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5

Article: Building a Jazz Library

The Essential Satoko Fujii, Part One: Solo, Duo, Trio, Quartet and Orchestra

Read "The Essential Satoko Fujii, Part One: Solo, Duo, Trio, Quartet and Orchestra" reviewed by Dan McClenaghan

by Dan McClenaghan

Satoko Fujii's recorded output comes at you hard and fast. It can overwhelm. In 2018—in celebration of her sixtieth birthday—the pianist/composer/bandleader released an album a month. Not download offerings, but real, handsomely produced CDs, with top of-the-line cover art and sturdy cardboard covers—jewels for the eye, ear and hand. Several other years have seen a release ...

14

Article: Album Review

Adam Berenson: Homages and Worlds

Read "Homages and Worlds" reviewed by Karl Ackermann

by Karl Ackermann

Adam Berenson's Assemblages (Dream Play Records, 2021), a trio outing with bassist Scott Barnum and drummer Bob Moses, was the pianist/composer's return to an acoustic piano trio setting. But Berenson is a restless pioneer who plants a flag and moves on to new territory. Never far from his collection of electronics and synthesizers, he found a ...

12

Article: Interview

Bill Goodwin: Not Less Than Everything

Read "Bill Goodwin: Not Less Than Everything" reviewed by Victor L. Schermer

by Victor L. Schermer

Bill Goodwin is like a breath of fresh air blowing through jazz. From the time around 1954 when he was in Los Angeles and just learning the drums, and inspired by Shelly Manne, to today, around his 80th birthday, he has loved jazz and the musicians unconditionally. He has befriended and worked with so many of ...

2

Article: Interview

Mauro Gargano: il contrabbasso è il mio giardino segreto

Read "Mauro Gargano: il contrabbasso è il mio giardino segreto" reviewed by Neri Pollastri

by Neri Pollastri

Mauro Gargano, contrabbassista e compositore barese da molti anni residente a Parigi, ha pubblicato nell'ultimo anno e mezzo due album, Nuages e Feed, assai diversi tra loro per formazione, stili e atmosfere, ma entrambi molto interessanti e personali. Siamo andati a parlarne con lui, anche per conoscere la sua storia e quella dei jazzisti italiani trasferitisi ...

Album

Free Fall Clarinet 1962 Revisited

By Jimmy Giuffre

Label: Ezz-thetics
Released: 2021
Track listing: Motion Suspended; Propulsion; Threewe; Ornothoids; Dichotomy; Man Alone; Spasmodic; Yggdrasill; Divided Man; Primordial Call; The Five Ways.

Album

Touching & Blood Revisited

By Paul Bley

Label: Ezz-thetics
Released: 2021
Track listing: Cartoon; Touching; Start; Mazatlan; Closer; Both; Pablo; Blood.

3

Article: Album Review

Rachel Eckroth: The Garden

Read "The Garden" reviewed by Jerome Wilson

by Jerome Wilson

Pianist and composer Rachel Eckroth travels a twisty road on this CD, creating an ever-changing mix of jazz, prog rock, and fusion which utilizes off- center beats and swarming electronic effects. Eckroth's music is a little different on each track. Sometimes it builds up from layers of piano and synthesizers. At other times it ...

1

Article: Live Review

Anokhi3 al Pinocchio di Firenze

Read "Anokhi3 al Pinocchio di Firenze" reviewed by Neri Pollastri

by Neri Pollastri

Anokhi3 Firenze Pinocchio Live Jazz 4.12.21 Giunta al Pinocchio di Firenze il giorno successivo al suo esordio assoluto, avvenuto a Monfalcone, Anokhi3—piano trio che Cristiano Calcagnile ha messo in piedi assieme a Giorgio Pacorig e Gabriele Evangelista—è una formazione pensata da tempo e il cui materiale ha richiesto una lunga elaborazione. ...

1,278

Article: Interview

Paul Motian: There's a Million Songs Out There

Read "Paul Motian: There's a Million Songs Out There" reviewed by Paul Olson

by Paul Olson

This interview was first published at All About Jazz in April 2006. Paul Motian doesn't like being interviewed. That said, the 75-year-old drummer has plenty to say, and doesn't hesitate to speak his mind. Motian first came to prominence in the late 1950s as one-third (with bassist Scott LaFaro and ...

18

Article: Album Review

Oddgeir Berg Trio: Christmas Came Early

Read "Christmas Came Early" reviewed by Dan McClenaghan

by Dan McClenaghan

The late Paul Bley (1932-2016) once said of his ECM Records release Open, To Love (1972), that the sound he created there was his attempt to prove he was the slowest pianist in the world. He was a man with a sense of humor, and his tongue had surely wormed its way into his cheek with ...


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