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Quentin Collins Sextet: Road Warrior
by Chris May
Hard-bop with a modern twist from the British trumpeter Quentin Collins, who is probably best known for his work with the Kyle Eastwood Band and who leads his own transatlantic group on Road Warrior. The frontline is completed by two British-based saxophonists, Leo Richardson on tenor and Meilana Gillard on alto. The rhythm section is out ...
Paul Booth: Travel Sketches
by Chris May
The intense media interest surrounding the rise of the British woke jazz movement is welcome, but it is increasingly monopolising local bandwidth. Great British jazz which adheres more closely to the founding American tradition is becoming sidelined. Babies and bathwater come to mind. One of the few British labels looking at the 360-degree picture ...
Leo Richardson Quartet: Move
by Roger Farbey
The follow-up to Leo Richardson's debut album The Chase (Ubuntu, 2018) reveals that the tenor man is no one-trick pony. These fifty minutes of hard bop further demonstrate that, in addition to being a composer of well-constructed, memorable tunes, Richardson is also rapidly emerging as one of the UK's top saxophonists. At odds with ...
Mark Kavuma: The Banger Factory
by Roger Farbey
The Banger Factory, the follow-up to Mark Kavuma's debut album Kavuma (Ubuntu, 2018) is no less impressive than its predecessor. The title derives from the name of the band that Kavuma leads, which plays regularly at the Prince of Wales (aka POW) venue in Brixton, London. Deschanel Gordon's pensive piano introduction, evoking shades of McCoy Tyner ...
Mark Kavuma: The Banger Factory
by Chris May
An associate of the Tomorrow's Warriors and Kinetika Bloco community projects through whose ranks have passed practically all the leading musicians in London's woke-jazz world, trumpeter Mark Kavuma stands a little apart from many of his peers. While the new London scene is characterized by hefty infusions of modern Caribbean and African music and London club ...
Rob Cope: Gods Of Apollo
by Roger Farbey
Rob Cope's debut album, the first of a trilogy of space-inspired recordings, celebrates the 50th anniversary of man first setting foot on the Moon on July 20th 1969. It traces the history of spaceflight from the first satellites to the last crewed Moon landing in 1972. Cope began playing saxophone at the age of eight and ...
Andrew McCormack: Graviton: The Calling
by Roger Farbey
Following in the wake of Andrew McCormack's Graviton (Jazz Village, 2017) comes Graviton: The Calling. All Graviton's personnel have changed save for McCormack and Robin Mullarkey, who plays bass guitar on three tracks. The most notable new recruit is Italian-American vocalist Noemi Nuti, who is also a trained harpist. The portentous opener, “Uroboros," gives ...
Bonsai: Bonsai Club
by Roger Farbey
Bonsai, under their previous moniker Jam Experiment, released one eponymous and extremely good, self-produced CD in 2017. In their new incarnation, they have replaced saxophonist Alexander Bone with violinist / vocalist Dominic Ingham. (To avoid ambiguity, Dominic and trombonist brother Rory—winner of Rising Star in the 2017 British Jazz Awards—will be referred to as DI and ...
Miguel Gorodi: Apophenia
by Roger Farbey
As a youngster, Miguel Gorodi led something of a nomadic existence. He was born in Spain in 1990 but was then raised in Saudi Arabia and Thailand before moving to England in 2006. In his mid-teens he won a scholarship to study music at Wells Cathedral School and two years later received a place at London's ...
Tom Cawley: Catenaccio
by Roger Farbey
Tom Cawley has been a familiar presence on the British jazz scene for well over a decade. He teaches piano and improvisation in the jazz department of London's Royal Academy of Music and he's led his group Curios since its debut album, Hidden, was released in 2007 on Jazzizit Records. Cawley won the Young Jazz Musician ...
