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Val Wilmer: Dues And Testimony
by Ian Patterson
Free-jazz, which marked the first revolution in jazz since bebop, and, some might say, the most significant revolution in the entire history of the music, was controversial and divisive. Still today, over half a century later, free-jazz is sometimes dismissed out of hand as just so much noise, or worse, finds itself simply airbrushed from the ...
The Last Night At The Old Place
by Duncan Heining
By any standards the release of The Last Night At The Old Place will prove to be one of archive releases of the year, second only, perhaps, to the 'Lost' Coltrane album. All power, therefore, to Mike Gavin who has inherited the Cadillac catalogue from the late John Jack with his first release of archive material. ...
Yakhal' Inkomo: A South African Masterpiece at Fifty
by Seton Hawkins
On July 23, 1968, a now-legendary recording session took place in Johannesburg, South Africa, one that would ultimately prove a defining moment in the country's Jazz history and development. Led by tenor saxophonist Winston Mankunku Ngozi, a quartet that included pianist Lionel Pillay, bassist Agrippa Magwaza, and drummer Early Mabuza would record the album Yakhal' Inkomo. ...
As Serious As Your Life: Black Music And The Free Jazz Revolution 1957-1977
by Ian Patterson
As Serious As Your Life: Black Music And The Free-Jazz Revolution, 1957-1977 Val Wilmer 408 Pages ISBN: 978 1 78816 071 1 Serpent's Tail 2018 First published in 1977, journalist, author and black music historian Val Wilmer's As Serious As Your Life... makes a welcome print return at a ...
James Brandon Lewis: Radiant Imprints
by Vincenzo Roggero
Da quando è ritornato sulla scena musicale nel 2014 con Divine Travels -dopo l'esordio piuttosto convenzionale di Moments nel 2010 -facendo capire di non essere il solito fenomeno del sax tenore destinato a ballare il tempo di un estate, James Brandon Lewis non ha più sbagliato un colpo, sia sul versante discografico che nelle numerose esibizioni ...
Leonardo Pavkovic: Nothing is Ordinary
by Chris M. Slawecki
More than any other person, Leonardo Pavkovic has made me write some crazy shit. Pavkovic is the primal force behind the joyously eclectic MoonJune Records, which he established in 2001. “Established" may not be the right word: “I am truly an unusual and rules breaking call-it-record-company with a 'label' identity despite the fact that ...
James Brandon Lewis and Chad Taylor: Radiant Imprints
by Mark Corroto
When saxophonist James Brandon Lewis released Divine Travels (Okeh, 2014) with bassist William Parker and drummer Gerald Cleaver, the jazz world went from “who is this guy?" to “make space at the table," because listeners had discovered a truly distinctive voice. After that came Days Of Freeman (Okeh, 2015) with Jamaaladeen Tacuma and Rudy Royston and ...
Ivo Perelman Makes It Rain
by Mark Corroto
If music was sports, then Ivo Perelman would be baseball and most other musicians football. Where football's regular season is 16 games, baseball plays 162. Likewise, most musicians release one album every year or two, but Perelman has averaged seven titles per year for the last seven years. His 2017 Leo Records output is thirteen (fourteen, ...
Denys Baptiste: The Late Trane
by Roger Farbey
When a church is named after a jazz musician you know there's something more than music involved here. The spirituality with which John Coltrane immersed himself as exemplified by A Love Supreme, was just one of the drivers that helped make the saxophonist one of the greatest innovators of jazz. His later works were even more ...
Rich Halley/Carson Halley: The Wild
by Mark Sullivan
Saxophonist Rich Halley has released twenty recordings as a leader, many of them with his son Carson Halley on drums. The two have been playing as a duo for almost twenty years, working on totally improvised music together. Halley's ensemble approach is characterized by a seamless blend of composition and improvisation, but here the pair spontaneously ...
