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Gary Bartz: Music For Expanding One's Own Mind
by Paolo Marra
Some jazz musicians are the embodiment of a specific historical period. Their performances conjure memories of the very ideals, passions, and philosophies that characterized an era. This is certainly true of American saxophonist Gary Bartz. After joining Art Blakey & the Jazz Messangers and collaborating with McCoy Tyner on the pianist's tenth album, Expansions (Blue Note, ...
Levitation Orchestra: Inexpressible Infinity
by Chris May
A lot of bull is talked about collective music-making, so it is good to come across a band who not only talk the talk but also walk the walk. Good, too, to come across a debut album that is as outstanding as the thirteen-piece Levitation Orchestra's Inexpressible Infinity. Vibrant, joyous and cosmopolitan, it joins Theon Cross's ...
Phil Ranelin: Phil Ranelin Collected 2003-2019
by Chuck Koton
One day, in Indianapolis in 1948, a nine year old Phil Ranelin made a fateful visit to his paternal grandmother's home. She was a real music buff and that afternoon, before she went to do some work out back, she told young Phillip, “Any of these records, feel free to play 'em and see what kind ...
Italian Showcase Festival and Fringe Program, Novara
by Ludovico Granvassu
Part 1 | Part 2 | Part 3 European Jazz Conference 2019: Italian Showcase Festival and Fringe Program Various venues Novara, Italy September 11-15, 2019 At a time when the ideals of unity and transnational solidarity that represented the founding values of modern-day Europe seem to be faltering under ...
The 9th Annual John Coltrane International Jazz and Blues Festival
by La-Faithia White
Jazz and Blues lovers enjoyed a breathtaking view on Oak Hollow Lake in High Point, North Carolina for the ninth annual John Coltrane International Jazz and Blues Festival. The two day event happens every Labor Day weekend. Saturday's lineup consisted of the John Coltrane Youth Workshop, Laurin Talese with the North Carolina Coltrane All-Star ...
Paul Austerlitz: The Vodou Horn
by Mark Sullivan
The Vodou Horn album is part of a trilogy called Marasa Twa: Vodou-Jazz-Merengue, exploring the spiritual traditions of Haiti and the Dominican Republic. The focus here is on Haiti, with ethnomusicologist/bass clarinetist Paul Austerlitz combining his playing with Franck Desire's Asakivle drumming and singing group, which plays traditional ritual rhythms in concert settings. After recording live ...
Nat Birchall: The Storyteller: A Musical Tribute To Yusef Lateef
by Chris May
The deification of Yusef Lateef, which began only after his passing in 2013, rests on the first decade of his long recording career, from 1957—1967, when he extended the language of jazz to include elements of Asian and Middle Eastern musics while recording for Savoy, Prestige and Impulse. After a second decade with Atlantic, where he ...
Pharoah Sanders: Live At Antibes Jazz Festival Juan-Les-Pins
by Chris May
The first official (allegedly) release of this album for over 30 years, Live At Antibes Jazz Festival Juan-Les-Pins July 21, 1968 captures Pharoah Sanders on the cusp of stylistic change. It is a disc hardcore Sanders fans will treasure. From 1965-1967, with his own bands and in those led by John Coltrane, Sanders' paint-stripping ...
Dwight Trible at Ronnie Scott's Jazz Club
by Chris May
Dwight Trible Ronnie Scott's Jazz Club London August 17, 2019 Dwight Trible inhabits a song with more than just his voice, he does so with his whole body—he uses every available limb and digit and twists and turns and shoehorns himself into his material. At Ronnie's tonight he ...
Maleem Mahmoud Ghania & Pharoah Sanders: The Trance Of Seven Colors
by Chris May
Producer Bill Laswell gets a bad rap in some quarters, and sometimes he deserves it. During his mid 1980s through mid 1990s purple period, Laswell tended to apply, some would say impose, a one-size-fits-all, avant-rock-and-funk formula across the board to the projects he took on. It was novel and radical and compelling and Laswell assembled a ...
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