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Results for "Rudresh Mahanthappa"
Hubert Dupont: Golan/Al Joulan Vol. 2
by Karl Ackermann
French bassist, composer and activist Hubert Dupont had been touring with a trio called Sabil, playing their initial concert at the Institute of the Arab World in 2013. It was there that he formulated the concept for his multi-cultural, genre-bending Golan/Al Joulan Vol. 1 (Ultrabolic, 2016). In biblical lore, Golan is described as “a city of ...
Joachim Kühn/Chris Jennings/Eric Schaefer: Beauty & Truth
by Karl Ackermann
German born pianist/composer Joachim Kühn is not without a global following though it's a shame that he is not more widely recognized in the US. Having spent much of his professional life in Paris, he did occupy some time between, residing in California. His musical interests are as broad as the roster of top-tier artists he ...
Listening to Jazz Knowingly and Authentically: The Epistemology and Ontology of Jazz
by Victor L. Schermer
"What a peculiar privilege has this little agitation of the brain which we call 'thought.'" --David Hume I deliberately used the words “epistemological" and “ontological" in the title in order to attract your attention. If you don't know what they mean, you're going feel put off or curious. If you do know, you're going ...
The Delegation: Evergreen (Canceled World)
by Dave Wayne
Stretched out over two discs and featuring a 13-piece band that includes a string quartet, two vocalists and a dedicated person on “additional electronics" Evergreen (Canceled World) totally lives up to its larger-than-life sweep and scope. The brainchild of keyboardist and composer Gabriel Zucker, the Delegation's music is rooted in the edgy sort of modern / ...
Rudy Royston Trio: Rise Of Orion
by Karl Ackermann
The visceral style of drummer Rudy Royston was considerably toned down on his leader debut 303 (Greenleaf, 2014), a septet outing where the drummer often worked within the context of an ensemble player. Pared down to a trio formation for Rise Of Orion, Royston retains the services of the ubiquitous saxophonist Jon Irabagon and bassist Yasushi ...
Dave Fiuczynski: Flam! Blam! Pan-Asian Microjam!
by Chris M. Slawecki
Simultaneously dedicated to 20th century classical composer Olivier Messiaen and legendary rap and hip-hop producer J Dilla, Flam! Blam! Pan-Asian Microjam! is a musical adventurer's dream and a purist's nightmare. But anything more conventional from conceptualist, composer and guitarist David Fiuczynski would probably be disappointing--after all, he's the “Fuze" who lit the raging bonfire of the ...
From Microtones to Mauro to MFSB
by Chris M. Slawecki
Dave Fiuczynski Flam! Blam! Pan-Asian Microjam! RareNoise Records 2016 Simultaneously dedicated to 20th century classical composer Olivier Messiaen and legendary rap and hip-hop producer J Dilla, Flam! Blam! Pan-Asian Microjam! is a musical adventurer's dream and a purist's nightmare. But anything more conventional from conceptualist, composer and guitarist ...
Mark Dresser Seven: Sedimental You
by Mark Sullivan
Bassist/composer Mark Dresser has long maintained a bi-coastal career. Born in Los Angeles, for many years his base of operations was New York--including ten years as a member of the Anthony Braxton Quartet--but since 2004 he has been on the faculty of the University of California, San Diego. The all-star septet on Sedimental You bridges the ...
Anna Webber's Simple Trio with Matt Mitchell & John Hollenbeck: Binary
by Karl Ackermann
Canadian native, now a Brooklyn resident, Anna Webber, has a broad, international music education having studied at McGill University in Montreal, Manhattan School of Music and the Jazz Institute of Berlin. In the latter two cases she has received Master's degrees to accompany the substantial number of grants and awards that speak to her compositional ability. ...
Stephan Crump: Stephan Crump's Rhombal
by Mark Corroto
Often times, a jazz performance without a chordal instrument, a guitar or piano, is considered to be flying without a net. Exciting, but often without aim. It routinely relies on just one powerful figure to command the proceedings. That is, unless the ensemble is configured under egalitarian principles. Equal contribution and respect for the differing voices ...
