Home » Jazz Articles » Album Review » John Dikeman / Luis Vicente / Hugo Antunes / Gabriel Fer...
John Dikeman / Luis Vicente / Hugo Antunes / Gabriel Ferrandini: Salão Brazil
Already it feels as if this foursome has forged a group identity in which everyone likes to play, but at the same time listen carefully and remain closely attuned to each other's inclinations. It's easy to see why the two hornmen have established such a strong rapport. The exchanges between Dikeman and Vicente lie at the heart of the discourse, although aided in that by freewheeling sonic carpet laid down by Antunes' nimble, tunefully bent notes and Ferrandini's cavalcade of timbre. The darting precision of Vicente's pinched sound, especially with his bell muted, forms a winning contrast to Dikeman's broad Albert Ayler-inspired impasto.
Each side long cut explores a different mood. At the outset "One For Adam" seems as if they are feeling their way, but gathers pace with quicksilver give and take between the horns as Ferrandini veers between rush and halt. A sudden switch finds Antunes' upper register plucking vying with Vicente's snuffling trumpet, until an eventual return to the initial rapid fire fractious opposition.
"Hob And Nob" begins more atmospherically with keypad flutters, cymbal scrapes and a quiet trumpet drone, but Antunes' restless bowing dominates thereafter. Space opens up for more individual or paired expression, with a notable a cappella horn duet. Based on such free flowing interplay from four upcoming masters this is a band to keep an eye on.
Track Listing
One For Adam; Hob And Nob
Personnel
John Dikeman
saxophone, tenorJohn Dikeman: tenor saxophone; Luis Vicente: trumpet; Hugo Antunes: bass; Gabriel Ferrandini: drums.
Album information
Title: Salão Brazil | Year Released: 2017 | Record Label: NoBusiness Records
About John Dikeman
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






