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Jay Leonhart: Joy
by Angelo Leonardi
Quando c'è una relazione padre/figlio tra due artisti, si usa in genere la figura del genitore per presentare il figlio. Per il giovane pubblico del jazz è invece opportuno fare il contrario, dicendo che l'ottantenne bassista leader di questo trio è il padre di Michael, trombettista e orchestratore acclamato per gli album The Painted Lady Suite ...
Greg Abate: Man on a Journey
by Rob Rosenblum
After a warm up tune by the trio of Frank Puzzullo on piano, Sam Edwards on bass and Edwin Hamilton on drums, a medium sized fellow with slicked back hair and very casual attire walks on stage. He seems almost reticent as he acknowledges his audience at Fox's Music House in North Charleston, South Carolina—most of ...
Another (Mostly) Sax Attack
by Marc Cohn
The doctor had a sax attack this week having 'overdosed' on the just-arrived, absolutely gorgeous (and mostly previously unreleased) Paul Desmond box from Mosaic (and I'm more of a 'Phil Woods kind of guy'!). One thing led to another: our chronological Sonny Rollins celebration (The Sound of Sonny); Kenny Garrett with Miles 'live'; Miguel Zenon; Don ...
Alain Mallet Mutt Slang 2: A Wake of Sorrows Engulfed in Rage
by Paul Rauch
The art of jazz would seem to be a mystery to most, and at the same time, a language understood by many. In the entirety of its history, it has served as a central location for idiomatic change, a virtual jumping off point for explorative ventures into both new and traditional world forms. The wide lens ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Jazz & Film: An Alternative Top 20 Soundtrack Albums
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
Blue Note Review 2: Spirit & Time and More
by Marc Cohn
Lots of cool features this week. First, Side 2 of the new-music LP from 2nd limited-edition Blue Note Review box with drummers Tony Allen and Chris Dave reimagining Tony Williams compositions. Then, a deep dive into the Savoy vaults from 1947 with recreations of 78s by Charlie Parker, Fats Navarro and Dexter Gordon. Celebrating Sonny Rollins ...
Chuck Redd: 40 Years On the Road
by Mark Robbins
Chuck Redd is a busy, busy man. This interview took place after one of his many sets during the North Carolina Jazz Festival, which celebrated its fortieth anniversary at the beginning of 2020. Coincidently, Redd is also celebrating his 40th anniversary of being on the road as one of the most versatile and in-demand drummers and ...
Rosario Giuliani: Tradurre l'amore in musica
by Paolo Marra
A fine gennaio è uscito per l'etichetta Jando Music e Via Veneto Jazz il nuovo disco del sassofonista Rosario Giuliani dal titolo Love in Translation, registrato assieme al vibrafonista americano Joe Locke, il bassista Dario Deidda e il batterista Roberto Gatto. Un disco che fra riletture di standards e brani originali ci porta a sondare le ...
Results for pages tagged "Phil Woods"...
Phil Woods
Born:
Phil Woods joined the jazz music scene in New York during the late 1940’s when bebop was gaining popularity as the new direction of American jazz. After graduating from Juilliard Music School Phil quickly gained fame by joining the Birdland All Stars Tour of 1956, and then the Dizzy Gillespie State Department Tour throughout the Middle East. During the late 1950’s Phil worked with jazz luminaries including Quincy Jones and Thelonious Monk. Phil’s partnership with Gene Quill in the late 1950’s established Phil as a major jazz star and led to many exciting recordings during the 1960’s
