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Tord Gustavsen
Born:
This is music that sings, at once gentle and robust. Lyrical, immediately memorable songs, songs of an appealing freshness, yet sophisticated in their involvement with the melodic line. In the seven years that have elapsed since the recording of a debut album that proved both a popular and a critical success, Tord Gustavsen has toured extensively, crystallizing the musical approach and developing new compositions. The second trio album "The Ground" was released in 2005. In 2007 the trio completed a unique trilogy with a release named "Being There". In 2009, Tord changed into a different and somewhat more flexible ensemble form, releasing the album "Restored, Returned" with a line-up including Kristin Asbjørnsen (vocals), Tore Brunborg (saxophones), Mats Eilertsen (bass), Jarle Vespestad (drums)
Big Ears Festival 2024
by Mark Sullivan
Big Ears Festival Knoxville, TN March 21-24, 2024 After last year's triumphant tenth anniversary, the festival returned with the slogan “The adventure continues." The iconic and influential Nonesuch Records' 60th anniversary was celebrated with performances by Brad Mehldau, Caroline Shaw, Darcy James Argue, Mary Halvorson, Davóne Tines, Sam Amidon, Hurray for the ...
Søren Bebe Trio: Here Now
by Mike Jurkovic
Here Now, pianist Søren Bebe's seventh outing with his long time bassist Kasper Tagel and new-to-the-fold drummer Knut Finsrud, is one of those recordings one wants to keep in the travel bag or glove compartment when the day, like a runaway train, starts to pull away. Calling upon the sage wisdom of classicists like ...
Jazz Beyond Borders: Embracing Online Performances
by Ellen Johnson
The COVID-19 pandemic forced musicians and venues to adapt, giving rise to innovative alternatives for their survival. One of the most transformative solutions was the advent of live streaming concerts and club dates, allowing people to enjoy jazz performances from the comfort of their homes. As the pandemic's limitations persisted, this concept gained traction, offering audiences ...
Tord Gustavsen Trio: Changing Places
by Jeffrey Allen Chelsky
I never tire of listening to the masterful Tord Gustavsen in his various incarnations, this time with his trio composed of bassist Harald Johnsen and drummer Jarle Vespestad, Changing Places has been out since 2003 and seems new every time I play it. I listen and it is as if the world slows down and fades ...
Opening
Label: ECM Records
Released: 2022
Track listing: The Circle; Findings/Visa Fran Rattvik; Opening; The Longing; Shepherd Song; Helensburgh Tango;
Re-Opening; Findings II; Stream; Ritual; Floytelat/The Flute; Vaer sterk, min sjel.
Jazz Musician of the Day: Tord Gustavsen
All About Jazz is celebrating Tord Gustavsen's birthday today! This is music that sings, at once gentle and robust. Lyrical, immediately memorable songs, songs of an appealing freshness, yet sophisticated in their involvement with the melodic line. In the seven years that have elapsed since the recording of a debut album that proved both a popular ...
Carole Nelson: Zen And The Art Of Music Making
by Ian Patterson
To what extent music is a product of nature versus nurture is impossible to qualify, but it is reasonable to assume that a musician's immediate environment plays into the music somehow. Difficult, certainly, to imagine bebop birthing anywhere other than in the hurly burly of 1940s New York, for example. For London-born, Ireland-based pianist Carole Nelson, ...
Festival International de Jazz de Montréal 2022
by Mark Sullivan
Various Venues Festival International de Jazz de Montréal Montréal, Canada June 30-July 4, 2022 Like everything else, the Covid-19 pandemic stopped the Festival International de Jazz de Montréal in its tracks. Forced to cancel the 2020 festival, they instead presented a four-day virtual festival online on June 27-30. Another abbreviated ...
Tord Gustavsen Trio: Opening
by Peter Jones
Tord Gustavsen's first three piano trio albums sold in unimaginable quantities, made him an unlikely star in his native Norway, and established him internationally. He became the living embodiment of the ECM sound—quiet, contemplative, solemn, spacious. In fact, so spacious, that at gigs one would sometimes wait a seeming eternity for the arrival of the next ...
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