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Bluesy Brunch Starring Eileen Howard: Date Change, New Dates
Critically acclaimed blues and jazz singer Eileen Howard and The West End Lounge announce the addition of more performance dates and a change of date for their popular Bluesy Brunch. The previously announced Saturday, May 31 date has been replaced with Sunday June 1, 3:30-5:30. In addition, the success of the concerty has prompted additional bookings: ...
Jeremy Manasia: Pixel Queen
by Dan Bilawsky
Pixel Queen is the third record to document the musical relationship that pianist Jeremy Manasia has with bassist Barak Mori and drummer Charles Ruggiero. Manasia's debut leader date--Witchery (Cellar Live, 2007)--featured a different rhythm crew, but this bass-and-drums team came aboard for After Dark (Posi-Tone, 2009), a pleasing trio-with-guests outing, and stayed for Green Dream (Cellar ...
Matthew Shipp Trio: Root Of Things
by John Sharpe
The third album by pianist Matthew Shipp's trio with bassist Michael Bisio and drummer Whit Dickey persuades as their strongest yet, no mean feat after the live disc included on The Art Of The Improviser (Thirsty Ear, 2011) and Elastic Aspects (Thirsty Ear, 2012). Over the six cuts from this 2013 studio session they restate their ...
Eric Revis Quartet: In Memory Of Things Yet Seen
by Glenn Astarita
Bassist Eric Revis has performed and recorded with saxophonist Branford Marsalis' bands since 1997, and is a first-call session artist. Marsalis appears on two tracks for the bassist's third solo date on the progressive Portugal-based label, Clean Feed Records. The core quintet features a formidable frontline with tenor saxophonist Bill McHenry and alto saxophonist Darius Jones. ...
Jazzmobile, Inc. Celebrates 2014 Harlem Shrines Jazz Festival
Jazzmobile, Inc. Celebrates 2014 Harlem Shrines Jazz Festival with a Series of Concerts Saluting Minton’s Playhouse, Savoy Ballroom and the King of the Lindy Hop, Frankie Manning Jazzmobile Continues Annual Partnership with Apollo Theater, Harlem Stage and Columbia University to Bring Emerging and Established Artists to Venues All Over Harlem Harlem, NY – Jazzmobile, the oldest, ...
Peter Brendler: Outside The Line
by Bruce Lindsay
Thirteen years after graduating from Berklee and over a decade into his career as a professional bassist, Peter Brendler has taken the plunge and released his first album as leader, Outside The Line. Look before you leap, as they say. Wise advice, if the quality of this debut is anything to go by.Brendler has ...
Dewa Budjana (with Jimmy Johnson & Vinnie Colaiuta): Surya Namaskar
by Ian Patterson
Guitarist Dewa Budjana's two releases on MoonJune Records in 2013, Dawai in Paradise and Joged Kahyangan introduced a talented musician whose Indonesian roots dovetailed with prog rock, jazz fusion and a melodic pop sensibility; Budjana showed tremendous chops but, as he demonstrates once again, he's perhaps primarily a tunesmith. Budjana draws from a similar well of ...
Smoke Sessions: A Threesome from Herring, Jackson, & Hazeltine
by C. Andrew Hovan
With the launch of their own label at the start of 2014, Smoke Jazz Club widened their circle by committing to tape performances by some of New York's finest musicians and dispersing this music via downloads and discs. A decidedly bare bones operation, the in-house production team has done a great job of capturing the ambiance ...
John Ellis & Andy Bragen Present Mobro - A Narrative Chamber Piece For Nine Musicians & Four Singers
Featuring: Becca Steves, Miles Griffith, Sachal Vasandani, Johnaye Kendrick,John Ellis, Alan Ferber, Josh Roseman, Shane Endsley, John Clark, Mike Moreno, Ryan Scott, Joe Sanders, Rodney Green and Roberto Lange A New Work Commissioned by The Jazz Gallery in 2011, MOBRO marks the first CD release on Ellis' newly formed label, Parade Light Records (distributed by RED) ...
The Bad Plus: The Rite Of Spring
by Dan Bilawsky
Calculation and risk, bombast and glory, a complete shunning of expectations, and a penchant for the provocative, percussive and dramatic. It's hard to know if that description is meant to be applied to Igor Stravinsky's most heralded work or the collectively-operated trio known as The Bad Plus; it's hard to make that distinction because it rings ...
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