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Article: My Blue Note Obsession

Charlie Rouse: Bossa Nova Bacchanal – 1962

by Marc Davis
July 10, 2015

What a happy record! And what a delightful change from the usual 1960s Blue Note formula. You know the drill. In the 1960s, Blue Note was the go-to label for two kinds of jazz: hard bop and soul-jazz. But Blue Note was never the reigning bossa nova label. When the Brazilian phenomenon swept the ...

Article: Interview

Matteo Pastorino: nome nuovo del clarinetto

by Libero Farnè
July 6, 2015

..."un clarinettista deciso e inventivo del quale risentiremo parlare." Con queste parole nell'agosto 2008 concludevo la mia recensione di Time in Sassari su questa rivista. Il clarinettista era Matteo Pastorino, allora diciannovenne, e in quell'occasione si esibiva all'interno dell'ottetto Viento Rojo, che raccoglieva i giovani più promettenti fra quelli che avevano frequentato i corsi di Nuoro ...

Article: Multiple Reviews

Sonorama: New Treasures from the Past

by Jakob Baekgaard
June 30, 2015

To find a forgotten record is often part of the pleasure and path of the dedicated record collector. Looking for the right record becomes a journey where flea markets and other strange places are examined, but it is also about having the right connections. Ekkehart Fleischhammer is not only an expert in finding the recorded treasures ...

News: Recording

Bar De Nuit (Night Bar) New Album by Daniel Roure

June 17, 2015

French cabaret, French pop and chanson have a long and rich history, from Edith Piaf’s classic recordings of the 1930s, 1940s and 1950s to the soundtrack of the 1966 film Un Homme et une Femme (A Man and a Woman). And in recent years, the chanson tradition has been kept alive by younger vocalists such as ...

Article: My Blue Note Obsession

Joe Henderson: Page One – 1963

by Marc Davis
June 15, 2015

Joe Henderson is one of those jazz guys who made such a spectacular comeback late in life that you tend to forget how good he was in the beginning. Page One is all the evidence you need of Henderson's early heroics. Let's start at the end. The last four albums of Henderson's ...

News: Performance / Tour

Randy Weston & Billy Harper Highlights In Jazz Thursday, June 11th 8pm @ Tribeca Performing Arts

June 11, 2015

Jack Kleinsinger’s Highlights In Jazz, New York’s longest running jazz concert series, concludes its 43rd season on Thursday June 11, 2015 at 8:00 PM in the Tribeca Performing Arts Center at Borough of Manhattan Community College, 199 Chambers Street, NY, 10007 with Jazz Past & Present, a multigenerational double bill featuring the incomparable duo of, pianist ...

Article: Extended Analysis

Luther Thomas: In Denmark

by Jakob Baekgaard
June 10, 2015

Denmark has a long tradition of jazz immigration and in the land where the Danish author Hans Christian Andersen was born, it is truly a musical fairy tale that such great artists as saxophonists Ben Webster, Dexter Gordon and Stan Getz have lived and worked in the country, along with pianists like Kenny Drew and Horace ...

Article: Live Review

Bobby Zankel’s Warriors of the Wonderful Sound with Jaleel Shaw at Philadelphia Clef Club

by Victor L. Schermer
June 6, 2015

Bobby Zankel's Warriors of the Wonderful Sound with Jaleel Shaw Philadelphia Clef Club of Jazz Philadelphia, PA June 2, 2015 This killer of a concert capped a series of four in which Bobby Zankel's Warriors of the Wonderful Sound invited guest artists to join them in performing ...

News: Recording

Chuck Israels Releases "Joyful Noise The Music Of Horace Silver" on July 17

June 5, 2015

Bassist For the Bill Evans Trio, John Coltrane, Billie Holiday, Stan Getz... Bassist/arranger/composer Chuck Israels steps out front as the bandleader in this exciting new release, Joyful Noise (SoulPatch Music). Having honed his chops working with masters including John Coltrane, Billie Holiday, Stan Getz and more, including the Bill Evans Trio, for which he is best ...

News: Recording

Stan Getz on Roost: 1950-52

June 4, 2015

On May 17, 1950, Stan Getz began recording for the Roost label as leader. On that date, Getz was backed by Al Haig (p), Tommy Potter (b) and Roy Haynes (d), and the quartet recorded six sides. Over the next two years, Getz recorded 59 tracks in all for the label, including quartet and quintet studio ...