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Roy McCurdy: From Cannonball to the Rochester Music Hall of Fame
by Scott Gudell
When we placed a call from New York to Los Angeles in the early part of 2021, the articulate and vibrant drummer Roy McCurdy answered and quickly connected us back to the 1950s. He told us about his hometown of Rochester, New York, his early days performing with Chuck Mangione and Gap Mangione and how he ...
Andrea Balestra: A Rich Sicilian Odyssey
by Jim Worsley
Guitarist Andrea Balestra makes a cerebral investment with every note he plays and with all of his compositions. A lot of guitarists like to jam. Balestra isn't one of them. Substance is preferred over droning speed. His highly intensified music is born of traditional Italian music...being from Sicily perhaps a factor...a deep integration of blues, a ...
My Conversation with Chick Corea
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in August 1999. It would be silly for me to even attempt to pontificate on the ramifications Chick Corea has had on this music. But it should be universal that his impact has been substantial at worst. So I will let him ...
Eshed Korten Biolcati Kim: A Way Out
by Friedrich Kunzmann
One of the more exciting scenarios in jazz unfolds when a group of players comes together, not to realize one individual's specific vision, but just for the sake of making music together and to develop a chemistry which, ideally, was there from the beginning. The group effort here presents the fruits of such an occasion. A ...
Dan Bonsanti: Cartoon Bebop
by Jack Bowers
The malicious coronavirus pandemic that brought most of the world to its knees in 2020 has spawned the use of several reanimated words including “virtual," whose meaning is “sort of here but not really," as in virtual video chats, conference calls, exhibits, films and even musical performances. “Virtual" has spread its tentacles into almost every walk ...
Joe Chambers: Samba De Maracatu
by Chris May
Drummer Joe Chambers was unusual among the drummers who emerged on the Blue Note label in the mid 1960s in that not only did he generate a powerful beat, he wrote strong tunes, too. He played on, and often composed pieces for, albums by such Blue Note luminaries as saxophonists Wayne Shorter and Joe Henderson, vibraphonist ...
Tessa Souter Trio at Soapbox Gallery
by Victor L. Schermer
Tessa Souter Trio Soapbox Gallery Brooklyn, NY January 26, 2021 During the pandemic, live streaming on line is the closest thing we can get to a live concert or club date, Many of the streamed jazz shows are well done despite the unusual situation with masks, social distance, ...
Raphaël Pannier Quartet: Faune
by Jerome Wilson
On his first recording as a leader, drummer Raphaël Pannier shows himself to be a musician who has one foot in the classical world and one foot in jazz. He leads his group in a set of original and classic compositions from both genres, maintaining a sense of formal grace and improvisational energy throughout.
Clifton Anderson: Knowing the Road
by Barbara Ina Frenz
New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...
Max Haymer: Whirlwind: Live at Sam First
by Edward Blanco
Los Angeles pianist and composer Max Haymer has been a busy man this past decade, touring as a longtime member of Arturo Sandoval's band, leading his own group and performing as an accompanist to singer Jane Monheit. Accordingly, Whirlwind: Live at Sam First is Haymer's first album since Pickpocket Witness (CD Baby, 2008) twelve years ago. ...
