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About Randy Weston

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Musician

Randy Weston

Born:

After contributing six decades of musical direction and genius, Randy Weston remains one of the world's foremost pianists and composers today, a true innovator and visionary. Encompassing the vast rhythmic heritage of Africa, his global creations musically continue to inform and inspire. "Weston has the biggest sound of any jazz pianist since Ellington and Monk, as well as the richest most inventive beat," states jazz critic Stanley Crouch, "but his art is more than projection and time; it's the result of a studious and inspired intelligence...an intelligence that is creating a fresh synthesis of African elements with jazz technique". Randy Weston, born in Brooklyn, New York in 1926, didn't have to travel far to hear the early jazz giants that were to influence him

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Article: Album Review

University of Toronto Jazz Orchestra: Embargo

Read "Embargo" reviewed by Jack Bowers


Talk about setting the bar high: on an album designed to showcase the talents of students in Professor Terry Promane's classes on arranging, the University of Toronto Jazz Orchestra's music director, Gordon Foote, chose to open Embargo with Rob McConnell's classic arrangement of the Billy Strayhorn warhorse, “Take the 'A' Train," thus giving the undergrads a ...

33

Article: Under the Radar

Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II

Read "Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II" reviewed by Karl Ackermann


Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...

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Article: Under the Radar

The New Golden Age of Jazz Radio

Read "The New Golden Age of Jazz Radio" reviewed by Karl Ackermann


There was the Jazz Age, and later, the Golden Age of Radio. There was no golden age of jazz radio unless one considers the brief, ten-year reign of devolution when swing music dominated the airwaves. Think about this: New York City has not had a twenty-four-hour commercial jazz radio station in over ten years; decades longer ...

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Article: Album Review

Cheik Tidiane Seck: Timbuktu: The Music of Randy Weston

Read "Timbuktu: The Music of Randy Weston" reviewed by Chris May


A well-intentioned tribute to the late pianist, composer and pioneer of Maghrebi jazz Randy Weston by the keyboard player Cheikh Tidiane Seck, Timbuktu: The Music of Randy Weston never really gets off the ground. Seck, whose c.v. includes spells with Mali's Super Rail Band de Bamako, Les Ambassadeurs, Salif Keita and Amadou & Mariam, and Senegal's ...

9

Article: Interview

Monty Alexander: Still Rolling

Read "Monty Alexander: Still Rolling" reviewed by Geno Thackara


If there's one defining quality to Monty Alexander's music, it's joy. An unmistakable undercurrent of happiness has been constant across several decades, dozens of recordings and countless performances all over the world. He could be honoring classic jazz balladeers, exploring the danceable “riddims" of his native Jamaica or anything in between, and you can always hear ...

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Article: History of Jazz

The Creative Musicians Improvisers Forum: New Haven's AACM

Read "The Creative Musicians Improvisers Forum: New Haven's AACM" reviewed by Daniel Barbiero


The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...

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Article: Interview

Theo Croker: It's Just Black Music

Read "Theo Croker: It's Just Black Music" reviewed by Keith Henry Brown


In a field teeming with talented young lions, the bright sound of trumpeter Theo Croker still sticks out. Grandson of the legendary jazz trumpeter Doc Cheatham, the native Floridian graduated from the Oberlin Conservatory of Music and is part of a new movement of emerging jazz artists who expertly incorporate hip hop, electronic and R&B elements ...

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Article: Profile

Omar Sosa: Building Bridges Not Walls

Read "Omar Sosa: Building Bridges Not Walls" reviewed by Duncan Heining


Cuban-born pianist, Omar Sosa is a passionate man. Music, religion, family, his relationship to the planet—all these are inseparable to an artist whose musical world is steeped in the Afro-Cuban heritage that he draws upon so personally and individually in his work. Spinning culinary metaphors to describe the processes of music-making, he sings the praises of ...

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Article: Radio & Podcasts

April Birthday Salutes

Read "April Birthday Salutes" reviewed by Marc Cohn


This week we salute Alfred Lion (co-founder of Blue Note) with three tracks (Hubbard, Green, Turrentine with James Oscar). Then we add two blues with lyrics by Alberta Hunter, including Bessie Smith's very first recording; the April 'first ladies of song' do Ellington; Ellington does Ellington in three different settings; and Mingus celebrates in Paris (impress ...


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