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Rodrigo Amado's Motion Trio and Peter Evans
by John Sharpe
Ever since the 2009 debut of the Motion Trio, Portuguese saxophonist Rodrigo Amado has sought to broaden the options available through the addition of more fire power. On both Burning Live (Jazz Ao Centro, 2012) and The Flame Alphabet (Not Two, 2012), Chicago trombonist Jeb Bishop occupied that berth, his garrulous melodicism proving a winning match ...
The Latest Adventures of Dutch Sound Poet Jaap Blonk
by Eyal Hareuveni
Innovative Dutch vocal artist Jaap Blonk has created his own highly personal sound poetry. His vocal acrobatics are still an essential element of his sound palette but not an exclusive one. Since 2000 Blonk has developed new means and methods to expand and experiment with his vocals, with live sampling of his vocals, addition of electronics, ...
Daunik Lazro and Henri Roger with Benjamin Duboc and Didier Lasserre
by Eyal Hareuveni
The French double bassist Benjamin Duboc and drummer Didier Lasserre have created together a unique, highly personal language. Their inventive and telepathic interplay can stir emotional storms produced with minimal, almost evasive elements and color any collaboration with vivid, spell-binding moods. Their latest improvised collaborations with baritone saxophonist Daunik Lazro and pianist Henri Roger demonstrate Duboc ...
Laurence Crane: Composer of the Year?
by John Eyles
Laurence Crane is a contemporary composer who was born in Oxford in 1961. He has said of his music, I use simple and basic musical objects-- common chords and intervals, arpeggios, drones, cadences, fragments of scales and melodies. The materials may seem familiar, perhaps even rather ordinary, but my aim is to find a fresh beauty ...
Introducing the Polish Label For Tune
by Eyal Hareuveni
The polish For Tune label was founded in 2013 and has already managed to release 30 albums that feature some of the lesser known yet intriguing Polish outfits. The three outfits presented below all feature a fresh, unconventional perspective on the jazz idiom, its legacy and its inclusive current and future sonic language. The label succeeded ...
Led Zeppelin Remastered: The First Batch (I, II & III)
by John Kelman
I, II, III | IV, Houses of the Holy For a time, Led Zeppelin was one of the biggest--if not the biggest--bands in the world, eclipsing the Rolling Stones, the Who...even the Beatles. Born out of the ashes of the Yardbirds--even operating, very briefly, under the moniker the New Yardbirds, Led Zeppelin came to ...
Chicago Transit Authority / Chicago II / Chicago III
by Marc Davis
Chicago, the rock band, is not what you remember. Well, it is, but it's also more than that. The Chicago you remember is the hit machine of the '70s: 25 or 6 to 4," Beginnings," Make Me Smile," Does Anybody Really Know What Time It Is?" and many others. Of course, Chicago is also ...
Brian Charette: The Question That Drives Us and Square One
by Hrayr Attarian
Classically trained pianist turned organist Brian Charette is an accomplished master of the Hammond B3 with an elegant yet passionate touch. His signature style imbues the many recordings of his various ensembles with a light, crisp sound and an effervescent melodicism that is, unapologetically, mainstream without being pedestrian. In 2014 Charette cut two charmingly seductive albums ...
Juhani Aaltonen Celebrates the Heroes of Finnish Jazz
by Eyal Hareuveni
Since its inception, the Finnish Tum label's aim was to document the current, local jazz scene and to position it in a broader perspective--from seminal influences by local heroes, musicians from the first generation of Finnish Jazz, and formative forces from European jazz, mainly the Scandinavian ones. Almost 80-year old sax hero Juhani Aaltonen, born in ...
The Musical Meetings of Dom Minasi with Michael Jefry Stevens and Hans Tammen
by Eyal Hareuveni
Guitarist Dom Minasi is an innovative, searching musician that needs no introduction. His two new intimate duo albums feature him in two completely different situations: one playful and emphatic,one experimental and challenging. He excels on both, demonstrating again and again his consummate command of his instrument and the improvised form of his art. ...


