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2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Free Jazz / Black Power
by Ian Patterson
Free Jazz / Black Power Philippe Carles and Jean-Louis Comolli 256 Pages ISBN: ISBN 978-1-62846-039-1 University Press of Mississippi 2015 Forty four years after its publication in French, Philippe Carles and Jean-Louis Comolli's thought-provoking, fiercely intellectual book Free Jazz/Black Power finally finds its way into English, ...
Bobby Bradford / Frode Gjerstad Quartet: The Delaware River
by John Sharpe
This live date from Philadelphia in 2014 forms the seventh in a string of releases by the Bobby Bradford and Frode Gjerstad quartet. Their association dates back to 1986 when cornetist Bradford first encountered Norwegian reedman Gjerstad as part of co-operative group Detail, convened by drummer John Stevens. All of that experience shows in the relaxed ...
The People Band: Back and playing again
by Sammy Stein
46 years after their previous release, the People Band are putting out a new CD. Paul Jolly is producing the project and releasing it through his record label, 33JAZZ records. Jolly is also a member of the band. He says, “The reason for a new album is that our last one, released on the Emanem label, ...
Dave Wilson: There Was Never
by Dan Bilawsky
Saxophonist Dave Wilson cuts an imposing figure on the cover of There Was Never, his fourth album in total and his first on the Zoho Music imprint. There's intensity fixed on his face, with eyes closed in concentration and embouchure set for attack. And then there's his tenor saxophone. It has a larger than life presence ...
Rodrigo Amado: This Is Our Language
by Glenn Astarita
Experimental jazz, largely framed on wide-ranging improvisational tactics, inhabits a tightknit if not cloistered community, partially by default due to its avant-garde underpinnings. With the album moniker This Is Our Language, eminent Portuguese saxophonist Rodrigo Amado imparts a bond or connection to free-jazz pioneer Ornette Coleman's fifth album, This Is Our Music (Atlantic, 1960).
Free Jazz Group Wiesbaden: Frictions / Frictions Now
by Glenn Astarita
When an obscure buried treasure is reincarnated and unexpectedly arrives in your mailbox, it often looms as a source of interest. Case in point is this little known Wiesbaden, Germany-based experimental jazz group that formed in the late 1960s and recorded two limited edition LPs: Frictions (1969, Self-produced) and Frictions Now (1971, Self-produced). At the time, ...
Free Jazz Group Wiesbaden: Frictions / Frictions Now
by John Sharpe
History is written by the victors. That holds as true for art as for war. When looking for pioneers from the formative days of free jazz in Germany, the names of reedmen Peter Brötzmann and Gunter Hampel, trumpeter Manfred Schoof and pianist Alexander von Schlippenbach are likely to spring to mind. But now the Lithuanian No ...
The Spike Orchestra: Cerberus (Book of Angels - Volume 26)
by Phil Barnes
Taking inspiration from the divine is a tough sell. Get it wrong and it can appear sacrilegious or insulting to the faithful; too devout and our largely secular society turns away. In the past the poet William Blake was famously beaten by his own mother when he claimed to have had angelic visions at the age ...
Sonny Sharrock: Ask the Ages
by C. Michael Bailey
Guitarist Sonny Sharrock had been recording since 1969, in a variety of formats. In 1991, he recorded his masterpiece, Ask the Ages for Axiom records. The recording was produced by Sharrock and MOD Technologies founder and bassist Bill Laswell. Axiom Records was a precursor to Laswell's MOD Technologies. It is fitting that Laswell resurrect Sharrock's magnum ...
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