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Don Ellis: How Time Passes to Essence Revisited
by Angelo Leonardi
Nelle storie del jazz Don Ellis è ricordato principalmente per l'innovativa big band che guidò per un decennio, dalla metà degli anni sessanta. Questa preziosa riedizione ci rammenta i suoi inizi di carriera, quando esplorava nuove soluzioni a partire dalla tromba: accoppia il suo debutto in quartetto (...How Time Passes...) dell'ottobre 1960 con alcuni brani di ...
Greg Burk / Michel Lambert: Wind Forms
by Mark Corroto
"Music is at its best when it brings the human imagination to light." Pianist Greg Burk wrote these words inside the cover of his 2009 release, Many Worlds (482 Music). Throughout his career, his music has embodied this idea, and Wind Forms is no exception. That earlier release featured a quartet, including drummer Michel ...
Caili O'Doherty, Bill O'Connell, and Keith Tippett
by Jerome Wilson
This program features recent music from Caili O'Doherty, Bill O'Connell, and David Weiss as well as older work from Keith Tippett, Mark Masters, and Paul Bley.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Toshiko Akiyoshi Jazz Orchestra ...
Dock in Absolute: [Re]Flekt
![Read "Dock in Absolute: [Re]Flekt" reviewed by Brian Morton](https://s3.amazonaws.com/allaboutjazz/coverart/large/7c9de437021a8f91187845967a95dfdf.jpg)
by Brian Morton
I wonder if I'd get away with it? An old friend was famous for his ability to turn out newspaper columns at lightning speed and with no notice, often after a generous lunch that had stretched on until near deadline time. He'd gruffly concede that yes, that's what they paid him for, yank out a few ...
Two Recent Recordings On Ezz-thetics
by John Eyles
In the Hat Hut site which systematically lists all the Ezz-thetics releases to date, the two albums below are completely surrounded by albums of music by now-deceased jazz icons who recorded it decades ago--Paul Bley in 1962, John Coltrane in 1962 too, Albert Ayler in 1964, Cecil Taylor in 1980 and Steve Lacy in 1984. So ...
Jazz, Gnu and New: ECM Reissues To Excite Vinyl Fans
by Joshua Weiner
ECM's “Luminessence" series pays tribute to the impressive legacy of Manfred Eicher's label, founded in Germany in 1969. Several of its most historic and beloved releases are being reissued on audiophile vinyl cut from the original analog tapes (or, in the case of more recent albums, from high-resolution digital masters) and presented in heavy gatefold sleeves ...
Bley School: Where?
by John Sharpe
Punningly recalling beloved British children's TV programme Play School, the name Bley School neatly encapsulates what is afoot on this album, representing an open-minded and irreverent fondness for tunes, especially those associated with the groundbreaking Canadian pianist Paul Bley. Responsible for this is the threesome of pianist Pat Thomas, bassist Dominic Lash and drummer Tony Orrell. ...
Brûlez les meubles: The Guitar and Bass Duo Who Threw Away the Script
by Lawrence Peryer
The name Brûlez les meubles carries a wry irony. While it literally means “burn the furniture" in English, the Québec duo playfully inverts the common French phrase “sauver les meubles" (preserve the essential). This tension between preservation and reinvention defines their artistic approach, especially on their latest album Folio #5 (Tour de Bras/Circum-Disc, 2024).
How Time Passes to Essence Revisited
By Don Ellis
Label: Ezz-thetics
Released: 2024
Track listing: …How Time Passes; Sallie; A Simplex One; Waste; Improvisational Suite 1; Slow Space; Ostinato; Donkey; Form; Irony.
Marco Pennisi: la Red Records di oggi
by Libero Farnè
La foto riportata qui sopra, scattata da Curti Parini, è emblematica perché rappresenta il passato e il presente della Red Records, storica casa discografica milanese che dal 2021 ha ripreso quota, incrementando le sue mirate edizioni. Da sinistra possiamo distinguere Tommaso Belletti (digitale e promozione), Cem Cansu (store manager), l'attuale produttore e responsabile Marco Pennisi, Sergio ...
