotlight himself. He allows his sidemen ample room for soloing as he directs the intricacies ...

12

Article: Year in Review

C. Andrew Hovan's Top 10 for 2014

Read "C. Andrew Hovan's Top 10 for 2014" reviewed by C. Andrew Hovan


This will be a first in some time. For a variety of reasons, I had to curtail my writing activities about five years ago. As a result, my limited work for All About Jazz consisted mainly of photography and live reviews. As a result, I felt less then prepared in previous years to present any kind ...

9

Article: Album Review

Brian Charette: Good Tipper

Read "Good Tipper" reviewed by Dan Bilawsky


Nine of the eleven tracks on organist Brian Charette's Square One (Posi-Tone, 2014) were originals, but that doesn't mean he's uninterested in tackling the music of others. In fact, judging by this album, it would seem that he really digs digging into covers. Everybody from film score icon John Barry to tunesmith Jimmy Webb to saxophonist ...

7

Article: Album Review

Walt Weiskopf: Overdrive

Read "Overdrive" reviewed by C. Andrew Hovan


Since making his first two records on the independent Iris label back in the early '90s, Walt Weiskopf has staked a claim as one of the most advanced and iconic tenor saxophonists in jazz. However, even as he went on to record one great record after another for Criss Cross beginning in 1993, Weiskopf remained under ...

9

Article: Album Review

Brian Charette: Square One

Read "Square One" reviewed by Mark F. Turner


It is said that imitation is the sincerest form of flattery but that can be a double edged sword with respect to self-expression and individuality. Reverence to past influences such as the pioneering organists Larry Young and Jimmy Smith is commonly heard in many contemporary jazz organ players including New York based Brian Charette who breathes ...

14

Article: Album Review

Walt Weiskopf: Overdrive

Read "Overdrive" reviewed by Dan Bilawsky


After a string of well-received dates on the Criss Cross imprint, and a one-off for the Capri label, tenor saxophonist Walt Weiskopf arrives at Posi-Tone with this pleasing sextet date. The music on Overdrive is all original, save for the penultimately-placed cover of Michel Legrand's “What Are You Doing The Rest Of Your Life?," and it ...

5

Article: Multiple Reviews

Brian Charette: The Question That Drives Us and Square One

Read "Brian Charette: The Question That Drives Us and Square One" reviewed by Hrayr Attarian


Classically trained pianist turned organist Brian Charette is an accomplished master of the Hammond B3 with an elegant yet passionate touch. His signature style imbues the many recordings of his various ensembles with a light, crisp sound and an effervescent melodicism that is, unapologetically, mainstream without being pedestrian. In 2014 Charette cut two charmingly seductive albums ...


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