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Allen Lowe: Blues and the Empirical Truth
by Troy Collins
Operating on the fringes of the jazz establishment since the early 1990s, under-sung saxophonist Allen Lowe has earned meritorious praise for his distinctive efforts. It is his academic writings documenting the history of American folk music that have garnered him the most widespread critical acclaim however. Lowe's first foray into roots music, his 1994 album Dark ...
FAB Trio: History of Jazz in Reverse
by Jerry D'Souza
It is a travesty of fate--and of the American jazz establishment--that violinist Billy Bang never received the recognition he merited. Hosannas have been sung to him, many of them after he died, but the fact remains that he was kept on the periphery despite an admirable body of work. His virtuosity can be witnessed on recordings ...
Cuneiform Records: Growing Progressive Music for 27 Years
by Mark Redlefsen
Twenty seven years is a long time for a niche progressive music label such as Cuneiform Records not just to survive, but to remain inventive and, in the best sense, ambitious. Steve Feigenbaum founded Cuneiform back in 1984, and with his wife, Joyce, runs it from Silver Springs, Maryland. Hosting bands such as Universe Zero, digging ...
Miles Davis Quintet: Live in Europe 1967: The Bootleg Series Vol. 1
The explosive transformation of Miles Davis' second great Quintet" with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on Miles Davis Quintet: Live in Europe 1967: The Bootleg Series Volume 1. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the ...
Roswell Rudd: The Incredible Honk
by Raul d'Gama Rose
There is a distinct sense of the celebration of his 75th year on this good earth as trombonist Roswell Rudd continues the journey through his singular musical universe on his superb The Incredible Honk. Criss-crossing the paths he took when he first reconnected with ethnomusicologist producer and soul mate Verna Gillis, Rudd undertakes a sonic sojourn ...
Roswell Rudd: The Musical Magus Turns 75
by Raul d'Gama Rose
"Years ago it would have seemed an impossible dream to get to record with this musical magus, but here we are... and what a thrill!" class="f-right">--Charlie Kohlhase, From liner notes to Eventuality: The Charlie Kohlhase Quintet Plays the Music of Roswell Rudd (Nada, 2001) I see him suddenly as if in a ...
Patrick Brennan: Rhythms of Passion
by Ludwig vanTrikt
Since moving to New York City in 1975, one-time bassist/painter Patrick Brennan has crafted a musical path that is open in its candor and indebtedness to all facets of black music. Much like trumpeter Wadada Leo Smith, the alto saxophonist brews a thicket of his own distinct musical language that unlike much contemporaneous vanguard music is ...
Theo Saunders Sextet: San Diego, CA, July 5, 2011
by Robert Bush
Theo Saunders Sextet Saville Theatre, San Diego City College San Diego, CA July 5, 2011 Pianist Theo Saunders has an incredible resume. Growing up in NYC, he played with Pharoah Sanders in the 1960s, and in 1971 (at age 24), at the Village Vanguard with the likes of Jimmy Garrison ...
Pandelis Karayorgis Quintet: System Of 5
by Troy Collins
A longstanding adherent of intimate duo and trio settings, Boston-based pianist Pandelis Karayorgis' discography has been dominated by small combo recordings since the early 1990s, with many founded on the venerable configuration of piano, bass and drums. A radical traditionalist with a penchant for the acute angles and strident tonalities of advanced post-bop, Karayorgis' recent exploits ...
Brainkiller: The Infiltration
by Mark F. Turner
With a name like Brainkiller, it's easy to imagine a punk band thrashing the noise to a frenzied crowd of head-bangers. While the idea is not entirely a stretch in terms of The Infiltration's energy, there are clear differences: first, instead of the usual guitar or piano-led ensemble, there's an uncommon trio of trombone, keys, and ...



