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Paul Bley: Early Trios
Pianist Paul Bley is often thought of today as a free-jazz trailblazer and avatar of the avant-garde. But in the beginning, in the early 1950s, Bley was a swinging modernist, leaning heavily on bop. Bley led a trio in New York and recorded three albums—Introducing Paul Bley (Debut), Autobiography in Jazz (Debut) and Paul Bley (Emarcy). ...
Iro Haarla, Ulf Krokfors, Barry Altschul: Around Again: The Music Of Carla Bley
by Neri Pollastri
Sontuosa rilettura di dodici tra le più belle composizioni di Carla Bley, quest'album nasce da un'idea del contrabbassista Ulf Krokfors, condivisa con la pianista Iro Haarla--che frequenta la musica di Carla fin dai tempi del conservatorio e che ha da sempre Paul Bley come modello pianistico--e poi concretizzata assieme a Barry Altschul, batterista nel trio del ...
Andy Milne: The reMission
by Mike Jurkovic
Ever hear a disc and wonder why the deep-seated beauty of some players' music escapes your radar? Juno Award-winning pianist and composer Andy Milne's The reMission, a challenging, tough, terse and ultimately triumphant recording, is one of those. One of those discs that, after several uninterrupted listens, has one digging into the discography scrambling to catch ...
Don Cherry: Cherry Jam
by Karl Ackermann
In the same year that composer/multi-instrumentalist Don Cherry recorded his milestone Complete Communion (Blue Note, 1966) he took his cornet to the studio of Danish National Radio. Cherry had established himself by the early 1960s, playing with Steve Lacy, Ornette Coleman, Paul Bley, John Coltrane, Charlie Haden, Archie Shepp, Albert Ayler and Ed Blackwell. Copenhagen began ...
Mario Pavone: Philosophy
by Giuseppe Segala
Ci sono musicisti che percorrono con discrezione il proprio itinerario artistico e, pur senza collocarsi nel novero dei protagonisti, si ritagliano un ruolo importante di connettori, di tenaci tessitori delle trame che rendono vitale e significativo un periodo artistico. Il contrabbassista Mario Pavone è senz'altro uno di questi. Un musicista prezioso, prodigo di iniziativa. Lo abbiamo ...
Michael Formanek Very Practical Trio: Even Better
by Giuseppe Segala
Trigonometria musicale? Triangolazioni sonore? Certamente, la formula del trio ha sempre riscosso un'attenzione speciale nel jazz, non solamente nella sua forma classica e costantemente esplorata, che affianca pianoforte, contrabbasso e batteria. In particolare Jimmy Giuffre, negli anni Cinquanta e Sessanta, ne ha esplorato con grande profondità e acume alcune possibili varianti, sondando dinamiche, centri di gravità ...
Two trio recordings with Yoko Miura
by John Eyles
Tokyo-born Yoko Miura took classical piano lessons from the age of 5 to 18. Inspired by players such as Thelonious Monk, Eric Dolphy and Paul Bley she took classes in jazz. She was soon playing concerts in Japan with players like guitarist Ryouichi Saito, percussionist Jyunzo Tateiwa and shamisen & bassist Noribumi Uchida. By 2001 she ...
Two Pianists Going Their Own Way: Carl Kennedy and Max Petersen
by Jerome Wilson
Most contemporary jazz piano players follow well-trodden paths, be it the speed and power of Bud Powell, the romantic clarity of Bill Evans or the complex abstractions of Cecil Taylor. Here are two examples of pianists who go their own ways. Carl Kennedy American Lullaby JeruJazz 2019 ...
Results for pages tagged "Paul Bley"...
Paul Bley
Born:
"Since the Montreal-born, long-US resident Bley's 50's debut with Mingus and Blakey, he's worked with more first-rate, wide ranging original musical minds than anyone but Miles..." —Howard Mandel, Downbeat, April 1995
Bley gave violin recitals at age five. By age seven he was studying piano. He went through numerous classical teachers—including one Frenchman that had him play, balancing filled water glasses on the tops of his hands. At age 11 he graduated from the McGill Conservatory—having taken on their musical curriculum in addition to his public school education. Bley, who was known as "Buzzy" in his early adolescence, formed a band and played clubs and summer hotel jobs in the Laurentian Mountains at age 13. Four years later he replaced Oscar Peterson at the Alberta Lounge. Bley founded the Montreal Jazz Workshop and brought Charlie Parker, Sonny Rollins, Brew Moore and Alan Eager to Montreal inorder to perform with them.
Carla Bley: Life Goes On
by Dan McClenaghan
Pianist / composer Carla Bley is an inspiring woman. Pianist Paul Bley was inspired to marry her, and record a full album of her compositions: Barrage (ESP-Disk, 1965), in addition to including four of her originals on Open, To Love (ECM Records, 1973). George Russell included her “Bent Eagle" on his Stratusfunk (Riverside Records, 1960). Jimmy ...
