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Jon Hassell: Words with the Shaman
by Chris May
Jon Hassell is best known as the creator of Fourth World music, an acoustic-electronic blend of jazz, minimalism, drone, ambient, traditional African and Asian instruments and harmolodic signatures. Hassell has defined Fourth World as “serious music with transcultural appeal and a smile." He unveiled the concept on his debut album, Vernal Equinox (Lovely Records), in 1977. ...
Jon Hassell: Vernal Equinox
by Mark Sullivan
Visionary trumpeter-composer Jon Hassell is one of the architects of what has come to be called World Music: his own preferred term is Fourth World, which he described as “a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." Vernal Equinox was his first commercial album release, originally on Lovely Music in ...
Results for pages tagged "Nana Vasconcelos"...
Nana Vasconcelos
Born:
Premier percussionist Nana Vasconcelos was an innovator in the fusion of Brazilian rhythms and jazz in the 1970’s. Born in Recife on the Northeast Coast of Brazil and, after a lifetime of playing throughout the world, his roots are apparent in everything he plays. When Nana was 12-years-old he began playing with his father, a guitarist, and in the city's marching band. Prodded by intense curiosity and an inquisitive ear that led him from the music of Brazil's greatest composer, Villa Lobos, to Jimi Hendrix, Nana came to learn all the Brazialian percussion instruments and, by the early Sixties, came to specialize in the berimbau
Jamie Breiwick: Awake: The Music of Don Cherry
by Mark Sullivan
Trumpeter and multi-instrumentalist Don Cherry is best known for his long association with composer/saxophonist Ornette Coleman. But he also had a diverse career as a bandleader and composer in his own right, and was especially prominent in the fusion of jazz and world music. Wisconsin-based trumpeter Jamie Breiwick mostly draws from Cherry's solo repertoire for this ...
Enrico Rava: Around the Jazz World in 80 Years - The Leader Part - 2
by Ludovico Granvassu
Second part of the Enrico Rava special focusing on his projects as leader (click here to access the first part) showcasing his range of interests from the tradition of the American Songbook, to Bitches Brew like soundscapes and Opera. This playlist features his work with the likes of Roswell Rudd, Franco D'Andrea, John ...
ECMFest at SFJAZZ
by Harry S. Pariser
ECM Fest SFJAZZ San Francisco, California October 24-27, 2019 ECM (Edition of Contemporary Music) is an independent record label founded by in Munich In 1969 Karl Egger, Manfred Eicher and Manfred Scheffner had the brilliant foresight to found ECM (Edition of Contemporary Music) in Munich, Germany. The label has ...
Avishai Cohen and Yonathan Avishai Release Playing The Room on ECM Records. Out Now!
Playing The Room bears testimony to the long musical friendship of Avishai Cohen and Yonathan Avishai. They began to explore jazz as teenagers in Tel Aviv, and have continued to play together over many years, with Yonathan recently making important contributions to Avishai’s group albums on ECM. Their first duo recording begins with music composed by ...
Evan Parker, Matthew Shipp, Paul Lytton, Peter Apfelbaum, Marcus Rojas & Cyro Baptista
by Martin Longley
Evan Parker/Matthew Shipp/Paul Lytton Roulette March 25, 2019 Originally, this gig was billed as The Schlippenbach Trio, featuring a rare NYC showing from German grand master pianist Alexander Von Schlippenbach. Anticipation was high, but the day before the show, it was announced that his work visa hadn't arrived in time ...
The Complete Jan Akkerman: Focusing on a Life's Work
by John Kelman
He may be largely regarded as the most influential guitarist to emerge from the Netherlands, a country that, bordering on the North Sea, is roughly one-quarter the physical size of England and, with a current number of about seventeen million, has just one-third the population of the UK's largest country. Still, despite garnering major in-country recognition, ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
