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Matteo Sabattini: Dawning
by Ian Patterson
Perhaps due to New York's dynamism--and no doubt in part the result of the city's pivotal role in jazz's history--New York jazz ensembles are frequently characterized by bold playing and a hard edge that's arguably less common in many European jazz groups. Italian-born alto saxophonist Matteo Sabattini's New York Quintet builds a bridge between a melodic ...
Take Five With Kristina Morales
by AAJ Staff
Meet Kristina Morales: With an incandescent brilliance, rising star Kristina Morales' voice shines across the heart of the city of New Orleans with illuminating clarity and burns with heart-wrenching warmth. She electrifies and charms her audience with a vulnerable passion and is commended by musicians and audiences alike for her use of vocal instrumentation ...
Nova Jazz Orchestra / Christian McBride Big Band / NYJO
by Jack Bowers
Nova Contemporary Jazz OrchestraWho Sez You Can't Dance to Bebop?Nova Jazz2010 When last heard from, Minnesota's dauntless Nova Jazz Orchestra was performing alongside the legendary Stan Kenton Orchestra--well, not actually “alongside," but as part of the Tantara label's ongoing two-disc salute to Kenton, Double Feature, Vol. 2. ...
Bright Moments: So Cal Jazz Highlights, 2011
by Chuck Koton
Southern California's jazz community has taken some brutal hits in the last few years. Too many of the brilliant artists who make the music have passed on, as have the venues they performed in. The Jazz Bakery's shuttering nearly three years ago was a breath- snatching body blow; Charlie Os abrupt closing this past summer stung ...
What's The Point, Part 1
by Dom Minasi
This is the first entry for my new column at All About Jazz. I actually published What's The Point? in my own blog in January 2012. All About Jazz asked if I would be interested in writing for them; I was surprised and honored. I decided to update and rewrite the original article; because of the ...
BAM or JAZZ: Part Two!
by Greg Thomas
Jazz, an art form given birth in the United States by descendents of the formerly enslaved, has a complicated relationship with race. Although race, as a popular idea, has no basis in biology, many people mentally adhere to the idea of dividing groups of people based on “race" as opposed to understanding how groups of people ...
NYC Winter Jazzfest, Day 1: January 6, 2012
by Daniel Lehner
Day 1 | Day 22012 NYC Winter Jazzfest, Day 1New York, NYJanuary 6, 2012 No one could argue that jazz didn't have a tumultuous 2011. For the better, bassist/vocalist Esperanza Spalding's Grammy for Best New Artist marked the first time a jazz musician was awarded that honor, and veteran ...
BAM or JAZZ: Why It Matters
by Greg Thomas
Since the last Race and Jazz column, the first of a multi-part discussion with John Gennari--the top scholar on the history of jazz criticism--a firestorm of controversy has arisen surrounding Nicholas Payton's declaration that, to him, the word jazz is dead. He also feels that the word jazz is tantamount to or worse than the “n" ...
Warren Wolf: The Wizard of Vibes
by R.J. DeLuke
Warren Wolf has made his name by playing the vibes, which he does with aplomb. He's as much a virtuoso on the instrument as anyone, even including his jazz elders. That may be, in part, because he was influenced by the sound of Milt Jackson and studied with one of the best in Dave Samuels, while ...
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