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Michael Formanek Very Practical Trio: Even Better
by Giuseppe Segala
Trigonometria musicale? Triangolazioni sonore? Certamente, la formula del trio ha sempre riscosso un'attenzione speciale nel jazz, non solamente nella sua forma classica e costantemente esplorata, che affianca pianoforte, contrabbasso e batteria. In particolare Jimmy Giuffre, negli anni Cinquanta e Sessanta, ne ha esplorato con grande profondità e acume alcune possibili varianti, sondando dinamiche, centri di gravità ...
Two trio recordings with Yoko Miura
by John Eyles
Tokyo-born Yoko Miura took classical piano lessons from the age of 5 to 18. Inspired by players such as Thelonious Monk, Eric Dolphy and Paul Bley she took classes in jazz. She was soon playing concerts in Japan with players like guitarist Ryouichi Saito, percussionist Jyunzo Tateiwa and shamisen & bassist Noribumi Uchida. By 2001 she ...
Two Pianists Going Their Own Way: Carl Kennedy and Max Petersen
by Jerome Wilson
Most contemporary jazz piano players follow well-trodden paths, be it the speed and power of Bud Powell, the romantic clarity of Bill Evans or the complex abstractions of Cecil Taylor. Here are two examples of pianists who go their own ways. Carl Kennedy American Lullaby JeruJazz 2019 ...
Results for pages tagged "Paul Bley"...
Paul Bley
Born:
"Since the Montreal-born, long-US resident Bley's 50's debut with Mingus and Blakey, he's worked with more first-rate, wide ranging original musical minds than anyone but Miles..." —Howard Mandel, Downbeat, April 1995
Bley gave violin recitals at age five. By age seven he was studying piano. He went through numerous classical teachers—including one Frenchman that had him play, balancing filled water glasses on the tops of his hands. At age 11 he graduated from the McGill Conservatory—having taken on their musical curriculum in addition to his public school education. Bley, who was known as "Buzzy" in his early adolescence, formed a band and played clubs and summer hotel jobs in the Laurentian Mountains at age 13. Four years later he replaced Oscar Peterson at the Alberta Lounge. Bley founded the Montreal Jazz Workshop and brought Charlie Parker, Sonny Rollins, Brew Moore and Alan Eager to Montreal inorder to perform with them.
Carla Bley: Life Goes On
by Dan McClenaghan
Pianist / composer Carla Bley is an inspiring woman. Pianist Paul Bley was inspired to marry her, and record a full album of her compositions: Barrage (ESP-Disk, 1965), in addition to including four of her originals on Open, To Love (ECM Records, 1973). George Russell included her “Bent Eagle" on his Stratusfunk (Riverside Records, 1960). Jimmy ...
Satoko Fujii Orchestra New York: Entity
by Dan McClenaghan
Pianist / composer Satoko Fujii has staked out her ground as one of the most original voices in jazz—or in any artform, for that matter. She has released more than eighty albums, beginning with her 1995 debut, Something About Water (Libra Records), a piano duet set with Paul Bley. She tours relentlessly. She records in every ...
Bill Dixon e Cecil Taylor: iniziò a Verona
by Angelo Leonardi
La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...
Adam Berenson: Every Beginning Is A Sequel
by Karl Ackermann
Pianist/keyboardist/composer Adam Berenson--across more than twenty recordings--offers incontrovertible evidence that talent surpasses an affinity for category. He is equally at home with jazz, electronica, blues, or a string quartet. On his previous , fully-acoustic album, Stringent and Sempiternal (Dream Works, 2019) Berenson went in an unusual direction (for him), covering works of Miles Davis, Bud Powell, ...
When Will The Blues Leave
By Paul Bley
Label: ECM Records
Released: 2019
Track listing: Mazatlan; Flame; Told You So; Moor; Longer; Dialogue Amour; When Will The Blues Leave; I Loves You, Porgy.
John Kelman's Best Releases of 2019
by John Kelman
Well, Chronic Fatigue Syndrome continues to be a challenge, as it has been since mid-2014. 2019 represents, in fact, the worst year when it comes to the actual number of articles written. Still, I've been finding an increasingly satisfying niche in the arena of in-depth, detailed and extensive/exhaustive (exhausting, for you as much as I!!) articles. ...
