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Leap of Faith: Domains
by Karl Ackermann
In 2009, David Peck's (PEK) Leap of Faith group reconvened after a lengthy hiatus to become a prolific producer of music that is always far outside the box. His Evil Clown label has flourished with a company of like-minded artists working in a collective environment. Leap of Faith has performed and recorded in formations ranging from ...
Thollem | Mazurek: Blind Curves and Box Canyons
by Karl Ackermann
In a remote outpost of creativity, the little town of Marfa sits on less than two square miles, a one-hour drive from the Mexican border. With a population of about two-thousand, it may, nevertheless, be the Brooklyn of the West Texas desert plateau. From its beginnings as an artist colony (of sorts), Marfa has been developing ...
Ross Hammond: in solo e in duo con Vinny Golia
by Mario Calvitti
Dopo diversi anni di attività svolta principalmente nell'ambito del jazz e della musica improvvisata, il chitarrista Ross Hammond ha recentemente intrapreso una nuova direzione musicale abbandonando temporaneamente la chitarra elettrica in favore dello strumento acustico, in versione 12 corde o resofonica, e ha inciso una serie di album per chitarra acustica tra i più belli degli ...
Rich Halley/Carson Halley: The Wild
by Dan McClenaghan
Saxophonist Rich Halley, home-based in Portland, Oregon, is a relentless creator of fine and oftimes fiery free jazz, averaging, since 2010, about two CD releases per year, including Creating Structure (2015); Eleven (2016); and Outlier, (2016), all on his Pine Eagle Records label. These were quartet outings, featuring like-minded free-jazzers--trombonist Michael Vlatkovich, bass man Clyde Reed ...
Matty Harris: Double Septet
by Angelo Leonardi
Laureatosi al California Institute of the Arts, il trentenne sassofonista Matty Harris pubblica il secondo disco del suo Double Septet, un organico d'avanguardia comprendente il settantenne Vinny Golia -ancora in gran forma -e validi strumentisti operanti in California. L'organico ha debuttato nel 2013 con l'album Songs e quasi gli stessi componenti. Negli anni precedenti, a partire ...
Piano & More: Rich Halley 5, Casey Golden Trio, Jeff Denson Quartet, Fred Hersch Trio, Peter Erskine Trio, & Sirius Quartet
by Mark Sullivan
An assortment of striking jazz/improvisation recordings. Three of them are piano trios--each with their own unique character--but two of them have no piano, or any other harmonic instrument. Rich Halley 5 The Outlier Pine Eagle Records 2016 Tenor saxophonist Rich Halley's longstanding quartet with trombonist Michael Vlatkovich, ...
Rich Halley 5: The Outlier
by Budd Kopman
The Outlier feels like the third part of a triptych which started with Creating Structure, followed by Eleven. The former recording demonstrated how structure can be created during improvisation, while the latter how more- or-less composed music with structure can be the foundational basis for improvisation. The record at hand mixes the two concepts ...
Rich Halley 5: The Outlier
by Jerome Wilson
Veteran Oregon saxophonist Rich Halley has assembled here a CD that combines the volcanic force of the 60's avant-garde with a modern fealty to rhythm. On these ten tracks Halley and fellow Pacific Coast veterans, saxophonist Vinny Golia and trombonist Michael Vlatkovich storm and rumble wildly while bassist Clyde Reed and drummer Carson Halley ...
Burning Ghosts: Burning Ghosts
by Troy Collins
Daniel Rosenboom has quickly become one of the leading voices in the West Coast jazz scene. The Los Angeles-based trumpeter recorded his formative work for Vinny Golia's esteemed Nine Winds label in the mid-2000s, but has since founded Orenda Records to document his hometown's burgeoning underground scene. Rosenboom's latest offering as a bandleader is the self-titled ...
Rich Halley 5: The Outlier
by Mark Corroto
After a string of impressive quartet recordings, saxophonist Rich Halley adds multi-instrumentalist Vinny Golia to the lineup for The Outlier. The band is the Rich Halley 5, not the Rich Halley 4 + 1. There is an important distinction here. This session gives the impression of a functioning quintet, not just a guest appearance.
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