Results for "violin"

Carlos Zingaro

Born: 1948

Born 1948 in Lisbon, Portugal; violin, electronics. Carlos Zingaro undertook classical music studies at the Lisbon Music Conservatory from 1953 to 1965, and during the two years 1967/68 he studied church organ at the High School of Sacred Music. Also, during the 1960s, Zingaro was a member of the Lisbon University Chamber Orchestra. In 1967 he formed Plexus, the only Portuguese group at the time to have developed a new musical approach based on contemporary music, improvisation and rock; the group recorded a 45rpm single for RCA-Victor in 1968. From 1975 onwards Carlos Zingaro has performed with a wide variety of improvising musicians, including: Barre Phillips, Daunik Lazro, Derek Bailey, Joëlle Léandre, Jon Rose, Kent Carter, Ned Rothenberg, Peter Kowald, Roger Turner, Rüdiger Carl, Dominique Regef, Evan Parker, Günter Müller, Andres Bosshard, Jean-marc Montera, and Paul Lovens

Joe Venuti

Born: September 16, 1903

Giuseppe "Joe" Venuti is widely regarded as the first great jazz violinist. Born to Italian parents who immigrated to the States; he learned classical violin as a child, the fruits of which can be clearly seen in his exciting melodic and rhythmic technique. At school in Philadelphia in 1913 he met guitarist Eddie Lang; and they started playing together, at first playing polkas, inventing and trading variations, quickly moving into jazz. It was a fortuitous and rewarding partnership. From 1926 to 33 they made many recordings, in a variety of small band line-ups, becoming internationally famous, not least because the novelty of the guitar/violin combination. Venuti's technique was groundbreaking; he had a sharp, bright tone, excellent intonation, and an ability to play in any key, anywhere on the violin

Jean-Luc Ponty

Born: September 29, 1942

Jean-Luc Ponty is a pioneer and undispute master of violin in the arena of jazz and rock. He is widely regarded as an innovator who has applied his unique visionary spin that has expanded the vocabulary of modern music. Ponty was born in a family of classical musicians on September 29, 1942 in Avranches, France. His father taught violin, his mother taught piano. At sixteen, he was admitted to the Conservatoire National Supérieur de Musique de Paris, graduating two years later with the institution's highest award, Premier Prix. In turn, he was immediately hired by one of the major symphony orchestras, Concerts Lamoureux, where he played for three years

Harry Lookofsky

Born: October 1, 1913

Harry Lookofsky was an American jazz violinist. He was also the father of keyboardist-songwriter Michael Brown, who most notably was a founding member of The Left Banke and Stories. Harry Lookofsky was born in Paducah, Kentucky in 1913 and studied classical violin in St. Louis where he joined the St. Louis Symphony Orchestra in the mid 1930s. An early admirer of Joe Venuti, Lookofsky eventually became recognized as one of the earliest accomplished bebop jazz violinists. His technique became particularly recognized on his album Stringsville (1958, Atlantic). Lookofsky was one of many early jazz violinists who occasionally played tenor violin, an instrument he cited for its similar tonal qualities to the tenor saxophone

Didier Lockwood

Born: February 11, 1956

Didier Lockwood (born February 11, 1956) is a French jazz violinist.

He was born in Calais and studied classical violin and composition at the Calais Conservatory. However, his brother Francis made him receptive to forms of music other than the classical and he quit his studies in 1972. Didier was entranced by the improvisation of Jean-Luc Ponty on Frank Zappa's King Kong album and took up the amplified violin. He joined the progressive rock group Magma, touring and notable featured on their 1975 Live/Hhaï album. Lockwood was also influenced by Polish violinist Zbigniew Seifert and Stéphane Grappelli, whom he joined on tour.

He has also played with Quebecois fusion group Uzeb on their Absolutely Live album.

He is famous for exploring new musical environments and for performing various sound imitations on his amplified violin, such as seagulls or trains.

On July 23, 1982, in Montreux, Switzerland, he performed in concert with guitarist Allan Holdsworth, drummer Billy Cobham, bassist/vocalist Jack Bruce, and keyboardist David Sancious.

Didier Lockwood created a string instruments improvisation school, CMDL (Centre des Musiques Didier Lockwood), in 2001.

He is married to singer Caroline Casadesus.

Throughout 2006 Didier has been touring with Martin Taylor the Jazz guitarist

Leroy Jenkins

Born: March 11, 1932

Born in Chicago, composer and violinist Leroy Jenkins was one of the most important musicians to emerge from the AACM (Association for the Advancement of Creative Musicians), the legendary collective of which he was a member until his death in 2007. Like many of the Association's members, Jenkins studied under the legendary Walter Dyett at DuSable High School, where he learned the alto saxophone. He received a music degree (in violin) from Florida A&M University, where he studied composition and the classical masters of the violin. Subsequently, he taught music both in Mobile, Alabama (1961-5) and in the Chicago schools (1965-9)

Stephane Grappelli

Born: January 26, 1908

Stephane Grappelli (originally surname was spelled with a 'Y') would have earned himself a place in Jazz History books if only for his important role in the Quintette of the Hot Club of France, featuring the dazzling virtuosity of Django Reindhart. Grappelli's violin was the perfect foil to Reindhart's guitar in this piano-less group. Fired by Reindhart's tremendous rhythmic powers, Grappelli's contributions to recordings by the Quintette like Lime House Blues, China Boy and It Don't Mean A Thing (all 1935) and Them There Eyes, Three little Words and Swing '39 (these latter three tracks from 1938-39) were admirable in their execution. Occasionally Grappelli would play piano, as when harmonica virtuoso Larry Adler recorded with the group in 1939, the year when Reindhart and Grappelli, violin, recorded (with delightful results) as a duo (all Django Reindhart). Grappelli born (1908) and raised in Paris was involved with music at a very early age

Mark Feldman

After three albums with John Abercrombie--"Open Land", "Cat 'n' Mouse", and "Class Trip"--and the trio recording "Abaton" with Sylvie Courvoisier and Erik Friedlander, this is the first ECM leader date for violinist Mark Feldman. Feldman is established now as one of jazz's finest string players, but "What Exit" frequently leaves 'jazz' behind, as his pieces--there are eight originals here - establish climates more frequently associated with contemporary composition. At the same time, interaction is paramount in this music and solo skills as crucial as ensemble awareness. Five years ago in an interview with the Boston Globe's Bob Blumenthal, Feldman spoke of his goal as "integration, without it being a frivolous 'crossover' thing--the real organic integration of classical and modern jazz." "What Exit" takes large steps toward the realisation of this ambition, which is itself the logical outcome of Feldman's idiosyncratic journey through the genres over the last thirty years. He is joined on "What Exit", recorded at New York's Avatar Studio last year, by a special group of players assembled for the project--England's John Taylor on piano, the Swedish bassist Anders Jormin and drummer Tom Rainey, California-born but, like Feldman himself, long established as a central figure in New York's improvising circles

Joe Deninzon

Born: December 3, 1974

JOE DENINZON
www.joedeninzon.com

Joe Deninzon has been hailed by critics as “The Jimi Hendrix of the Violin,” because of his innovative style on the “Viper” seven-string electric violin. In addition to leading Joe Deninzon & Stratospheerius, Joe is the violinist/guitarist for classic rock band Kansas.

He has worked with the Who, Bruce Springsteen, 50 Cent, Sheryl Crow, Ritchie Blackmore, Alex Skolnick, Smokey Robinson, Les Paul, Peter Criss from KISS, Michael Sadler, Renaissance with Annie Haslam, Phoebe LeGere, Kurt Elling, and as a soloist with Jazz at Lincoln Center and the New York City Ballet.

David Cross

Born: April 23, 1949

Early days: 1949-1960 Father was a church and cinema organist and played piano in dance bands. David started learning violin at the age of nine. First violin bought from a junk shop for £1.00. Played right back for school football team. Education: 1960-1967 Secondary school: A levels in Latin, Greek and Ancient History. Rugby player (Captain and Scrum-half). Started improvising. 1967-1970 Certificate of Education specialising in Music and Drama. Leader of College Orchestra. Formed folk rock band. 1993-1995 M.A. in Performing Arts (interdisciplinary performances, papers on structure in post-modern art music, the hermeneutics of rock journalism). Career: 1970-1972 Musician, Composer