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Results for "Ornette Coleman"
Julius Hemphill: The Boyé Multi-National Crusade For Harmony
by Mark Corroto
There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...
Charles Lloyd: Tone Poem
by Eric Gudas
Charles Lloyd and The Marvels' April 2017 performance at UCLA's Royce Hall, with guest vocalist Lucinda Williams, was nothing but highlights--from Lloyd's dance moves across the stage as one or other of his bandmates soloed, to Williams' impassioned performances on such songs as Bob Dylan's “Masters of War" and Jimi Hendrix's “Angel." They also played a ...
Miguel Zenón: Law Years: The Music of Ornette Coleman
by John Chacona
How do you hear Ornette Coleman's music? As an unlikely but logical extension of bebop vocabulary? As “free" chaos untethered from harmony? As a tributary of the great stream of Texas saxophonists? As jazz's purest melodism? The music of Coleman, who would have turned 91 years on March 9 2021, was all of those ...
Miguel Zenon: Law Years: The Music of Ornette Coleman
by Neri Pollastri
Da oltre un decennio autore di lavori di notevole qualità, spesso incentrati sulla rilettura della musica latinoamericana entro la quale è cresciuto—come nel recente El Arte Del Bolero, in duo con Luis Perdomo —, il contraltista di origini portoricane Miguel Zenon pubblica stavolta un omaggio a un Maestro assoluto del jazz al quale dichiara nelle note ...
Barry Altschul’s 3Dom Factor feat. Jon Irabagon & Joe Fonda: Long Tall Sunshine
by Mark Corroto
The fourth release by Barry Altschul's 3Dom Factor, Long Tall Sunshine, evokes (in a weird way) the lyrics to “Helter Skelter" by The Beatles: “When I get to the bottom I go back to the top of the slide Where I stop and I turn and I go for a ride Till ...
Joshua Abrams’ Cloud Script: Cloud Script
by Mark Corroto
You can take bassist Joshua Abrams out of his Natural Information Society, but you can't take the Natural Information Society out of Abrams. His long- lived ensemble, which traffics in long-form psychedelic environmental music, has made a permanent imprint on just about everything Abrams does. In bands led by Nicole Mitchell, Hamid Drake, Dave Rempis, and ...
Franco D'Andrea: sfumature di una vita dedicata al jazz
by Paolo Marra
Abbiamo intervistato in occasione dei suoi ottant'anni, compiuti lo scorso 8 marzo, il pianista e compositore Franco D'Andrea. Ne è scaturito il racconto di un uomo dedito con inesauribile curiosità, studio e talento alla poetica del jazz. Come afferma lui stesso-"Il jazz mi ha dato una direzione, ha reso la mia vita coerente con un obiettivo ...
Seeing More Jazz
by Luciano Rossetti
My interview (Seeing Jazz: The Photography of Luciano Rossetti) with Karl Ackermann was published earlier this week. Here are some additional photos of mine that I wanted to share. Over the course of my career I have had the pleasure of photographing some of the greatest jazz musicians in the world including Anthony Braxton, ...
Seeing Jazz: The Photography of Luciano Rossetti
by Karl Ackermann
As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...
Cecil Taylor: Mixed To Unit Structures Revisited
by Mark Corroto
A listener could make it their life's work to absorb and appreciate the music the music of Cecil Taylor. One could possibly approach it as a scholar and musician through notation and transcription—not the recommended approach. Such a task would be similar to the process of systematizing a DNA sequence. Taylor's music, and pardon this analogy, ...
