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4

Article: Album Review

Molly Tigre: Molly Tigre

Read "Molly Tigre" reviewed by Chris M. Slawecki


Personally, I can't resist a musical story that begins: “Molly Tigre set out from Brooklyn to answer one tough question: What if the 70s vibes of the cult Ethiopiques series collided with Saharan desert rock and West African blues, but with no guitar to lead the melodic way?" I'm not quite sure what some of that ...

5

Article: Album Review

Joey DeFrancesco: In The Key Of The Universe

Read "In The Key Of The Universe" reviewed by Doug Collette


Joey DeFrancesco has stretched himself regularly throughout the course of thirty-plus albums. Just since Project Freedom (Mack Avenue, 2017) he's collaborated very productively for two albums with the Irish soulman Van Morrison--You're Driving Me Crazy (Sony Legacy, 2018) and The Prophet Speaks (Caroline, 2018). And, on In The Key of the Universe, the organist/trumpeter reaffirms his ...

13

Article: From the Inside Out

Put It Where You Want It (But Find It Where You Put It)

Read "Put It Where You Want It (But Find It Where You Put It)" reviewed by Chris M. Slawecki


Hip Spanic All-Stars Old-School Revolution Self-Produced 2018 If you think that Old School Revolution sounds both familiar and new, you're right. In the late 2000s, bassist and singer Happy Sanchez, saxophonist Norbert Stachel (Tower of Power), percussionist Karl Perazzo (a longstanding member of Santana), ...

6

Article: Album Review

Cykada: Cykada

Read "Cykada" reviewed by Chris May


Cykada has been making waves on London's genre-melting alternative-jazz scene since 2017, but has yet to acquire a profile akin to those of some of the other bands with which its musicians are involved. These include spiritual-jazz septet Maisha and the Afrobeat-infused Ezra Collective. The release of Cykada, however, is going to strap a booster rocket ...

3

Article: Album Review

Infinite Spirit Music: Live Without Fear

Read "Live Without Fear" reviewed by Chris May


Britain's Jazzman Records has form when it comes to spiritual jazz. Its series Spiritual Jazz: Modal, Esoteric and Deep Jazz, now one release away from its tenth volume, has made accessible again some of the most worthwhile but near-lost African American music of the 1970s. The label also supports modern day British musicians. Stand out home-grown ...

5

Article: Album Review

Tony Adamo: Was Out Jazz Zone Mad

Read "Was Out Jazz Zone Mad" reviewed by Chris M. Slawecki


Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, as a verbal historian of both official and unofficial African-American jazz and blues culture. This type of ...

5

Article: From the Inside Out

One Day in Brazil, 50 Years in Germany

Read "One Day in Brazil, 50 Years in Germany" reviewed by Chris M. Slawecki


Tony Adamo Was Out Jazz Zone Mad Ropeadope 2018 Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...

8

Article: Album Review

Marion Brown/Dave Burrell: Live at the Black Musicians' Conference, 1981

Read "Live at the Black Musicians' Conference, 1981" reviewed by Mark Corroto


One of the benefits of our digital music world is the ability to drive deeply into the jazz narrative. By that I mean, preserving the story of important musicians, the ones whose story was omitted from the Ken Burns' CliffsNotes history of jazz. Without a few labels and several producers, musicians like Bobby Naughton, Clifford Thornton, ...

2

Article: Album Review

Billie Davies Trio: Perspectives II

Read "Perspectives II" reviewed by Jerome Wilson


The spiritual jazz tradition, as exemplified by John Coltrane, Alice Coltrane and Pharoah Sanders, has been having a resurgence over the past few years in places like Los Angeles and Great Britain. Now here is evidence that some musicians in New Orleans are going down that path as well. Billie Davies is a drummer from Belgium ...

2

Article: Album Review

The Gondwana Orchestra: Colors

Read "Colors" reviewed by Matt Hooke


Saxophonist and composer Pharoah Sanders is often imitated but, never matched. His spiritual free-floating style, marked by his distinctive tenor saxophone tone makes him instantly recognizable. On Colors, the Gondwana Orchestra does not attempt to mimic the master, as the album does not include a single saxophonist. Instead of saxophone, the focus is on pianist Taz ...


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