Home » Search Center » Results: Rodrigo Amado
Results for "Rodrigo Amado"
Rodrigo Amado, Joe McPhee, Kent Kessler, Chris Corsano, live at Bimhuis Amsterdam
by Henning Bolte
Rodrigo Amado, Joe McPhee, Kent Kessler, Chris Corsano Bimhuis Amsterdam March 8, 2017 As part of a European tour through nine countries, the Portuguese-North American configuration of Lisbon tenor saxophonist Rodrigo Amado, multi-instrumentalist Joe McPhee (saxophones, trumpet, didgeridoo), bassist Kent Kessler from Chicago, and young drummer Chris Corsano ...
Albert Cirera: Before The Silence
by John Sharpe
On Before The Silence, four musicians from the Iberian Peninsula collectively birth one 53-minute improvisation, split into three tracks and a final short coda. Pianist Agusti Fernandez is likely the most recognizable name here, but the nominal leader reedman Albert Cirera has an enduring association with the pianist, first as a student, then appearing as part ...
Rodrigo Amado's Motion Trio: Desire & Freedom
by Glenn Astarita
Portuguese saxophonist Rodrigo Amado's mark of distinction is generally centered on his assertive approaches to experimentation within numerous offshoots and slants of the jazz vernacular. He's become a major player on the Euro progressive jazz scene amid sessions with American free-thinking acolytes, trombonist Jeb Bishop, bassist John Hebert, trumpeter Dennis Gonzalez and many others of note. ...
Rodrigo Amado's Motion Trio: Desire & Freedom
by John Sharpe
Desire And Liberation constitutes only the second album in Portuguese saxophonist Rodrigo Amado's Motion Trio discography not to feature a guest since their eponymous debut (European Echoes, 2009). While some may decry the lack of a foil for the leader's muscular tenor saxophone (and past collaborators trumpeter Peter Evans and trombonist Jeb Bishop supplied that and ...
Rodrigo Amado Motion Trio: Desire & Freedom
by Mark Corroto
Rodrigo Amado's Motion Trio is the model of free jazz genuineness and efficiency, and by that I mean proficiency. They give off an impression of nonchalance here, but don't let their relaxed approach fool you, beneath the surface their music is burning with all the agitation of the 1960's New Thing in jazz. After ...
Luís Lopes: Love Song
by Mark Corroto
I would never arbitrarily dictate the when and how one should consume a particular recording. But, may I suggest that you only listen to the recording Love Song by Portuguese guitarist Luís Lopes</em> late at night and with the lights off (at least for the first time)?. This is not the celebratory {{m: Frank Sinatra music ...
Per Gärdin/Rodrigo Pinheiro/Marco Franco/Travassos: Oblique Mirrors
by Mark Corroto
Listening to the free improvisation recording, Oblique Mirrors brings to mind a most memorable line from the film The Usual Suspects, where Kevin Spacey as Roger “Verbal" Kint says, “The greatest trick the Devil ever pulled was convincing the world he didn't exist. And like that, poof. He's gone." Maybe its the evanescent nature ...
This Is Our Language
Label: Not Two Records
Released: 2015
Track listing: The Primal Word; This Is Our Language; Theory Of Mind (For Joe); Ritual Evolution;
Human Behavior.
Rodrigo Amado: This Is Our Language
by Glenn Astarita
Experimental jazz, largely framed on wide-ranging improvisational tactics, inhabits a tightknit if not cloistered community, partially by default due to its avant-garde underpinnings. With the album moniker This Is Our Language, eminent Portuguese saxophonist Rodrigo Amado imparts a bond or connection to free-jazz pioneer Ornette Coleman's fifth album, This Is Our Music (Atlantic, 1960).
Rodrigo Amado: This Is Our Language
by John Sharpe
The title of Portuguese saxophonist Rodrigo Amado's latest offering pays unmistakable homage to the late Ornette Coleman. This Is Our Music (Atlantic, 1961) constituted one of Ornette's uncompromising early manifestos, while In All Languages (Caravan of Dreams, 1987) served to reveal both the differences and the similarities between his classic quartet and the electric Prime Time ...
