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Roberto Magris: "Il jazz è un veicolo per contenuti elevati"
by Angelo Leonardi
Nato a Trieste nel 1959, Roberto Magris è dai primi anni ottanta uno dei jazzmen italiani più attivi all'estero, tra i pochissimi a collaborare con i musicisti dell'Est Europa quando esisteva ancora la cosiddetta “cortina di ferro." Dei suoi organici ricordiamo il MUH trio, il Gruppo Jazz Marca, l'Europlane Orchestra, il DMA Urban Jazz Funk e ...
Bob Gorry: GoBruCcio
by Kyle Simpler
Jerry Garcia once tried to explain the Grateful Dead's appeal by comparing them to licorice. He pointed out that not everybody likes licorice, but the people who do “really like licorice." The same principle could easily apply to free jazz. There's a unique appeal to free improvisation that some listeners embrace, while others might quickly turn ...
Ill Considered - Reconsidered
by Karl Ackermann
London Calling, AgainAround 2010, the South London jazz scene began breaking with tradition for an alternative union of music rooted in global cultures. It represented a fundamental change in the way young Londoners related to music; the rhythms were infused with hip hop, spiritual jazz, dubstep, funk, groove, reggae, and future soul in various combinations. In ...
Matthew Shipp: Codebreaker
by Dan McClenaghan
Pianist Matthew Shipp has a habit of putting out piano solo and piano trio CDs in quick succession. In 2020, it was the solo set Piano Equation (Tao Forms) and the trio outing The Unidentifiable (ESP Disk). In 2021 he offers up Village Mothership (Tao Forms), a trio offering, and the solo set—and the subject of ...
Darius Jones: Raw Demoon Alchemy (A Lone Operation)
by Mark Corroto
Saxophonist Darius Jones' solo recording Raw Demoon Alchemy (A Lone Operation) is the embodiment of the word unpasteurized. Captured in the fall of 2019, the music is raw and untreated. Maybe 'pure' is a better word here. The musician known for his muscular approach to the alto saxophone lowers the armored facade we all seem to ...
Umlaut Big band: Mary's Ideas
by Mark Corroto
In the liner notes of Embraced (Pablo Live, 1978), Mary Lou Williams defends the late music of John Coltrane thus ..."the healing power comes from the deep feeling that is in jazz--the feeling of the Blues which is characteristic of all good jazz no matter what form it takes. Even John Coltrane's music was never without ...
Ashley Henry: The Beauty Of Inclusive Music
by Paolo Marra
Pianist and composer Ashley Henry is one of the most interesting talents coming out of the British Jazz scene, which has been commanding growing international recognition. His debut album Beautiful Vinyl Hunter (Universal, 2019) revealed a universe in which grime, r&b and hip-hop coexist with the respect and recognition for the great jazz players of the ...
Ashley Henry: la bellezza della musica inclusiva
by Paolo Marra
Il pianista e compositore Ashley Henry è uno dei più interessanti talenti della nuova generazione di jazzisti britannici che si sta imponendo all'attenzione internazionale. Il suo album di debutto, Beautiful Vinyl Hunter (Sony, 2019), ha rivelato un universo nel quale jazz, grime, drum'n'bass e hip-hop convivono senza snaturare le radici profonde dei grandi jazzisti del passato. ...
Joe Harriott Quintet: Free Form & Abstract Revisited
by Chris May
A tiny island, Jamaica has punched far above its weight musically. Dub and reggae are the primary manifestations, but the island has also produced a disproportionately large number of notable jazz musicians, many of whom left during the late 1940s and 1950s to relocate to Britain, Jamaica's so-called mother country during the colonial era. Alto saxophonist ...
Manolo Cabras: gli album che sto ascoltando
by Vincenzo Roggero
1. Annette Peacock, An Acrobat's Heart (ECM, 2000) Un album incredibilmente bello di una delle figure più misteriose, sfuggenti e seducenti ai margini del jazz. 2. Bill Laswell, Baseline (Elektra Records, 1983) A volte il primo album rimane il migliore. 3. Paul Motian Trio ...
