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About Reuben Wilson
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Reuben Wilson
Born:
In the late 60s, organist Reuben Wilson began ascending to his current status as a "godfather" of acid-jazz with "On Broadway", the first in a string of albums for Blue Note Records. With these recordings Wilson revealed a command of funk that helped redefine the soul jazz movement created by the likes of Jimmy Smith, Jimmy McGriff and Richard "Groove" Holmes. "l was impressed by the great players," Wilson said in an interview with Carlo Wolff for The Plain Dealer, But I thought the music could be well served by a pop feeling, I liked what drummers Bernard Purdie and ldris Muhammad were doing [Wilson has recorded with both drummers]
About Baby Face Willette
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Baby Face Willette
Born:
There is an air of mystique, an alluring attraction in jazz circles, to those highly talented musicians who shone brilliantly for a short duration, then slipped into obscurity. Jazz organist Baby Face Willette is certainly one of those figures. Roosevelt Willette, born on September 11, 1933, was the son of a minister who was introduced to the organ, as many others, in church, an influence which would define his style and direction. In the early 50’s he played with various gospel and R&B groups, and reportedly put out a couple of singles around this time. He worked his way to Chicago in the late ‘50’s and eventually went to New York and got involved with the jazz scene there
About Winston Walls
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Winston Walls
Born:
Winston Walls - Hammond organ (1943 - 2008) "There's a lot of cats who can play, but everybody's not special. I'm special-I'm a bad dude." Having somehow managed a 30 year career behind folks like the Pointer Sisters, Lou Donaldson and Sonny Stitt without a single recording of his own until his “Boss of the B3,” in 1993, Winston Walls was certainly one bad dude when it comes to Hammond players. He was born in a car in Ironton, Ohio, in 1943, as his family was en route from Lexington, Ky., to their Charleston home. Music was a family affair. His father, Harry "Van" Walls served as house pianist for Atlantic Records during the 1950s and was recognized by the Rhythm and Blues Foundation with a Pioneer Award in 1997. After studying drums with the late, great Charleston drummer Frank Thompson, Winston got a lucky break when Hammond great Bill Doggett's drummer didn't show for a gig at Charleston's Municipal Auditorium
About Trudy Pitts
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Trudy Pitts
Born:
Trudy Pitts with husband Mr. C at the Meiji-En Restaurant A dream gig might be this: three nights each week in a restaurant noted for its warmth, intimacy, musical freedom, and complete support for the artist. Sounds almost too good to be true, right? Well, in the City of Brotherly Love, the Meiji-En (thought to be the nation's biggest Japanese restaurant) offered such a piano trio gig to two of my favorite musicians, Trudy Pitts and Mr. C, and for the last five years it has seemed like a dream. I've been calling Trudy and Mr. C Philadelphia's best- kept secret, but the truth is that most people in the know have been hip to Trudy's piano and organ work and Mr. C's drumming and promoting for years. Trudy is a native Philadelphian who began playing piano at age six
About Don Patterson
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Don Patterson
Born:
Inspired to switch from piano to organ by Jimmy Smith, Don
Patterson was one of the Hammond B-3's most bop-rooted
players, able to play bluesy soul-jazz grooves or break out
of the pocket for some nimble, sharply defined solo lines.
Though he led numerous recording dates for Prestige and
later Muse, he was best-known as Sonny Stitt's favorite
organist, proving eminently compatible with the Parker-
influenced saxophonist. Patterson was born in Columbus,
OH, on July 22, 1936, and began studying piano as a child.
His first major influence was Erroll Garner, and some of that
flavor remained in his playing even after he heard Jimmy
Smith in 1956 and changed instruments
About Big John Patton
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Big John Patton
Born:
Big John Patton was born July 12, 1935 in Kansas City, Missouri. A self-taught musician, he started playing the piano in 1948 and landed his first big gig touring with R&B sensation Lloyd Price from 1954-1959. Upon his arrival in New York, around 1960, Patton began making the transition from piano to organ. Throughout the 1960's he recorded extensively for Blue Note Records as a leader and sideman, most notably with Grant Green and Lou Donaldson. His music evolved to incorporate elements of modal and free jazz, without ever losing the basic, earthy groove that he brought to it from the beginning. He wrote some organ jazz classics such as "Funky Mama" and "The Yodel." His music will be remembered fondly by musicians and fans
About Jimmy McGriff
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Jimmy McGriff
Born:
Organ master Jimmy McGriff may have studied formally at Juilliard and at Philadelphia's Combe College of Music, but there's nothing fancy about his music. It's basic to the bone, always swinging and steeped in blues and gospel. McGriff's brand of jazz is about feeling. "That's the most important thing," he says. Blues has been the backbone of most of the major jazz organists, including Jimmy Smith and Jack McDuff, but throughout his 42-year recording career, McGriff has stuck closer to the blues than any of them. "People are always classifying me as a jazz organist, but I'm more of a blues organ player," he insists
About Jack McDuff
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Jack McDuff
Born:
Brother Jack McDuff, was one of the handful of leading exponents of the soul jazz style created on Hammond organ by Jimmy Smith in the late 1950s. The instrument at the heart of the soul jazz style was the Hammond B-3 organ, usually in the company of electric guitar, drums, and often tenor saxophone. The emergence of Jimmy Smith as a major star on the instrument sparked its widespread use in jazz and pop music in the early 1960s, and McDuff was among its most successful practitioners. Its initial popularity in both jazz and rock had peaked by the end of the decade, and it was later largely superseded for a time by more contemporary developments in keyboard technology, but it retained serious cult status among its devotees, and those musicians who still preferred the challenge of actually having to play everything themselves
About Eddy Louiss
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Eddy Louiss
Born:
Eddy Louiss was born Edouard Louise on May 2, 1941 in Paris, France. Born into a musical family, his father was a trumpet player, and he studied several musical instruments, including trumpet and piano. In his early teenage years Louiss played in his father's band. In the early 60s he was playing piano in various Paris nightclubs and continuing with his studies. He also sang with the French vocal group Double Six, other members of which included Roger Guérin, Ward Swingle and Christiane Legrand, the sister of Michel Legrand. Adding the organ to his array of instrumental ability, Louiss played with various jazzmen in the 60s, among them Johnny Griffin, Art Taylor , Dizzy Gillespie, and Stan Getz
About Mike LeDonne
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Mike LeDonne
Born:
Pianist Mike LeDonne started playing piano at the age of 5 and was raised in his parent’s music store. By the age of 10 his father, a jazz guitarist, began booking him on gigs. He is now an internationally renowned pianist and organist with the unique experience of having played with a wide spectrum of jazz masters from Benny Goodman to Milt Jackson and Sonny Rollins. He has won praise not only from critics but from master musicians: Oscar Peterson picked him as one of his favorite pianists of today. At age 21, Mike graduated from New England Conservatory in 1979 and moved to New York City with the Widespread Jazz Orchestra


